Noel Murray Movie Reviews & Previews - Rotten Tomatoes

Noel Murray

Noel Murray
Noel Murray's reviews (from any publication) always count toward the Tomatometer because this critic is a Tomatometer-approved critic.

Movie Reviews Only

Rating T-Meter Title | Year Review
50% Kuso (2017) Every densely layered image of oozing pus and gassy orifices is as imaginatively rendered as it is disgusting.‐ Los Angeles Times
Read More | Posted Jul 20, 2017
0% The Gracefield Incident (2017) "The Gracefield Incident" sports some impressive special effects in key scenes, but remains yet another found-footage thriller where the dialogue feels phony, the nonscary action is tedious and the images are artless.‐ Los Angeles Times
Read More | Posted Jul 20, 2017
No Score Yet Granny Of The Dead (2017) "Granny of the Dead" undercuts a potentially potent horror premise by mining it for gross-out comedy.‐ Los Angeles Times
Read More | Posted Jul 13, 2017
No Score Yet Blue Velvet Revisited (2016) The impression that comes across is that this is what it takes to be a great artist: awareness, imagination and a willingness to do whatever needs to be done.‐ Los Angeles Times
Read More | Posted Jul 13, 2017
No Score Yet Cartels (2017) Seagal's roughly 15 minutes of screen time are ultimately a distraction - especially when he gets his own clumsy fight scene with St-Pierre.‐ Los Angeles Times
Read More | Posted Jul 6, 2017
17% Inconceivable (2017) The laughably stilted "Inconceivable" is mostly notable for who's in it - and how poorly served they are by the script and direction.‐ Los Angeles Times
Read More | Posted Jun 30, 2017
0% Darkness Rising (2017) As blandly forgettable as its title.‐ Los Angeles Times
Read More | Posted Jun 29, 2017
B+ 78% The Reagan Show (2017) A picture of a presidency that traded on the celebrity of its chief executive to sell simple, reactionary ideas about taxes, social welfare programs, and national defense to fiercely devoted supporters.‐ AV Club
Read More | Posted Jun 28, 2017
43% Can't Stop, Won't Stop: A Bad Boy Story (2017) "Can't Stop, Won't Stop: A Bad Boy Story" seems more intimate and revealing than these sorts of artist-approved self-mythologies usually are - even if it fails to fill in all of Combs' blanks in 80 minutes.‐ Los Angeles Times
Read More | Posted Jun 22, 2017
No Score Yet A Beginner's Guide to Snuff (2017) Thanks to three lively lead performances and smart storytelling choices, what could have been a distasteful premise becomes surprisingly entertaining.‐ Los Angeles Times
Read More | Posted Jun 22, 2017
No Score Yet Jasmine (2017) "Jasmine" doesn't offer much in the way of white-knuckle action, but viewers who remain patient through the movie's brief running time might enjoy arguing afterward about what it all means.‐ Los Angeles Times
Read More | Posted Jun 15, 2017
70% Moscow Never Sleeps (2017) Modeled after "everything's connected" movies like "Short Cuts" and "Magnolia," this slickly produced if somewhat dry multi-character study makes good use of location.‐ Los Angeles Times
Read More | Posted Jun 15, 2017
29% Camera Obscura (2017) "Camera Obscura" lurches between gory thriller sequences and dreary character development, and never develops any momentum.‐ Los Angeles Times
Read More | Posted Jun 8, 2017
45% Awakening the Zodiac (2017) True-crime obsessives may be disappointed that most of this film is fiction; but fans of grubby B-pictures should appreciate how assured the movie is.‐ Los Angeles Times
Read More | Posted Jun 8, 2017
76% Berlin Syndrome (2017) Telling the story of a psychopath and his sex-slave, the film balances the clinical and visceral.‐ Los Angeles Times
Read More | Posted May 25, 2017
50% Black Butterfly (2017) Thanks to tight direction by Brian Goodman and lively performances from Antonio Banderas and Jonathan Rhys Meyers, the film's engaging even when it's ridiculous.‐ Los Angeles Times
Read More | Posted May 25, 2017
