Two Lives (Zwei Leben)

Critics Consensus

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92%

TOMATOMETER

Total Count: 12

73%

Audience Score

User Ratings: 455
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Movie Info

Europe 1990, the Berlin wall has just crumbled: Katrine, raised in East Germany, but now living in Norway for the last 20 years, is a "war child"; the result of a love relationship between a Norwegian woman and a German occupation soldier during World War II. She enjoys a happy family life with her mother, her husband, daughter and granddaughter. But when a lawyer asks her and her mother to witness in a trial against the Norwegian state on behalf of the war children, she resists. Gradually, a web of concealments and secrets is unveiled, until Katrine is finally stripped of everything, and her loved ones are forced to take a stand: What carries more weight, the life they have lived together, or the lie it is based on? (c) IFC Films

Cast

Juliane Köhler
as Katrine Evensen Myrdal
Liv Ullmann
as Ase Evensen
Sven Nordin
as Bjarte Myrdal
Ken Duken
as Anwalt Sven Solbach
Julia Bache-Wiig
as Anne Myrdal
Thomas Lawinky
as Account Executive in Norway
Klara Manzel
as Katrine Evensen (Jung)
Vicky Krieps
as Kathrin Lehnhaber
Dennis Storhøi
as Anwalt Hogseth
Ursula Werner
as Hiltrud Schlömer
Ralf Dittrich
as Caretaker Sonnenwiese
Matthias Brandt
as Danish Listener
Holger Handtke
as German Listener
Holger Handke
as German Listener
Daniel Krauss
as Reporter
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News & Interviews for Two Lives (Zwei Leben)

Critic Reviews for Two Lives (Zwei Leben)

All Critics (12) | Top Critics (5) | Fresh (11) | Rotten (1)

  • "Two Lives" is an absorbing, well-acted, moderately suspenseful mystery, although its time line of events is fuzzy to the point of impenetrability.

    Feb 27, 2014 | Full Review…
  • Two Lives unfolds in a slow boil of rage at the government that allowed all this emotional destruction. But Maas treats Katrine with compassion, as a victim of forces more damaging than her own ravenous hunger for love and family.

    Feb 27, 2014 | Full Review…

    Ella Taylor

    NPR
    Top Critic
  • This sober look into how war, peace and politics splintered lives is circuitous, but worth puzzling out.

    Feb 27, 2014 | Rating: 3/5 | Full Review…
  • For an issue movie "Two Lives" is something of a nail-biter.

    Feb 27, 2014 | Rating: 2.5/4 | Full Review…
  • Seven decades later, the creative well has somehow not yet run dry on the ripple effects of Nazi Germany's offenses, though writer-director Georg Maas's slick and sulky second feature is not another dime-a-dozen Holocaust tragedy.

    Feb 25, 2014 | Full Review…
  • The gradual unraveling of [a woman's] identity is suspenseful and sympathetically reveals the true pain of being an abused pawn of the losing sides of history.

    Apr 11, 2014 | Rating: 7/10 | Full Review…

Audience Reviews for Two Lives (Zwei Leben)

  • Aug 01, 2014
    A nuanced drama that gradually unfolds as it delves into the complex dilemma faced by a protagonist who cannot escape her tragic web of lies, but the contrived last act has a completely unnecessary flashback that almost undermines the power of her final decision.
    Carlos M Super Reviewer
  • Mar 05, 2014
    With the Berlin Wall coming down, you would presume everybody would be celebrating. And then there is Katrine(Juliane Kohler) who has mixed feelings even though her daughter Anne(Julia Bache-Wiig), a single mother, has just met a lawyer, Sven(Ken Duken). His presence into their lives comes of a lawsuit Sven is planning on filing on behalf of Norwegian children who were sent to Germany to be raised during World War II and never returned. So, Katrine travels back to Germany for the first time in decades in disguise to hide any traces of herself in the official records. Inspired by a true story, "Two Lives" is an understated, downbeat, well-acted and nuanced look at people who are caught up in the deceptions and wheels of history where for some the fiction has become the reality. Just as much, there are no heroes and the villains only work in the shadows. Sadly, the movie errs in how it dispenses information, and not just in its tricky opening sequence. This becomes especially important later on, as until the final endnote, it is implied that Katrine was a totally isolated case which would have made the depicted events that much more contrived.
    Walter M Super Reviewer

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