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Duncan Gray

Duncan Gray's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
Of Gods and Men (2010) 93% EDIT “The latest film by the French actor-turned-director Xavier Beauvois, Of Gods and Men won the Grand Prix at the 2010 Cannes Film Festival, and may be Beauvois' most accomplished work to date.” – MUBI Mar 18, 2019 Full Review Once Upon A Time in Anatolia (2011) 92% EDIT “Once Upon a Time in Anatolia was one of the highlights of the 2011 Cannes Film Festival, where it took home the Grand Prix.” – MUBI Mar 18, 2019 Full Review Tomorrowland (2015) 49% EDIT “...there's not likely to be a zippier, dafter, more fascinating piece of family-friendly pop-art all summer.” – MUBI Mar 18, 2019 Full Review Leviathan (2014) 97% EDIT “...Zvyagintsev expands the intimate drama into a larger ensemble piece, pushing up the run-time, encompassing a wider range of tones, and stretching out the themes in search of grandeur.” – MUBI Mar 18, 2019 Full Review Carol (2015) 94% EDIT “... caressed in soft-focus pastels, the beautiful strangeness of Carol is very much of-a-piece with Haynes's world, even as it expands it.” – MUBI Mar 18, 2019 Full Review Love & Friendship (2016) 96% EDIT “Love & Friendship immediately stands out as [Whit Stillman's] most purely confectionery film to date.” – MUBI Mar 18, 2019 Full Review Arrival (2016) 94% EDIT “Depending on which yardstick you want to use, Arrival qualifies as Villeneuve's biggest success to date.” – MUBI Mar 18, 2019 Full Review The Post (2017) 88% EDIT “How you'll feel about The Post is more or less preordained by how you feel about Hollywood, Spielberg, the yearly tradition of Oscar bait, and the boogeyman of a "liberal media"...” – MUBI Jan 11, 2018 Full Review Moonlight (2016) 98% 5/5 EDIT “Moonlight is a drama that can be separated from representational politics, but shouldn't be.” – MUBI Jan 9, 2018 Full Review Lo and Behold, Reveries of the Connected World (2016) 92% EDIT “Lo and Behold makes sure to inextricably tie utopian goals to darker, more deadly possible outcomes. But the paradox is that the film is strangely inspiring even in its more alarming moments.” – MUBI Jan 9, 2018 Full Review
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