The Piano Tuner of Earthquakes

2006

The Piano Tuner of Earthquakes (2006)

TOMATOMETER

Critic Consensus: Though visually stunning and brilliantly original, the film fails to resonate emotionally.

AUDIENCE SCORE


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Movie Info

The Brothers Quay return for their first film in a decade with this live-action story of an 19th-century opera singer who is murdered on-stage shortly before her upcoming wedding. Soon after being slain by the nefarious Dr. Emmanuel Droz (Gottfried John) during a live performance, Malvina van Stille (Amira Casar) is spirited away to the inventor's remote villa to be reanimated and forced to play the lead in a grim production staged to recreate her abduction. As the time for the performance draws near, piano tuner of earthquakes Felisberto (Cesar Sarachu) sets out to activate the seven essential automatons who dot the dreaded doctor's landscape and make sure all the essential elements are in place. Once again instilled with life after her brief stay in the afterworld, amnesiac Malvina is soon drawn to the mysterious Felisberto as a result of his uncanny resemblance to her one-time fiancé Adolfo (also Sarachu). ~ Jason Buchanan, Rovi

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Critic Reviews for The Piano Tuner of Earthquakes

All Critics (41) | Top Critics (16)

What the movie lacks in acting and coherence, it more than makes up for through imagery.

Mar 2, 2007 | Rating: 3/4 | Full Review…

It's a hauntingly effective, poetic mood piece but an exasperating drama.

Jan 19, 2007

It is a bold step into a mainstream realm for its ancient fablelike theme, agile storytelling, magnificent design and sure grasp of long-form narrative structure.

Jan 12, 2007 | Rating: 3/4 | Full Review…
Seattle Times
Top Critic

This opaque tale offers meticulously crafted atmosphere, but rather less passion or drama.

Jan 5, 2007 | Rating: 2/4 | Full Review…

As in most of the Quays' fantasias, the narrative is oblique and slow moving but the florid visuals are rife with sexual and psychological overtones.

Jan 5, 2007 | Full Review…

The whole movie feels filmed through the wrong end of a stereopticon: stiff, fascinating, riddled with secrets it doesn't care to divulge.

Dec 1, 2006 | Rating: 3/4 | Full Review…
Boston Globe
Top Critic

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