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Andrew Winter

Andrew Winter's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies TV Shows
And Tomorrow the Entire World (2020) 73% EDIT “And Tomorrow the Entire World is a frustrating piece of work, one that is timid in explicitly stating some of its arguments and featuring a protagonist — teenage activist Luisa — to whom it is difficult to warm.” – Vague Visages Mar 26, 2024 Full Review Threshold (2020) 85% EDIT “For all its islands of promise, Threshold is really just a passable family addiction drama with horror elements that are never fully realized.” – Vague Visages Mar 25, 2024 Full Review Kandisha (2020) 79% EDIT “Bustillo and Maury are masters of the slow build, and so it goes in Kandisha, which becomes incrementally nastier and gorier with each new victim the vengeful spirit eliminates…” – Vague Visages Mar 25, 2024 Full Review Suspiria (2018) 65% EDIT “The main difference between the two films, though, is that the new one simply isn't very good.” – Film Inquiry Oct 23, 2018 Full Review Ladyworld (2018) 52% EDIT “Ladyworld builds to a hysterical fever pitch in its final act, the cherry on top of a confident, impressive debut.” – Film Inquiry Oct 23, 2018 Full Review Girl (2018) 84% EDIT “A powerful, poignant portrait.” – Film Inquiry Oct 16, 2018 Full Review School's Out (2018) 100% EDIT “Some will suggest Marnier's film is a satire about "Generation Z snowflakes" and their need to overdramatise, or merely a metaphor for the horrors of growing up "different," but I prefer to take School's Out at face value, over-earnestness and all.” – Film Inquiry Oct 3, 2018 Full Review The Public Image Is Rotten (2017) 63% EDIT “Fiiller has a lot of material to juggle but does so admirably. It's breathless at times, but never less than engaging. Better yet, Lydon's increasingly baffling politics are kept well out of it.” – Film Inquiry Sep 13, 2018 Full Review The Unraveling (2015) EDIT “The Unraveling has a strong premise and could have been a refreshingly unusual take on an overstuffed sub-genre. Sadly, the film's execution is lackluster.” – Film Inquiry Aug 30, 2018 Full Review Félicité (2017) 98% EDIT “Félicité contains some of the most powerful moments you'll see in any movie this year. However, Gomis' film never quite amounts to the sum of its impressive parts, its fantasy sequences distracting from, and superfluous to, the main action.” – Film Inquiry Aug 26, 2018 Full Review Nico, 1988 (2017) 94% EDIT “Nico's tawdry heroin addiction is omnipresent here, but the director successfully cuts through its pernicious influence to illuminate the complicated, infuriating and occasionally brilliant woman beneath.” – Film Inquiry Aug 1, 2018 Full Review Monochrome (2016) EDIT “A film dealing with a young woman's disillusionment with money after it wrecks her relationship is one worth telling, but deserves more sophisticated treatment than this.” – Film Inquiry Jun 14, 2018 Full Review Adult Babies (2017) EDIT “Firmly in the great British tradition of toilet humour, I'd like to think Attack of the Adult Babies has a future as a cult classic with fans dressing up in nappies, with stick-on pig noses, to catch midnight screenings.” – Film Inquiry Jun 11, 2018 Full Review The Misandrists (2017) 75% EDIT “As I've argued elsewhere recently, the film landscape feels very polite right now and maybe a blast of straight-no-chaser LaBruce is the antidote we need.” – Film Inquiry Jun 5, 2018 Full Review 7 Days in Entebbe (2018) 24% EDIT “I'm sure some will accuse it of making excuses for terrorism or going easy on the hijackers, but that misses the point. It's a heartfelt plea for a peaceful settlement to a seemingly intractable situation.” – Film Inquiry May 23, 2018 Full Review Let the Sunshine In (2017) 87% EDIT “Now in her seventies, Denis is perhaps at the height of her powers.” – Film Inquiry May 9, 2018 Full Review Pyewacket (2017) 83% EDIT “MacDonald clearly wanted this to be a simple, heartfelt tale focusing on the disintegration of a mother/daughter bond, without too much background noise as a distraction. And he mostly succeeds in delivering just that.” – Film Inquiry Apr 30, 2018 Full Review Cardboard Gangsters (2016) 94% EDIT “It explores themes similar to the director's previous films, King Of The Travellers, Stalker, and Between The Canals, and, like them, persuasively evokes the lives of marginalised people.” – Film Inquiry Mar 25, 2018 Full Review The Vanishing of Sidney Hall (2017) 12% EDIT “It's ambitious, takes risks, and contains some finely crafted lines ("Life isn't very interesting unless you're a bit psychotic"), and yet I'm still not sure I could recommend you give up two hours of your life to see it.” – Film Inquiry Mar 25, 2018 Full Review Finding Your Feet (2017) 70% EDIT “The film balances comedy and drama very nicely - it's charming, funny, and earns every one of its big emotional beats. You know how it's all going to end up, but are more than happy to go along for the ride” – Film Inquiry Mar 25, 2018 Full Review Jupiter's Moon (2017) 49% EDIT “It'll be remembered not for its rather woolly handling of serious subject matter, but for a couple of excellent performances, and the stunning images and sequences conjured by Mundruczó and Rév. You should probably see it but don't expect to love it.” – Film Inquiry Feb 2, 2018 Full Review Most Beautiful Island (2017) 94% EDIT “This is a sharp and, at only 80 minutes, tightly-made debut. The script is strong with some nice little hints and nods, so you can put the pieces of the wider story together.” – Film Inquiry Jan 18, 2018 Full Review Angelica (2015) 70% EDIT “Angelica is a slow burn but rewards patience as the director takes his time to lay out his themes, introduce his characters and slowly ratchet up the melodrama.” – Film Inquiry Nov 28, 2017 Full Review
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