Mary Poppins Returns
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All Critics (14)
| Top Critics (1)
| Fresh (10)
| Rotten (4)
| DVD (3)
The performances are intense and Morton Søborg's gritty, atmospheric cinematography recalls '70s crime movies such as 'The French Connection'. Sadly, the tonally uneven 'WAZ' cannot quite match their piercing intelligence.
'The Killing Gene' feels like a film that was trying to be something else -- maybe a dark and bloody episode of 'The Wire.'
Think of Saw and multiply it by Seven.
A little too close to torture-porn for most tastes, but debutant director Tom Shankland shows promise.
This serial-killer horror is a knockoff of the now seriously knackered Saw franchise.
Ugly to look at and nasty in the extreme, this British-made flick should please genre fans with its icky body horror. Beneath the surface gore, there's a healthy amount of psychological intensity for such a seemingly hackneyed Fincher clone.
Recommended for audiences who thought Kevin Bacon's Death Sentence was too restrained; everyone else steer clear.
The most unusual and original horror film to be made on these isles in many a year.
Although he struggles to make the British-feeling production convince, UK helmer Tom Shankland gets the faux-Fincher nihilism just right.
If you've got the stomach for strong scenes of torture, and the heart to take part in an uncomfortable debate about human nature, this intelligent horror is well worth your time...
Enjoyably trashy thriller, stylishly directed by Tom Shankland, despite a couple of dodgy performances and an over-reliance on gory torture scenes towards the end.
Out of the bloodiest horror, the darkest noir and the bleakest morality drama, Tom Shankland has crafted an unusual and highly affecting love story, with a central performance from Stellan Skarsgård to die for.
Selma Blair starred in this thriller about a woman's revenge on the corrupted city to bring back her own unique justice. Unfortunately, even the talented cast and interesting premise cannot save the film from it's cheap execution and poor camerawork.
My predicted rating: 3
This plot could easily have been made into a gritty Thriller, or a very suspenseful Horror, instead it came across as a cheap version of an otherwise potentially good film. The acting started off pretty poor and got better in parts. The Brit Actors were quality Actors who are worthy of much better roles.
It was sort of watchable, but totally lacked any suspense.
This film has, deceivingly, been pitched as "Saw" by way of "Se7en". Firstly, it doesn't have the originality of the first "Saw" installment and secondly, it is by no means, anywhere near as good as "Se7en".
New York cops Eddie Argo (Stellan Skarsgard) and Helen Westcott (Melissa George) investigate a series of bizarre murders in which innocents are tortured in front of guilty loved ones who could (but don't) volunteer to die in their place.
The fact that it's a serial killer yarn is frankly, the only comparison that can be made with the films mentioned above. It has the atmosphere in abundance, looking very gritty and dangerous but all it achieves in doing, is reminding you that graphic violence in films is completely unnecessary, if the script is in place beforehand. Which this just doesn't have. It strings us along with the old who-done-it? storyline but after half an hour of it's nasty attitude and having a lack of identity with the characters, I couldn't care less who done what, or why, when, or how. All I was aware of was that I couldn't give a shit if any of them sneezed and their heads fell off. A shame really, as it uses a philsophical question as a good narrative tool. Asking "does altruism exist in nature?" In dealing with altruism it should have shown some of it's own and saved us from this abusive assault. However, a short appearance from the very talented Tom Hardy and Stellan Skarsgard getting the lead role for a change, are plus points.
A film that really looks the part but leaves a rotten aftertaste and ultimately falls into torture-porn category.
ok movie on more then that.
check it out if your bored
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