A View to a Kill Reviews
WHAT I DIDN'T LIKE: It does begin to get extremely over the top, cringey and unbearable half way through. In fact, by the end, it feels like more of a mindless action flick than a good Bond movie.
VERDICT: It may be gripping to start, but it gets truly ridiculous. Roger Moore goes out with more of a physical bang than a good one.
Duran Duran did the theme song. Christopher Walken is the villain. Grace Jones is his muscle. These are the ingredients of A View To A Kill. What could you expect, Schindler's List?
The James Bond formula doesn't depend on the drama of whether or not he'll survive to end, but rather the exotic locations the mission takes him to, the gadgets that fire up the imagination of the child in every adult male, the silly named henchmen standing in his way (this time around it's Grace Jones's May Day) and the one liners.
Oh, don't forget the Bond girls. Those are the details that set each film apart. That's why you watch the next Bond film knowing full well 007 is gonna make it with a broad as the credits roll.
A View To A Kill might just be the most over the top Bond film. It's certainly how Roger Moore should've taken his final bow seeing so his rendition of 007 was the most over the top. We also say goodbye to the wonderful Lois Maxwell who played Moneypenny for the last time.
This film was truly the end of an era. Roger held down the fort longer than any other Bond. To many 70s kids, he was the guy. Sure, it's preposterous and overlong, but for better or worse, A View To A Kill sums up the Roger Moore James Bond experience perfectly.
A View to a Kill has so many bad jokes and humor. And plus, the action has no excitement what so ever. This has gotta be the worst Bond so far. Hopefully the next one will improve.