Darren Lynn Bousman

Darren Lynn Bousman

Highest Rated: 100% The Devil's Carnival: Alleluia! (2015)

Lowest Rated: 7% 11-11-11 (2011)

Birthday: Jan 11, 1979

Birthplace: Overland Park, Kansas, USA

As with many contemporary film directors, Kansas native Darren Lynn Bousman got his start by making short films. Later, after learning the basics of filmmaking at Full Sail film school in Orlando, FL, Bousman continued to create short films with his former classmates, and eventually graduated to directing music videos. Music videos led to commercials, and the next thing Bousman knew he was the driving force behind one of the biggest franchises in horror history. Of course it wasn't quite that easy or direct -- before Bousman truly established himself as a filmmaker he did work as a production assistant on Van Wilder and a honey wagon attendant on The X-Files -- but to say that he had a fast rise wouldn't necessarily be an exaggeration, either. Faced with the prospect of picking up where Leigh Whannell and James Wan left off with the surprise 2004 horror hit Saw, Bouseman was understandably intimidated yet eager to keep the series fresh as the new co-writer and director. When Saw II hit stateside screens in October 2005 and grossed nearly twice the opening weekend take of the original right out of the gate, horror fans were abuzz and it was obvious that he had succeeded. While Bousman would hand writing duties on Saw III back to Wan and Whannell in order to focus on directing, it was obvious that he had become as much a part of the series' remarkable success as its two creators. Though initially hesitant to take the helm for Saw IV, Bouseman eventually signed on due in large to his commitment to the Saw "family" and his unexpected approval of the script -- which was penned by Feast duo Marcus Dunstan and Patrick Melton. Subsequently seeking to branch out with something more original, Bousman used the influence he gained by working on the Saw series to bring a bizarre play he had previously directed in Hollywood to the big screen. Described by Bousman as a cross between The Rocky Horror Picture Show and Blade Runner, Repo! The Genetic Opera combined the filmmaker's mutual loves of horror and musicals (he's an admitted fan of Jesus Christ Superstar in particular) to explore a future in which a worldwide epidemic has caused mass organ failure and the public at large is forced to seek replacement organs if they hope to go on living. When some of the recipients fall behind on their payment plans, repo agents are sent to retrieve their organs by any means necessary.

Highest Rated Movies



No Score Yet Spiral Director 2021
38% Abattoir Director 2016
100% The Devil's Carnival: Alleluia! Director 2015
79% Tales of Halloween Director 2015
No Score Yet Cinco de Mayo: The Battle Director $0.2M 2013
No Score Yet Scanners Director 2013
No Score Yet The Barrens Producer Director Screenwriter 2012
41% Mother's Day Director $94.9K 2012
No Score Yet The Devil's Carnival Producer Director 2012
No Score Yet 11-11-11 Director 2011
7% 11-11-11 Director 2011
100% Nightmares in Red, White and Blue Actor 2009
40% Repo! The Genetic Opera Producer Director Executive Producer $0.2M 2008
20% Saw IV Director $63.3M 2007
28% Saw III Director $80.3M 2006
37% Saw II Director Screenwriter $87.1M 2005


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