
Stanley Cortez
Highest Rated: 95% Shock Corridor (1963)
Lowest Rated: Not Available
Birthday: Nov 4, 1908
Birthplace: New York, New York, USA
A master of chiaroscuro cinematography, Stanley Cortez once described himself as "always chosen to shoot weird things." Born Stanislaus Krantz in NYC, he adopted his stage name from his older brother, actor-director Ricardo Cortez (1899-1977). While still an undergraduate, Cortez began working as an assistant cameraman on silent films. At the advent of talking pictures, he worked as a photographer's assistant to Edward Steichen and Pirie MacDonald and briefly pursued a career as a portrait photographer in his own right. He wrote, directed and shot the short "Scherzo" (1932) before landing as a contract cinematographer at Universal in the late 1930s. Many of the early features he shot were undistinguished (an exception was 1934's minor horror classic "The Black Cat"), but Cortez developed a reputation for economy and efficiency. He was loaned to RKO to shoot Orson Welles' "The Magnificent Ambersons" (1942). Sparing no expense, he and Welles created a particular look for the film drawn from the low-key lighting utilized by early photographic pioneers. Cortez's fluid camerawork with its deep-focus and unique framing kept the film visually interesting and he earned his first Oscar nomination for Best Cinematography. His second Academy Award nomination was for his work alongside Lee Garmes on the epic "Since You Went Away" (1944).
Filmography
Movies
Credit | |||||
---|---|---|---|---|---|
63% | 56% | Another Man, Another Chance |
Cinematographer, Film Editing |
- | 1977 |
20% | 58% | The Bridge at Remagen | Cinematographer | - | 1969 |
No Score Yet | 48% | The Ghost in the Invisible Bikini | Cinematographer | - | 1966 |
93% | 80% | The Naked Kiss | Cinematographer | - | 1964 |
0% | 19% | They Saved Hitler's Brain | Cinematographer | - | 1963 |
95% | 82% | Shock Corridor | Cinematographer | - | 1963 |
No Score Yet | 70% | Back Street | Cinematographer | - | 1961 |
No Score Yet | No Score Yet | Thunder in the Sun | Cinematographer | - | 1959 |
No Score Yet | 0% | Vice Raid | Cinematographer | - | 1959 |
No Score Yet | 50% | Top Secret Affair | Cinematographer | - | 1957 |
94% | 77% | The Three Faces of Eve | Cinematographer | - | 1957 |
93% | 90% | The Night of the Hunter | Cinematographer | - | 1955 |
No Score Yet | 80% | Black Tuesday | Cinematographer | - | 1955 |
No Score Yet | 33% | Abbott and Costello Meet Captain Kidd | Cinematographer | - | 1952 |
No Score Yet | No Score Yet | Stronghold | Cinematographer | - | 1951 |
No Score Yet | 75% | The Underworld Story | Cinematographer | - | 1950 |
No Score Yet | No Score Yet | Smart Woman | Cinematographer | - | 1948 |
No Score Yet | 58% | Smash-Up: The Story of a Woman | Cinematographer | - | 1947 |
86% | 87% | Let There Be Light | Cinematographer | - | 1946 |
89% | 84% | The Magnificent Ambersons | Cinematographer | - | 1942 |
No Score Yet | No Score Yet | Lady in the Morgue | Cinematographer | - | 1938 |
No Score Yet | No Score Yet | I Cover the War | Cinematographer | - | 1937 |