A- 100% Long Strange Trip: The Untold Story of The Grateful Dead (2017) The brilliance of Long Strange Trip is that Bar-Lev allows for multiple interpretations.‐ AV Club
Read More | Posted May 23, 2017
No Score Yet Devil's Domain (2017) The film as a whole doesn't make a lot of sense, but from moment to moment it is effectively visceral and raw. It's compelling almost by accident.‐ Los Angeles Times
Read More | Posted May 18, 2017
79% Violet (2017) As a screenwriter - for this picture at least - Devos puts too much stock in his visual style to carry the meaning of a thinly plotted, snail-paced slice-of-life.‐ Los Angeles Times
Read More | Posted May 11, 2017
40% Whisky Galore (2017) There's not much reason to watch this "Whisky Galore!" so long as the 1949 version still exists.‐ Los Angeles Times
Read More | Posted May 11, 2017
100% BANG! The Bert Berns Story (2017) [The] impressive lineup of interview subjects properly tells the story of a man whose contributions to popular music have been largely unheralded.‐ Los Angeles Times
Read More | Posted May 4, 2017
13% Black Rose (2017) From start to finish, "Black Rose" is about as pro forma as a motion picture gets.‐ Los Angeles Times
Read More | Posted Apr 27, 2017
No Score Yet The Black Room (2017) "The Black Room" is unabashedly trashy - with scene after scene of nudity and gore - but doesn't offer much beyond sensation.‐ Los Angeles Times
Read More | Posted Apr 27, 2017
68% Chasing Trane: The John Coltrane Documentary (2017) "Chasing Trane: The John Coltrane Documentary" ought to appeal to longtime fans as well as neophytes.‐ Los Angeles Times
Read More | Posted Apr 20, 2017
No Score Yet Altitude (2017) The cast is game and the pace blessedly zippy, but everything about this film feels too fake to generate any real suspense.‐ Los Angeles Times
Read More | Posted Apr 13, 2017
100% Vince Giordano: There's a Future in the Past (2017) "There's a Future in the Past" is equally balanced between its smoking-hot live performances, interviews and day-in-the-life footage.‐ Los Angeles Times
Read More | Posted Apr 13, 2017
79% The Case for Christ (2017) Give credit to the filmmakers for making a faith-affirming picture that aims to be more thoughtful than maudlin. But what they've ended up with is a fairly rote Christian redemption narrative - albeit with more charts and graphs.‐ Los Angeles Times
Read More | Posted Apr 7, 2017
No Score Yet The Eyes (2017) A talky, set-bound drama masquerading as a suspense picture, and nearly the entire movie consists of overwritten, overacted, visually inert confrontations and monologues.‐ Los Angeles Times
Read More | Posted Apr 6, 2017
33% Bethany (2017) "Bethany" is polished, well-acted and filled with memorably disgusting images, but its portrait of a frazzled adult survivor of child abuse is ultimately formulaic and a little sleazy.‐ Los Angeles Times
Read More | Posted Apr 6, 2017
73% The Void (2017) A lively, layered throwback to the days when splatter auteurs like John Carpenter, George Romero and Lucio Fulci ruled the drive-in.‐ Los Angeles Times
Read More | Posted Apr 6, 2017
No Score Yet Fare (2016) Forced character-arc aside ... this is a tightly constructed and well-acted indie with a few standout sequences. It's further proof that sometimes all a filmmaker needs is a cab and a camera.‐ Los Angeles Times
Read More | Posted Mar 30, 2017
55% Here Alone (2017) This is the first act of a better movie, stretched to fill a feature.‐ Los Angeles Times
Read More | Posted Mar 30, 2017
73% The Blackcoat's Daughter (February) (2017) "The Blackcoat's Daughter" connects the pieces and ends strongly, though Perkins smartly spends more creative energy on crafting creepy situations than on pointing toward the payoff.‐ Los Angeles Times
Read More | Posted Mar 30, 2017
80% Dig Two Graves (2017) There's a lived-in quality to "Dig Two Graves" that's all-too-rare for low-budget movies in this genre.‐ Los Angeles Times
Read More | Posted Mar 23, 2017
