Rob Blackwelder
Tomatometer-approved critic
Biography:
Once upon a time, Rob was the entertainment editor at a small community college with a kick-*** journalism program. One day he graduated and realized that he could not give up writing about movies, even if he had to hold a day job to do it. Through a friend he got a peanut-paying freelance gig at a podunk newspaper in an overgrown farm town in Northern California, writing one review a week. It wasn't pretty, but it kept him on the mailing lists at the publicity houses. Soon Rob started a web site called Movieolla and before long was being chased by lawyers for the people who make the Moviola editing equipment that is the film industry work horse for cutting and splicing. Hmm, thought Rob, splicing! And thus was born SPLICEDwire (http://www.splicedwire.com), the web site for SPLICEDwire Content Services, which provides movie reviews and features to newspapers, web sites, and other media outlets.
Rob was named one of the 10 Best Film Critics of 2003 by the Critic Doctor (http://www.criticdoctor.com/toptenlists/2003.html).
Favorites:
RECENT #1 FILMS:
2003: "Lost in Translation"
2002: "Chicago"
2001: "Amelie"
2000: "O Brother, Where Art Thou?"
1999: "Run Lola Run"
1998: "Buffalo '66"
1997: "Titanic"
1996: "Breaking the Waves"
1995: "Othello"
Robio's FAVORITES list:
Breaking the Waves" (1996, Lars VonTrier)
"What's New Pussycat" (1965, Clive Donner)
"The Thin Man" (1934, Woodbridge S. VanDyke)
"Raiders of the Lost Ark" (1981, Stephen Spielberg)
[*} (tie) "His Girl Friday" (1940, Howard Hawks)
"The Seven Year Itch" (1955, Billy Wilder)
"Laura" (1944, Otto Preminger)
"Gilda" (1946, Charles Vidor)
"The Usual Suspects" (1995, Bryan Singer)
"Women on the Verge of a Nervous Breakdown" (1991, Pedro Almodovar)
"Dangerous Liaisons" (1988, Stephen Frears)
"The Philadelphia Story" (1940, George Cukor)
"Bound" (1996, Wachowski Bros.)
"Moon Over Miami" (1941, Walter Lang)
Official Website:
http://www.splicedwire.com
The Portrait of a Lady (1996)
48%
2/4
EDIT
“Throughout Portrait there is a nagging sensation that makes one want to ask, "But where is all this going?"” –
SPLICEDWire
Oct 26, 2018
Full Review
Anna (1993)
2.5/4
EDIT
“” –
SPLICEDWire
Apr 4, 2011
Full Review
Ghost Rock (2003)
2/4
EDIT
“” –
SPLICEDWire
Sep 23, 2006
Full Review
House of D (2004)
10%
1.5/4
EDIT
“” –
SPLICEDWire
May 27, 2006
Full Review
Don't Move (2004)
47%
2.5/4
EDIT
“” –
SPLICEDWire
May 27, 2006
Full Review
A History of Violence (2005)
88%
2/4
EDIT
“David Cronenberg is out of his element in A History of Violence, and it shows.” –
SPLICEDWire
Sep 23, 2005
Full Review
Dear Wendy (2005)
35%
2.5/4
EDIT
“The film's last act almost completely self-destructs, falling into blind, metaphor-baiting machinations.” –
SPLICEDWire
Sep 22, 2005
Full Review
Roll Bounce (2005)
66%
2.5/4
EDIT
“Director Malcolm D. Lee has a gift for finding gold nuggets of personality and comedy in the tailings of over-mined plots.” –
SPLICEDWire
Sep 21, 2005
Full Review
Flightplan (2005)
36%
2/4
EDIT
“The third act begins with another twist - but this one is so arduous, absurd and out of character for the film that the entire plot, stretching back to Scene One, is sabotaged” –
SPLICEDWire
Sep 21, 2005
Full Review
Tim Burton's Corpse Bride (2005)
85%
3/4
EDIT
“Blessed with memorably iconic characters and a creative, if fairly predictable plot, Corpse Bride is quick, droll, and destined to be a perennial Halloween favorite.” –
SPLICEDWire
Sep 21, 2005
Full Review
Just Like Heaven (2005)
54%
2/4
EDIT
“When it comes to romantic chemistry, they never quite mesh, no matter what twinkle effect Waters puts on the screen when Ruffalo's hand touches Witherspoon's ethereal plane.” –
SPLICEDWire
Sep 15, 2005
Full Review
Clueless (1995)
82%
3/4
EDIT
“The movie's simple yet spot-on characters and performances make the laughs timeless, no matter how firmly the film is set in 1995.” –
SPLICEDWire
Sep 9, 2005
Full Review
The Exorcism of Emily Rose (2005)
46%
2.5/4
EDIT
“Part spine-tingling horror movie, part unorthodox courtroom drama, Emily Rose runs into trouble because it's ironically more credible as the former than the latter.” –
SPLICEDWire
Sep 8, 2005
Full Review
The Thing (1982)
85%
4/5
EDIT
“” –
SPLICEDWire
Sep 8, 2005
Full Review
The Man (2005)
12%
1/4
EDIT
“A boring, all-you-can-regurgitate buffet of buddy-movie/cop-movie banality, it would collapse under the weight of its own generic stupidity (without) Jackson and Levy.” –
SPLICEDWire
Sep 8, 2005
Full Review
The Candidate (1972)
89%
4/5
EDIT
“” –
SPLICEDWire
Sep 8, 2005
Full Review
The Sting (1973)
93%
4/5
EDIT
“” –
SPLICEDWire
Sep 8, 2005
Full Review
An Unfinished Life (2005)
53%
2.5/4
EDIT
“Another sleepy, sweeping soft-serve melodrama from director Lasse Hallstrom...the story arc seems to have been drawn on graph paper rather than written in a script.” –
SPLICEDWire
Sep 8, 2005
Full Review
Alice in Wonderland (1951)
83%
3/5
EDIT
“” –
SPLICEDWire
Sep 2, 2005
Full Review
The Alzheimer Affair (2003)
84%
2/4
EDIT
“The only thing that prevents The Memory of a Killer from seeming 100-percent Hollywood is the characters' speaking in subtitled Dutch.” –
SPLICEDWire
Sep 2, 2005
Full Review
A Sound of Thunder (2005)
6%
0.5/4
EDIT
“A catastrophe of bad acting, ludicrous science and conspicuously cheap special effects that can't even follow its own internal logic from one scene to the next.” –
SPLICEDWire
Sep 1, 2005
Full Review
Transporter 2 (2005)
52%
0.5/4
EDIT
“Few bad movies are more aggravating than a sequel that betrays everything which made its predecessor entertaining.” –
SPLICEDWire
Aug 31, 2005
Full Review
The Constant Gardener (2005)
83%
3/4
EDIT
“A preachy but gripping socio-political thriller...directed by Fernando Meirelles with the same unblinking, sweaty, ground-level grittiness he brought to City of God.” –
SPLICEDWire
Aug 30, 2005
Full Review
Pretty Persuasion (2005)
33%
1/4
EDIT
“Puerile social satire, stinging only insomuch as its unsophisticated wit and overwhelming smugness are painful to sit through.” –
SPLICEDWire
Aug 26, 2005
Full Review
Undiscovered (2005)
6%
1/4
EDIT
“Can somebody tell me why we're supposed to care about these one-dimensional MTV-spawned caricatures? Writer John Galt and director Meiert Avis sure haven't offered any clues.” –
SPLICEDWire
Aug 26, 2005
Full Review
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