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Dorothy Masters

Dorothy Masters's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
The Magnificent Seven (1960) 93% 3.5/4 EDIT “The scenics are superb. Mexican ceremonials add panoply to the rustic setting, all wonderfully photographed. ” – New York Daily News Jan 15, 2026 Full Review High and Low (1963) 97% 3/4 EDIT “A meticulously documented drama, High and Low incorporates a spectacular sequence filmed in a dope den, shocking, pathetic and horrible.” – New York Daily News Aug 13, 2025 Full Review The Big Heat (1953) 95% 3.5/4 EDIT “Although the studio has not gambled on slowing up the action by attempting anything profound in the way of character building, performances are so good and the settings so effective that everybody in the cast is unmistakably tagged for what he is.” – New York Daily News Apr 11, 2024 Full Review Weddings and Babies (1958) 92% 3.5/4 EDIT “Working with neither hat nor rabbit nor hocus-pocus on his first project, the producer-director-author [Morris Engel] conjured a classic.” – New York Daily News Jul 25, 2023 Full Review Diabolique (1955) 95% EDIT “The arch fiends of hell couldn't have plotted better than Pierre Boileau and Thomas Narcejac in the devising of Diabolique. The horrors, psychological as well physical, make this a shocker worthy of the devil himself. ” – New York Daily News Jan 31, 2023 Full Review Village of the Damned (1960) 93% 3/4 EDIT “Consistent underplay highlights sinister nuances, with deft direction and timing adding tension to an appalling conjecture.” – New York Daily News Sep 28, 2022 Full Review The Hidden Fortress (1958) 96% 3/4 EDIT “Suspense and tension are maintained by able performances, skilled direction, shrewd photography.” – New York Daily News Jun 28, 2022 Full Review Them! (1954) 93% 3/4 EDIT “There is added conviction in performance and dialogue, both of which are particularly good for a production largely designed for chilling spines.” – New York Daily News Sep 28, 2021 Full Review Ikiru (1952) 98% 3/4 EDIT “[Kurosawa] is implemented with satirical brilliance and fine human interest... Lassitude in bureaucracy and skullduggery in politics are here to stay, he concedes, and only does the soul of man transcend his frailties.” – New York Daily News Sep 22, 2021 Full Review Horror of Dracula (1958) 89% 3/4 EDIT “Unlike most of Hollywood's quickies, Horror of Dracula has allocated time, thought and talent to an enterprise which successfully recaptures the aura and patina of yesteryear's Middle Europe. Some of the photography is good enough to frame.” – New York Daily News Sep 16, 2021 Full Review The Little Fugitive (1953) 93% 4/4 EDIT “In addition to being infinitely knowledgeable about the inner and outer mechanics of small boys on the loose, Little Fugitive has a genius for sharing this affinity.” – New York Daily News Sep 16, 2021 Full Review The Littlest Outlaw (1955) 85% 3.5/4 EDIT “Along with the vast appeal evoked by a winsome boy and a condemned animal on the run, Walt Disney's The Littlest Outlaw is enhanced by its excellent camera record of Mexican scenics and moires.” – New York Daily News Aug 23, 2021 Full Review Maria Candelaria (1944) 92% 3/4 EDIT “Due to several such combined factors as general excellence of portraiture, eloquent settings, skilled direction and moving story, the fine performance of Dolores Del Rio is a major attraction” – New York Daily News Nov 18, 2020 Full Review
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