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A.A. Gill

A.A. Gill's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies TV Shows
Flower Drum Song (1961) 79% EDIT “All is treated in the resolutely bright and prettified way, proper to the type of film to which Flower Drum Song belongs. ” – Sunday Times (UK) Feb 27, 2023 Full Review Cambridge Spies (2003) EDIT “The Establishment was portrayed as so irredeemably stupid and snobbish that it made you wonder why the communists bothered with spies at all.” – Sunday Times (UK) Oct 15, 2018 Full Review EDIT “It was humourless, heavy-handed, twee and self-righteous. In short, it was a Malvolio of a production.” – Sunday Times (UK) Oct 15, 2018 Full Review The Second Coming (2003) EDIT “The first episode was exciting enough to make me want to see how it ended, which I suppose is the point of all religion and, indeed, of science.” – Sunday Times (UK) Oct 11, 2018 Full Review Walking With Cavemen (2003) EDIT “What they've actually made is a very self-important, very expensive version of The Muppet Show, with Latin.” – Sunday Times (UK) Oct 11, 2018 Full Review The Lost Prince (2003) 71% EDIT “In The Lost Prince, Poliakoff took a historical moment and built it into something disjointed, scaffolded, cold and unbelievable.” – Sunday Times (UK) Oct 11, 2018 Full Review Goodbye, Mr. Chips (2002) EDIT “In this version, Martin Clunes set his mortarboard at the role and, I must say, he did it incredibly well.” – Sunday Times (UK) Oct 11, 2018 Full Review Sons (1989) EDIT “But the pristine setting and perfectly styled costumes aside, this is a beguiling adaptation.” – Sunday Times (UK) Oct 11, 2018 Full Review Daniel Deronda (2002) EDIT “It was nearly an hour before the real quality of Daniel Deronda became clear, but it was worth the wait.” – Sunday Times (UK) Oct 11, 2018 Full Review Tomorrow La Scala! (2002) EDIT “All the clichés of the genre were there, but done with a freshness that allowed us to see them as nearly new.” – Sunday Times (UK) Oct 11, 2018 Full Review
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