Spider-Man: Homecoming (2017)
Critic Consensus: Spider-Man: Homecoming does whatever a second reboot can, delivering a colorful, fun adventure that fits snugly in the sprawling MCU without getting bogged down in franchise-building.
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as Peter Parker/Spider-Man
as Adrian Toomes / The Vulture
as Ned Leeds
as Liz Allan
as Flash Thompson
as Herman Schultz / Shocker
as Tony Stark/ Iron Man
as Aunt May
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Critic Reviews for Spider-Man: Homecoming
What makes this homecoming fun is [Tom] Holland, who seems as excited about Spider-Man as his classmates even though he is Spider-Man.
If "Spider-Man: Homecoming" is to be judged solely on its ability to unite a diverse audience behind a fun motion picture, it seems to have succeeded wildly.
A strangely oblivious film, one that undercuts its story with exactly the sort of praise-hungriness that its hero learns to overcome.
A film that smuggles in a delightfully dorky high school saga under the banner of a too familiar superhero one.
This is the Spidey movie we've been waiting for. It's also the best Spider-Man movie of the bunch.
Audience Reviews for Spider-Man: Homecoming
Holy spandex we're back with another Spider-Man movie. The Raimi movies came to a grinding halt after a well rounded start, and the Marc Webb movies (hehe Webb) never really got off the ground. So Marvel stepped in and secured a deal with Sony to gain back the rights of Spidey, sort of. We were then presented with yet another Spider-Man reboot but this time under the guidance of Marvel (along with Columbia, Amy Pascal and Sony). The plot pretty much does exactly what anyone would expect it to do really. The only difference being this time they have skipped the whole origins part of the tale. We jump straight into the story with Parker already established as Spider-Man (something everyone knows because it follows on from 'Captain America: Civil War'). We do get the origins of this films villain, Adrian Toomes/Vulture, and we do get a lot more of Parker amongst his young high school buddies. But bottom line, Toomes is trying to scavenge Chitauri technology (from 'The Avengers') so he can build and sell advanced weapons. Toomes is essentially an arms dealer and Parker must stop him, the end. So initially we are introduced to Toomes (Michael Keaton) and his men as they salvage Chituari technology. They are stopped and ordered to cease their work at once by the Department of Damage Control (a partnership of Tony Stark and the US government). This pisses off Toomes and he asks his men to stay with him so he can build a powerful suit...and make weapons illegally. Firstly this entails a large operation which I'm not too sure how Toomes manages to keep under wraps. Secondly, why would his men stick by his side knowing they are doing illegal shit? OK they need work, but illegal work? And they help Toomes build his all powerful Vulture suit...why?? Surely alarm bells should be ringing with these blue collar guys by now. From here its back to school with Parker (Tom Holland) and his amazing bunch of diverse friends. Yep just like [i]Star Trek[/i] this movie has taken the tokenistic route by literally representing every group of people with each character. Nothing wrong with that but it always tends to come across as a little too on the nose; a little bit too perfect looking. But anyway in this movie we have a young girl called Zendaya playing a spunky character called MJ who isn't the classic MJ we all know of. Yes for some reason the powers that be thought it would be cool to play with everyone's mind by making us think they race swapped MJ. But then they went and race swapped Flash Thompson for real so...hurray? Of course to blend in with present society this MJ is a kind of weird emo SJW type who refuses to go up the Washington Monument on a school field trip because she claims it was built by slaves...ugh!! Thing is no one actually knows for sure if said monument was constructed by slaves, so this line comes across sounding very smug and stupid. The idea of updating Flash to a more nerdy looking, book smart, spoilt, wealthy rich kid was a nice idea but ultimately it just didn't work. Flash needs to have a bigger frame than Parker for this confrontation to work, visually at least. Although Tony Revolori did a fine job he just didn't come across as threatening in any way and the whole idea just fell flat. I realise they went for a more fun jokey angle but it just didn't work, for me anyway. I mean they could of at least cast a bigger person surely. Then again we have another character with the same name as the original comicbook character (Ned) but we aren't sure (yet) if its the same person. But seeing as this movies Ned is played by a rather large chap (Jacob Batalon), and in the comics Ned becomes the Hobgoblin, I'd say it isn't the same guy. Liz