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      Ed Kelleher

      Ed Kelleher

      Ed Kelleher's reviews only count toward the Tomatometer® when published at the following Tomatometer-approved publication(s): Film Journal International

      Movies reviews only

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      Rating T-Meter Title | Year Review
      O (2001) Helmer Nelson has fashioned a clever premise, helped along by a smart ensemble that manages to highlight Shakespeare's work without parodying it--no small accomplishment. - Film Journal International
      Read More | Posted Mar 01, 2007
      A Further Gesture (1997) Andrzej Sekula's cinematography is a poetic, masterful presence. - Film Journal International
      Read More | Posted Jan 03, 2007
      Cinema Verite: Defining the Moment (1999) Cinema verite has survived over the years, and filmmaker Peter Wintonick's movie walks the viewer up through those years. - Film Journal International
      Read More | Posted Sep 30, 2003
      Off the Menu: The Last Days of Chasen's (1997) A good-natured, observant documentary. - Film Journal International
      Read More | Posted May 05, 2003
      New York in the Fifties (2000) A likeable documentary that strives to tie up a number of cultural themes and make sense of a very disparate group of 1950s social and artistic innovators, and even a few phonies. - Film Journal International
      Read More | Posted Oct 15, 2002
      Notting Hill (1999) While we never doubt the outcome, Notting Hill offers an enjoyable narrative journey. - Film Journal International
      Read More | Posted Sep 09, 2002
      One Hour Photo (2002) As the needy photo clerk, Robin Williams turns in a complex portrait of a man who wants to be helpful, while barely concealing a fissure in his view of everyday life. - Film Journal International
      Read More | Posted Jul 27, 2002
      A Grin Without a Cat (1977) A three-hour cinema master class. - Film Journal International
      Read More | Posted Jun 18, 2002
      Read My Lips (2001) Cassel and Devos give the tale some much-needed gravitas, but as the movie descends into melodrama, it loses much of its initial charm. - Film Journal International
      Read More | Posted Jun 15, 2002
      Panic Room (2002) Foster makes for a plucky Meg, and young Stewart is a talent to watch. But it's Whitaker, Yoakam and Leto who turn in a mini-tour de force. - Film Journal International
      Read More | Posted Apr 16, 2002
      Me Without You (2001) If much of Me Without You strikes a familiar chord, it also intelligently captures the difficulties that can disrupt even a close friendship. - Film Journal International
      Read More | Posted Mar 23, 2002
      Very Annie Mary (2001) [Griffith] adds another intriguing character to her formidable body of work. - Film Journal International
      Read More | Posted Feb 24, 2002
      Rollerball (2002) A lively but preposterous movie that only vaguely glances off the reality of violence. - Film Journal International
      Read More | Posted Feb 23, 2002
      The Farewell (2000) If the atmosphere of The Farewell conjures up a Greek tragedy, the mere sight of Brecht's typewriter speaks volumes about the brilliance of his art. - Film Journal International
      Read More | Posted Jan 26, 2002
      Trouble Every Day (2001) Hardly a film that comes along every day. - Film Journal International
      Read More | Posted Jan 08, 2002
      Ocean's Eleven (2001) With the stylish Soderbergh in the driver's seat, this is a smart, elaborate heist film with a Rat Pack pedigree, some laughs and surprises along the way. - Film Journal International
      Read More | Posted Jan 05, 2002
      A Trial in Prague (2000) As filmgoers at the Montreal screening made their way out of the movie theatre...many were brushing away tears at what they had seen and what they had remembered. - Film Journal International
      Read More | Posted Dec 09, 2001
      The Glass House (2001) A first-rate melodrama, one that might have played nicely in theatres as a second feature back in the early '60s. - Film Journal International
      Read More | Posted Dec 09, 2001
      Harry Potter and the Sorcerer's Stone (2001) Columbus ... has assembled a wizardly cast and crew. - Film Journal International
      Read More | Posted Dec 09, 2001
      Heist (2001) As smart as a pail full of grown-up tomcats. - Film Journal International
      Read More | Posted Dec 09, 2001
