Wish I Was Here (2014)
Critic Consensus: There's no denying Wish I Was Here is heartfelt, but it covers narrative ground that's already been well trod -- particularly by director Zach Braff's previous features.
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as Rabbi Rosenberg
as Audition Actor #1
as Audition Actor #2
as Audition Actor #3
as Rabbi Twersky
as Dr. Becker
as Janine's Friend
as Janine's Other Friend
as Female Supermarket Employee
as Defense Attorney
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Critic Reviews for Wish I Was Here
Wish I Was Here's philosophical scope never gets much bigger than the slip of paper inside a fortune cookie.
It is sometimes maudlin, sometimes trivial and sometimes very moving, but never less than achingly sincere.
The fruits of writer-director Zach Braff's Kickstarter are here for the general public, and they're at once vibrantly weird, beautiful and thoughtful.
Braff plays Aidan with easygoing exasperation and Hudson is better than I've seen her since Almost Famous.
Wish I Was Here is a funny, touching movie that features one of Kate Hudson's best performances and a curmudgeonly good one from Mandy Patinkin.
Audience Reviews for Wish I Was Here
Zach Braff's crowd-funded sophomore effort received a lot of flack for its privileged genesis, its grammatically incorrect pseudo-clever title, and its oblique trailer full of indie-pretentious images that drew inevitable comparisons to Braff's polarizing "Garden State." However, I was pleasantly surprised that "Wish I Was Here" is NOT just a continuation of Andrew Largeman's ennui-driven love story. The movie is a realistic and funny treatment of early Millennial adulthood and its responsibilities of unruly kids, libido-less spouses, estranged siblings, and reconnecting with once tyrannical and now dying parents. Aidan Bloom is a dopey suburban dad who has to homeschool his kids after his father defaults on their yeshiva tuition due to exorbitant medical bills. Aidan's brand of guerilla life lesson is random and uplifting but not in a way that insists upon itself. The local color of Los Angeles is quirky and moving with the disparate cultures of "Yom Kippur Jews," audition-circuit actors, and furry cosplayers. Brown Bear Donald Faison also cameos in an irreverent little misunderstanding that blends the cancer motif with the sheitel (wig) motif of Orthodox Judaism. The kid actors are adorable: Joey King is a sweet, bright-eyed innocent, and Pierce Gagnon is as hilariously foulmouthed in this as he was creepy in "Looper." Kate Hudson is nicely glam-glum as the working mom who lost track of her dreams, but her character tips into "long-suffering-wife" territory with no true motivation or credit. When her erstwhile disapproving father-in-law gives her the rare compliment that she has the power to be a great matriarch someday, she counters, "I already am a great matriarch." She should have just stopped there instead of negating her power with, "Well, I'm trying anyway." The reconciliation plot between father and sons is a bit cloying and sentimental, but on the whole, the movie is joyful, especially the end montage of little happinesses experienced in the moment before daughter Grace resurfaces from her first purifying foray into the water. I wouldn't say it's better than "Garden State" as a whole though. Despite the predecessor's reliance on the hipster atmospheric aesthetic, it really WAS the height of the mid-aughts' affected yet affecting quarter-life crisis movie - with its non sequitur humor, indie soundtrack, and tap-dancing Natalie Portman at her most heart-swelling. "Wish I Was Here" is beautifully nostalgic for the present, but it doesn't seem to commit hard enough.
A family man faces some familial life challenges ... with his family. That seems to be about the gist of the thing, cue the indie music score, cue some shots of sunlight sparkling over the surf. Heartfelt perhaps, but also markedly contrived, a Hallmark card of a film. My one beef with the work: whyzit every time the family is doing family things the Ma (Kate Hudson, effervescent) is never around? Wazzup with that?
An indie little movie full of indie clichés and indie songs to fill an indie soundtrack - just what Zach Braff loves -, but the worst is that he doesn't even care to wrap up the loose ends of his silly narrative replete with corny "life lessons" and give it a decent conclusion.
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