Mary Poppins Returns
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All Critics (19)
| Top Critics (4)
| Fresh (6)
| Rotten (13)
| DVD (1)
Dreadfully paced, with the shoddy acting of everyone but Biehn magnified to punishing degrees in talky, lengthy, predictable scenes.
Labeling a film grind house doesn't excuse soap-opera emoting and laughable dialogue.
This is the kind of junky, hard-to-watch thriller that apologists claim is part of a long line of tough, grindhouse-style thrillers, but which is actually just amateurish gristle.
It is dreary to envisage the viewer who could become emotionally involved in The Victim ...
There are moments where it appears Biehn hasn't watched a film that was made after the 1980s to inform him of how things have changed.
It is never a good sign when the director is not in on the joke.
Extra helpings of off-kilter and off-key melodrama sink Michael Biehn's bewildering directorial debut, the nasty little down-and-dirty thriller The Victim.
While it pains me to say unkind things about an actor I admire, I don't think Michael Biehn is destined to be a director.
The Victim is a film that will most likely be ignored by those who can't handle the explicit yet chilling prologue, but those who can survive it are in for an unexpectedly amusing sleazefest.
The Victim is a labor of love, and despite the thin narrative and low-budget shortcomings, the film makes for an interesting midnight movie. It's a bit light on humor, sans the film's amusing finale, but there's just enough here to keep genre fans smiling.
Considering how little he had to work with and how harried the production schedule was, that the film plays as well as it does is truly impressive, despite occasional hiccups.
Missing the point of what true grindhouse fans are looking for, don't expect much life to be found in this stale, monotonous, mind-numbing tale, making Biehn's audience the sole victim in this whole debacle
There are no featured reviews for The Victim at this time.
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