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Clarisse Loughrey

Tomatometer-approved critic

Reviews

Movies TV Shows
Send Help (2026) 92% 4/5 EDIT “Send Help becomes the best of both worlds: indulgent Raimi splatter fuelled by a satisfying touch of righteous rage.” – Independent (UK) Jan 26, 2026 Full Review H Is for Hawk (2025) 78% 4/5 EDIT “H Is for Hawk concerns itself less with the healing of wounds, but rather with the prying open of them. Can we look so deep into the pulp that the fear of it eventually washes away?” – Independent (UK) Jan 22, 2026 Full Review No Other Choice (2025) 97% 4/5 EDIT “It’s a whole slapstick affair, conducted with Park’s trademark finesse, and taking full advantage of Lee’s comedic skills.” – Independent (UK) Jan 22, 2026 Full Review Rental Family (2025) 87% 3/5 EDIT “With Fraser as her figurehead, it’s certainly a work of broad and deep compassion. But there are self-imposed limitations that you’d wish Hikari and her co-writer Stephen Blahut would cross, if not purely out of curiosity.” – Independent (UK) Jan 21, 2026 Full Review Mercy (2026) 24% 1/5 EDIT “A baffling piece of work that happily swipes the mood and aesthetics of Hollywood’s police state dystopias (Minority Report, RoboCop, Blade Runner etc), while presenting such horrors as an agreeable norm. ” – Independent (UK) Jan 21, 2026 Full Review The Rip (2026) 80% 2/5 EDIT “It’s a character piece that does very little with its characters, since it’s been afflicted with the Netflix curse of dialogue written exclusively for people who are busy scrolling on their phones.” – Independent (UK) Jan 16, 2026 Full Review 28 Years Later: The Bone Temple (2026) 92% 4/5 EDIT “[Jack O'Connell] delivers another masterfully villainous performance off the back of last year's Sinners. He understands what's needed to make a vastly complex and elementally evil character like this work.” – Independent (UK) Jan 13, 2026 Full Review Hamnet (2025) 86% 4/5 EDIT “It’s a deeply contemplative film, its candlelit shadows provided by cinematographer Łukasz Żal, as if painted by one of the Dutch masters. The camera focuses on spaces as opposed to people, moving as slowly as curtains drawn across a stage.” – Independent (UK) Jan 8, 2026 Full Review Being Eddie (2025) 75% EDIT “"At the root of it all, I love myself," is Murphy’s conclusion. That’s one of the most beautifully refreshing things I’ve heard a celebrity say of themselves of late.” – Flicks (AU, NZ, UK) Jan 8, 2026 Full Review Song Sung Blue (2025) 78% 2/5 EDIT “In Brewer’s hands, their interior worlds are reduced to two modes of existence: triumph and tragedy.” – Independent (UK) Dec 30, 2025 Full Review Sentimental Value (2025) 97% 4/5 EDIT “If it’s a little less messy than we’d hope for with Trier -- well, then it argues beautifully for why it’s a blessing that those messier films exist in the first place.” – Independent (UK) Dec 22, 2025 Full Review The Housemaid (2025) 74% 3/5 EDIT “The Housemaid isn’t a particularly great film. But it is camp.” – Independent (UK) Dec 16, 2025 Full Review Avatar: Fire and Ash (2025) 66% 3/5 EDIT “Chaplin is so slinky and strange in the role, a seductress with a blow dart full of hallucinogenic drugs and promethean desires, that she immediately emerges as the film’s standout.” – Independent (UK) Dec 16, 2025 Full Review Goodbye June (2025) 65% 2/5 EDIT “[Kate Winslet] might be too much of an actor to be a director. The performances here are irreproachable, and she even coaxes some beautiful moments from the film’s many child stars, but there’s very little film to be found built around them. ” – Independent (UK) Dec 11, 2025 Full Review It Was Just an Accident (2025) 97% 5/5 EDIT “It’s a film of overwhelmingly visceral emotion; impossible, then, to separate from what we imagine Panahi must feel himself. ” – Independent (UK) Dec 4, 2025 Full Review Wake Up Dead Man: A Knives Out Mystery (2025) 92% 4/5 EDIT “Wake Up Dead Man is more sober than Glass Onion, more tonally aligned with Knives Out, not as clever as either in its solution and a little baggier in its delivery, yet more soulful in its concerns... The point is that this series is yet to stumble.” – Independent (UK) Dec 1, 2025 Full Review Pillion (2025) 100% 5/5 EDIT “None of this would work if Melling and Skarsgård weren’t able to tune their performances to a subatomic degree.” – Independent (UK) Dec 1, 2025 Full Review Marty Supreme (2025) 93% 4/5 EDIT “If Marty Supreme exists to prove that Timothée Chalamet could have easily kicked it with the New Hollywood icons of the Seventies, the Harvey Keitels and the Gena Rowlandses, then point proven. He’s truly one of our greatest talents.” – Independent (UK) Dec 1, 2025 Full Review Zootopia 2 (2025) 91% 4/5 EDIT “Directors Byron Howard and Jared Bush, the latter the new head of the studio, have made a sequel that not only justifies itself, but arguably improves on its predecessor. Really, it’s the same film but better.” – Independent (UK) Nov 25, 2025 Full Review Wicked: For Good (2025) 66% 2/5 EDIT “For Good has little sense of movement, literally or emotionally – no profound revelations, no wonder or spectacle. All that’s to be done now is for each character to process, via standardised ballad, what they’ve learned.” – Independent (UK) Nov 18, 2025 Full Review Nuremberg (2025) 72% 3/5 EDIT “Crowe and Malek are well cast for this kind of dance. The former is a battering ram of an onscreen presence, mixed here with an unnerving sense of comfort in his surroundings.” – Independent (UK) Nov 14, 2025 Full Review The Running Man (2025) 62% 2/5 EDIT “What should, quite easily, feel like a mirror’s been smashed and its pieces methodically jammed between our ribs, feels closer to a friendly knock on the shoulder. The material’s all there, yet there’s none of the urgency.” – Independent (UK) Nov 13, 2025 Full Review Die My Love (2025) 74% 5/5 EDIT “It’s a fearsome, all-consuming spell of a film, and its effects are unshakeable.” – Independent (UK) Nov 6, 2025 Full Review Anemone (2025) 53% 2/5 EDIT “Anemone doesn’t seem to think that kind of deeper interrogation is at all necessary. It would rather bask in a generic wave of misery, of brutalised children growing up to be brutal men.” – Independent (UK) Nov 6, 2025 Full Review Bugonia (2025) 88% 5/5 EDIT “Bugonia is one of the best films in recent memory to capture what it feels like to be alive right now. Because of that, it is Yorgos Lanthimos’s darkest and most timely work. ” – Independent (UK) Oct 31, 2025 Full Review
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