Dana Knowles
Dana Knowles's reviews do not count toward the Tomatometer®. This is not a Tomatometer-approved critic, and this critic's reviews are not published on a Tomatometer-approved publication.
Shakespeare in Love (1998)
92%
A
EDIT
“An energetic, joyous celebration of love, art, language, and the creative process.” –
AboutFilm.com
Aug 11, 2003
Full Review
Hannibal (2001)
39%
F
EDIT
“If only the adorably sentimental Dr. Lecter could cut my skull open and remove the chunk of my brain that houses the memory of having seen this film.” –
AboutFilm.com
Aug 11, 2003
Full Review
American Beauty (1999)
87%
A
EDIT
“Elegant and gorgeous in its careful progression from satire to poignant drama, AMERICAN BEAUTY celebrates the rewards of the journey instead of glorifying the destination or the prize.” –
AboutFilm.com
Aug 11, 2003
Full Review
The Insider (1999)
96%
A-
EDIT
“THE INSIDER may not be groundbreaking in terms of its muckraking revelations or its cinematic achievements, but it is an exceptionally well-crafted, well-acted drama.” –
AboutFilm.com
Jun 18, 2002
Full Review
Titus (1999)
69%
B
EDIT
“a brutal, busy, messy, sometimes darkly funny epic about revenge as historical Mobius strip... a twisted plane from which there is no escape” –
AboutFilm.com
Jan 1, 2000
Full Review
Message in a Bottle (1999)
32%
D-
EDIT
“Kevin Costner's...surly pouting and willful detachment are so unappealing that director Luis Mandoki is forced to resort to the dreadful falling in love by montage approach.” –
AboutFilm.com
Jan 1, 2000
Full Review
Magnolia (1999)
82%
A+
EDIT
“the most audacious, courageous, and cinematically complex filmmaking of the year... a deeply collaborative tightrope walk of immense proportions.” –
AboutFilm.com
Jan 1, 2000
Full Review
Shanghai Noon (2000)
80%
B
EDIT
“so light-hearted and ingratiatingly good-natured that it seems churlish to begrudge its wispiness” –
AboutFilm.com
Jan 1, 2000
Full Review
Sunshine (1999)
74%
B+
EDIT
“A minimalist fable posing as sprawling historical epic” –
AboutFilm.com
Jan 1, 2000
Full Review
Mansfield Park (1999)
78%
B
EDIT
“An agreeable and reasonably charming fusion of the titular novel and Ms. Austen's personal writings.” –
AboutFilm.com
Jan 1, 2000
Full Review
Fargo (1996)
95%
A
EDIT
“Conjuring a universe that is at once singular and familiar, FARGO is that rarest of breeds: a film that genuinely merits the word unique.” –
AboutFilm.com
Jan 1, 2000
Full Review
The General's Daughter (1999)
22%
C+
EDIT
“A movie that practically screams "Hollywood," this murder-mystery/thriller is as slick as sheet-ice and just about as deep.” –
AboutFilm.com
Jan 1, 2000
Full Review
Tumbleweeds (1999)
82%
C+
EDIT
“As much as these characters look and feel authentic from frame to frame, something about the film itself rings false and feels just a bit hollow.” –
AboutFilm.com
Jan 1, 2000
Full Review
Frequency (2000)
70%
B
EDIT
“Stephen Hawking himself couldn't hope to explain the dynamics of the climactic scene, but who cares? It's just a movie, and a more than adequately engaging one.” –
AboutFilm.com
Jan 1, 2000
Full Review
The Talented Mr. Ripley (1999)
85%
A-
EDIT
“Beautifully crafted from start to finish” –
AboutFilm.com
Jan 1, 2000
Full Review
The Straight Story (1999)
95%
A
EDIT
“This is every bit a David Lynch film, despite its apparent departure from the disturbing subject matter and edgy darkness.” –
AboutFilm.com
Jan 1, 2000
Full Review
The Cider House Rules (1999)
72%
B
EDIT
“This film tells its intended tale about as well as it could be told, and with a sweetness and generosity of spirit that is undeniable and admirable.” –
AboutFilm.com
Jan 1, 2000
Full Review
The Patriot (2000)
62%
B-
EDIT
“If you go with it, it's fairly entertaining, if only because playing guess-the-next-clich can be a heap of fun.” –
AboutFilm.com
Jan 1, 2000
Full Review
The Hurricane (1999)
82%
B
EDIT
“It's a testament to how good most of the film is--and to how great Washington is--that its omissions and its fizzling toward the end never threaten to kill the movie itself.” –
AboutFilm.com
Jan 1, 2000
Full Review
Arlington Road (1999)
62%
C-
EDIT
“It's impossible to reconcile the giggle-inducing style of Pellington's direction with the real issues the film addresses and come up with a coherent take on his intent.” –
AboutFilm.com
Jan 1, 2000
Full Review
Girl, Interrupted (1999)
53%
B
EDIT
“Saddled with a dreadfully ugly wig that seems to be visual shorthand for "she's one very messed up girl," Jolie grabs center stage in every scene she's in.” –
AboutFilm.com
Jan 1, 2000
Full Review
Erin Brockovich (2000)
87%
B+
EDIT
“Though ERIN PROCKOVICH certainly treads on familiar fight-the-power turf...director Steven Soderbergh has wisely taken the scenic route.” –
AboutFilm.com
Jan 1, 2000
Full Review
Gladiator (2000)
80%
B
EDIT
“What Gladiator lacks in narrative resonance is almost successfully offset by what it provides visually.” –
AboutFilm.com
Jan 1, 2000
Full Review
Sleepy Hollow (1999)
71%
B+
EDIT
“A terrific ride, despite its remarkable hollowness as a narrative.” –
AboutFilm.com
Jan 1, 2000
Full Review
You Can Count on Me (2000)
95%
B+
EDIT
“Few things are more difficult than bringing the ordinary into focus with the sort of grace and quirky specificity that Lonergan achieves.” –
AboutFilm.com
Jan 1, 2000
Full Review
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