95% Prevenge (2017) This movie won't be for everybody, but fans of Lowe's prior work should be thrilled to see such a distilled dose of her perverse humor.‐ Los Angeles Times
Read More | Posted Mar 23, 2017
92% The Devil's Candy (2017) What makes "The Devil's Candy" a standout is how well-developed these characters are. This is ultimately a movie about parenting, and how even "hip" moms and dads fear the choices they make are hurting their young.‐ Los Angeles Times
Read More | Posted Mar 16, 2017
87% My Scientology Movie (2017) Theroux raises troubling questions about psychological warfare and how devoutness shades into fanaticism.‐ Los Angeles Times
Read More | Posted Mar 9, 2017
100% Don't Kill It (2017) Even when Don't Kill It veers toward the ordinary, Lundgren is there with his lived-in face and playful eyes, waiting as ever to spring into action. It's great to see him in a fun movie again.‐ Los Angeles Times
Read More | Posted Mar 3, 2017
33% Lavender (2017) "Lavender" means well, but it ultimately proves that not all ghosts need a backstory. Often, just being scary - even inexplicably - is more important than being meaningful.‐ Los Angeles Times
Read More | Posted Mar 2, 2017
20% Collide (2017) A flatly earnest Hoult and Jones are hamstrung by drippy dialogue, while Kingsley and Hopkins overplay their more colorful parts - with the former doing a cartoonish Turkish accent and the latter delivering lines with strange emphasis.‐ Los Angeles Times
Read More | Posted Feb 24, 2017
44% Drifter (2017) There's a level of wild B-movie ambition here that's preferable to the usual blandly violent, overly serious genre fare. If nothing else, Von Hoffman clearly has a voice - even if his accents are imitations.‐ Los Angeles Times
Read More | Posted Feb 23, 2017
33% VooDoo (2017) Strong lead performances and a startling twist juice up the found-footage exercise "VooDoo," which squeezes unexpected novelty from an exhausted subgenre.‐ Los Angeles Times
Read More | Posted Feb 16, 2017
75% Stray Bullets (2017) The auteur's age, precociousness and pedigree automatically make "Stray Bullets" an item of interest, although fans of the Fessenden clan will be pleased to know that the movie's also pretty entertaining and only a little bit amateurish.‐ Los Angeles Times
Read More | Posted Feb 9, 2017
No Score Yet Bornless Ones (2017) While writer-director Alexander Babaev's "Bornless Ones" doesn't do anything radically new, it deepens its characters and situations enough to be distinctive.‐ Los Angeles Times
Read More | Posted Feb 9, 2017
71% Road to the Well (2016) Though a little meandering, Road to the Well has flavorful dialogue, and a sense of scope that's rare for a movie about betrayal and murder.‐ Los Angeles Times
Read More | Posted Feb 7, 2017
0% Eloise (2017) The plot of "Eloise" is more ambitious than the typical "haunted asylum" picture, but the retro costumes and set-dressing in the flashbacks belong more to a TV drama than a low-budget thriller.‐ Los Angeles Times
Read More | Posted Feb 2, 2017
28% Don't Knock Twice (2017) A warmed-over hash of "Candyman," "Oculus," "Insidious" and a half-dozen other spook-shows.‐ Los Angeles Times
Read More | Posted Feb 2, 2017
B 73% This Is Everything: Gigi Gorgeous (2017) A vivid picture of modern life, and an inspiring tale about how a more tolerant family-and society-can make it easier for people to be themselves rather than negating themselves.‐ AV Club
Read More | Posted Jan 31, 2017
B+ 71% Manifesto (2017) Julian Rosefeldt's visual panache and Cate Blanchett's astonishing versatility bring cinematic verve to something that could've easily come off as too dryly conceptual.‐ The Playlist
Read More | Posted Jan 27, 2017
B 60% Newness (2017) The central theme of "Newness" isn't as profound or even as novel as either the filmmakers or their millennial target audience may believe. But at it's best, "Newness" is about how nothing's really all that new.‐ The Playlist
Read More | Posted Jan 27, 2017