Allan, Parker's love interest has also been race swapped, oh and they also race swap Shocker within the movie for good measure. As for Holland's portrayal of Parker/Spidey, is it the best version thus far? Yes I'd say so, but mainly because he is just about the correct age, and looks it. This has been the issue with previous Spidey movies, the fact that Parker/Spidey just looked too damn old and was also too damn moody. This time they have successfully captured the light-hearted, youthful, bubbly, optimistic side of Spider-Man; heck you could almost see speech bubbles popping up over his head every time he spoke. So yes overall Holland has the youthful looks, he genuinely looks fit and athletic (not overloaded with muscles), and his acting chops fit the bill perfectly. My only issue would be his suit which was [b]way[/b] too over the top with Stark technology. Drop all that gadgetry and we're good. But lets cut to the chase here, there was only one stand out element in this movie and that was Michael Keaton as Toomes. I'm gonna be brutally frank here, most of this movie was a wash, rinse and repeat scenario in my opinion. Yes Holland is the perfect Spidey and yes the visual are of course good. But the main action sequences were the same shit we've all seen before. Hero saves his friends from disaster. Hero saves a load of people from a big disaster, in this case stopping a ferry from splitting in two which was basically ridiculous in so many ways. Hero faces off against guy in super suit. Hero saves the day with more carnage at the end...yet no emergency services turn up? Usual Marvel hero quips throughout and Happy Hogan was an annoying asshole. This movie was all about Keaton and his creepy yet grounded performance as the Vulture. Yeah OK the Vulture is essentially Doc Ock in this movie, its the same basic thing just replace tentacles with wings. But by Jove does Keaton nail this roll, its like he was born for comicbook roles. He goes from an average blue collar boss to a somewhat maniacal villain, and then to a loving father and family man, all in one fell swoop (no pun intended). The fact that Toomes own daughter starts dating Parker is obviously the highlight of the plot. The sequence where Toomes sniffs Parker out whilst driving him and Liz to their school prom was crackling. In fact this was probably the best sequence in the movie, although I found it odd that Toomes recognises that Parker saved his daughters life and vows to never forget that. Yet he then proceeds to threaten to kill Parker if he messes with his plans further. Errr...he saved your daughter remember? I guess he does Parker that favour by not revealing his identity later on. So yeah, as I've already said. In general, overall, this movie didn't really do much for me simply because I've seen it all before now a shitzillion times. Not only in other comicbook flicks but in other Spider-Man flicks! I genuinely can't understand how so many people get so excited over a movie that is essentially the exact same thing as before, but with a different villain. You could literally swap Spider-Man and the Vulture out of this movie with any other comicbook characters and it would be the same spiel, the same beats. At this point wash, rinse and repeat is an understatement. Yet! The movie is saved by one man, and that man is Michael Keaton. Yes Holland is good but Keaton is better and without him this film would be completely forgettable. As it stands its not entirely forgettable, that is until the nex...oh too late.
We didn't need another Spider-man origin story, and thank goodness this isn't one. Tom Holland's "Aw shucks, I get to hang with the Avengers" schtick started to get old in Civil War, and gets played out quickly in this film, but there is so much more to like here. The villain isn't a nihilistic madman who simply wants to destroy the world (he actually has a decent motive), Peter Parker's problems are both large-scale and grounded, and most of the characters are likable. Marvel hit a lull for a while, but now seems to be back on the uptick.
There is, of course, the question of "why" that comes along with this film. Haven't we already been here? Twice? The answer is "no, we haven't". With mucho respect for Spidey creator Steve Ditko, this is the one that remembers the primary rationale for Spidey love: he's a kid. He doesn't know everything. He's only just figuring things out for himself. He's the anti-Superman. So loosen up. And the film does, exuberantly. As well it diversifies the proceedings, updates the action to modern times. Sets the stage for what may follow w/o a great deal of emphasis that diverts from what you're watching. It's just a fun movie. Holland outshines his predecessors and grounding everything is Michael Keaton, whose villain doesn't want to take over the world, only wants his piece of it. A superb job by all.
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