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David Pardillos

David Pardillos's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
Mascarade (2022) 83% 2/5 EDIT “A less complex crime than it seems. [Full review in Spanish] ” – Cinemanía (Spain) Jun 13, 2023 Full Review Epic Tails (2022) 43% 3/5 EDIT “ A fun and playful adventure for kids and adults alike. [Full review in Spanish] ” – Cinemanía (Spain) May 9, 2023 Full Review Plan 75 (2022) 95% 2.5/5 EDIT “It's too equidistant and cold... [Full review in Spanish]” – Cinemanía (Spain) Apr 26, 2023 Full Review Return to Seoul (2022) 97% 3/5 EDIT “An inner journey in which not all questions have an answer. [Full review in Spanish]” – Cinemanía (Spain) Mar 22, 2023 Full Review Edén (2022) 3/5 EDIT “The staging may be too harsh for the subject, but the attempt to put ourselves in front of a mirror with such a complex subject is laudable. [Full review in Spanish] ” – Cinemanía (Spain) Jan 20, 2023 Full Review Aftersun (2022) 96% 3.5/5 EDIT “A film about paternal estrangement that goes much further than that. [Full review in Spanish]” – Cinemanía (Spain) Dec 13, 2022 Full Review Close (2022) 91% 3.5/5 EDIT “There the young Eden Dambrine shines with his own light, who endows his character with an astonishing humanity in the representation of the frustration and impotence of youth in the face of death. [Full review in Spanish] ” – Cinemanía (Spain) Nov 23, 2022 Full Review Wendell & Wild (2022) 80% 3/5 EDIT “We find ourselves back in Selick's fascinating world. [Full review in Spanish] ” – Cinemanía (Spain) Oct 26, 2022 Full Review Raymond & Ray (2022) 49% 2.5/5 EDIT “The mere presence of these two great actors is not enough to maintain a film that lacks substance, that repeats schemes that are too often seen. [Full review in Spanish]” – Cinemanía (Spain) Oct 19, 2022 Full Review Cadejo Blanco (2021) 89% 4/5 EDIT “Pending the return of Brian De Palma and Michael Mann, the thriller seems to have found a worthy successor to both of them, even if it has appeared in the last place one might expect it: Guatemala. [Full review in Spanish] ” – Cinemanía (Spain) Sep 14, 2022 Full Review 42 segundos (2022) 3.5/5 EDIT “The directors manage to maintain the tension until the last second and show that sometimes great stories also emerge from defeat. [Full review in Spanish] ” – Cinemanía (Spain) Sep 6, 2022 Full Review Undercover (2021) 100% 3.5/5 EDIT “The magic of this anti-thriller... lies precisely in handing all the responsibility to its actors, but above all to its magnificently interwoven script that so well develops and demystifies authentic journalistic investigation. [Full review in Spanish] ” – Cinemanía (Spain) Jul 20, 2022 Full Review Ninjababy (2021) 100% 3/5 EDIT “A romantic comedy unafraid of discomfort. [Full review in Spanish]” – Cinemanía (Spain) Jun 9, 2022 Full Review Live is Life (2021) 3/5 EDIT “ There is a sorrowful nostalgia in De la Torre's way of filming that is contagious to the boys and that... takes that rebellious and intense spirit to a place he knows well. [Full review in Spanish]” – Cinemanía (Spain) Jun 3, 2022 Full Review Knock, Knock, It's Mom! (2020) 2.5/5 EDIT “In the background is that paradox so typical of Adam Sandler's films: most adults behave like children and the youngest have to act as adults. [Full review in Spanish]” – Cinemanía (Spain) Jan 13, 2022 Full Review Black Box (2021) 94% 4/5 EDIT “Only the French actor who gave life to Yves Saint Laurent would know how to move so well between the lie and the truth. [Full review in Spanish]” – Cinemanía (Spain) Dec 8, 2021 Full Review Ghostbusters: Afterlife (2021) 63% 3.5/5 EDIT “Feels as personal as previous Reitman films were. [Full review in Spanish]” – Cinemanía (Spain) Dec 8, 2021 Full Review Next Door (2021) 70% 3/5 EDIT “Screenwriter Daniel Kehlmann's acid dialogues along with Peter Kurth and Brühl's performances are the are the best of a film that, like its protagonist, sometimes finds itself between several paths. [Full review in Spanish]” – Cinemanía (Spain) Nov 19, 2021 Full Review Petite Maman (2021) 97% 4/5 EDIT “A journey through time that nevertheless takes place on its own terms. [Full review in Spanish]” – Cinemanía (Spain) Oct 28, 2021 Full Review Calamity (2020) 3.5/5 EDIT “The beautiful plasticity largely compensates for the simplicity of the story. [Full review in Spanish]” – Cinemanía (Spain) Sep 16, 2021 Full Review After We Fell (2021) 8% 2/5 EDIT “Reduced to the now classic series of outbursts of anger by Hero Fiennes-Tiffin [Full review in Spanish]” – Cinemanía (Spain) Sep 1, 2021 Full Review True Mothers (2020) 91% 4/5 EDIT “True Mothers is not afraid at times of getting lost in the complex Japanese adoption system, on which the director sets her gaze in detail. [Full review in Spanish]” – Cinemanía (Spain) Aug 2, 2021 Full Review Wrong Turn (2021) 64% 3/5 EDIT “Pure and simple survival horror. [Full review in Spanish]” – Cinemanía (Spain) Jul 22, 2021 Full Review Miss Marx (2020) 43% 2.5/5 EDIT “Doubt about how much social protest and how much artificiality there is in this umpteenth attempt to raise the flag of anachrony (as was the case in Marie Antoinette) never goes away. [Full review in Spanish]” – Cinemanía (Spain) Jul 6, 2021 Full Review Kaze no Denwa (2020) 3/5 EDIT “[A] trip to the past that unfolds in the most leisurely and diffident way possible. [Full review in Spanish]” – Cinemanía (Spain) Jun 22, 2021 Full Review
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