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Bridget Read

Bridget Read's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies TV Shows
Knock Down the House (2019) 99% EDIT “It was hilarious and emotional to discover that she, too, was running to her party, as what had seemed like a pipe dream became reality, just like that.” – Vogue May 3, 2019 Full Review The Inventor: Out for Blood in Silicon Valley (2019) 78% EDIT “But where the film loses any potency it might have had is in emphasizing the nobility of Holmes's professed mission.” – Vogue Mar 19, 2019 Full Review Fyre Fraud (2019) 79% EDIT “Consider it a valuably intelligent contribution to the grifter discourse.” – Vogue Jan 15, 2019 Full Review The Holiday (2006) 51% EDIT “Who cares if the housing-swap conceit makes little to no sense?” – Vogue Jan 2, 2019 Full Review To All the Boys I've Loved Before (2018) 96% EDIT “Not a moment will cause you emotional turmoil, except maybe some swooning.” – Vogue Jan 2, 2019 Full Review Swiped: Hooking Up in the Digital Age (2018) EDIT “At some point while watching Swiped, it occurred to me that Sales has probably never been on Tinder-I can't prove this, but she doesn't approach it like she's ever been a user.” – Vogue Sep 7, 2018 Full Review Mamma Mia! Here We Go Again (2018) 80% EDIT “It's the only pure good thing out there right now that knows exactly what the world outside is: filth, so why resemble anything like it?” – Vogue Jul 20, 2018 Full Review I Feel Pretty (2018) 35% EDIT “It's a vision of self-love as self-care, but it's exhausting, and expensive. And it gets us nowhere.” – Vogue Apr 18, 2018 Full Review Seeing Allred (2018) 100% EDIT “Seeing Allred feels more vital than ever as a microcosm of all of the complexities and contradictions of the current state of feminism in the United States, during a time when forces seem to be conspiring to paint it in large, monochrome brush strokes.” – Vogue Feb 26, 2018 Full Review Lady Bird (2017) 99% EDIT “The poignancy of Lady Bird can be traced, yes, to its honest portrayal of growing up.” – Vogue Nov 2, 2017 Full Review
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