      Hearts in Atlantis (2001) Likeable, nostalgic movie that walks a smooth tightrope between a coming-of-age tale and a dark, long-forgotten Twilight Zone episode. - Film Journal International
      Read More | Posted Dec 09, 2001
      Jeepers Creepers (2001) Brennan ... turns in a nice comic turn that is well worth waiting for. - Film Journal International
      Read More | Posted Dec 09, 2001
      Wallowitch & Ross: This Moment (1999) The film's atmosphere is low-key, informal and charmingly musical throughout. - Film Journal International
      Read More | Posted Nov 13, 2001
      The Others (2001) Aims less for subtlety than something out of a horror-movie grab bag. - Film Journal International
      Read More | Posted Aug 27, 2001
      America's Sweethearts (2001) The so-called 'behind-the-scenes' intrigue often fails to rise above a television sitcom. - Film Journal International
      Read More | Posted Aug 14, 2001
      Go Tigers! (2001) Carlson grew up in Massillon and he seems to know the territory of Friday night football. - Film Journal International
      Read More | Posted Aug 02, 2001
      The Man Who Bought Mustique (2000) As luck would have it, filmmakers Joseph Bullman and Vikram Jayanti were given pretty much free rein. - Film Journal International
      Read More | Posted Jun 25, 2001
      Enlightenment Guaranteed (2000) Its coda--set in that remote monastery--shows signs that enlightenment, if not actually guaranteed, might still be possible for a couple of cranky Europeans. - Film Journal International
      Read More | Posted Jun 25, 2001
      The Luzhin Defence (2000) Lighter on its feet than one might imagine and more complex than one might think. - Film Journal International
      Read More | Posted Apr 30, 2001
      I Stand Alone (1998) Noe deserves credit for a cinematic vision which is remarkably his own. - Film Journal International
      Read More | Posted Apr 03, 2001
      Too Much Sleep (1997) Too Much Sleep traffics in deadpan whimsy, always a risky business. - Film Journal International
      Read More | Posted Mar 29, 2001
      The Million Dollar Hotel (2000) Turns out to be almost as shabby as its name. - Film Journal International
      Read More | Posted Mar 05, 2001
      Hannibal (2001) Hannibal is arguably the most visually stunning movie in what could be a horror-movie franchise. - Film Journal International
      Read More | Posted Mar 05, 2001
      The Wedding Planner (2001) A commonplace little offering, low on charm, but trudging ahead anyway, with nary a laugh. - Film Journal International
      Read More | Posted Mar 05, 2001
      The City (1998) A haunting, compassionate look at the day-to-day lives of all too many New Yorkers. - Film Journal International
      Read More | Posted Feb 21, 2001
      Harry, He's Here to Help (2000) If Alfred Hitchcock hadn't shuffled off this mortal coil some two decades ago, chances are he would have appreciated Dominik Moll's With a Friend Like Harry. - Film Journal International
      Read More | Posted Feb 07, 2001
      Thirteen Days (2000) Donaldson captures authentic characters and events, which transcend any fictional drama. - Film Journal International
      Read More | Posted Feb 07, 2001
      Snatch (2000) Ritchie's background in commercials and music-videos and his recurring freeze-frames give Snatch its nearly breathless pace, courtesy of cinematographer Tim Maurice-Jones, who pulls out all the stops. - Film Journal International
      Read More | Posted Feb 07, 2001
      Dancer in the Dark (2000) Likely to alienate purists but may charm a younger audience drawn by Icelandic actress-singer-songwriter Björk. - Film Journal International
      Read More | Posted Jan 01, 2000
      The Empty Mirror (1997) A bold, demanding film that plunges the viewer into a realm of surrealist fantasy, The Empty Mirror isn't for the casual moviegoer, but it challenges the thoughtful viewer. - Film Journal International
      Read More | Posted Jan 01, 2000
      Stigmata (1999) Stigmata is just too long on bloody atmosphere and too bloody short on believability. - Film Journal International
      Read More | Posted Jan 01, 2000
      Me, Myself & Irene (2000) The Farrelly Brothers are back, but Me, Myself & Irene doesn't match the charm and humor of There's Something About Mary. - Film Journal International
      Read More | Posted Jan 01, 2000
      Autumn in New York (2001) Charlotte and Will make a charming couple, but that has a lot to do with Ryder's doomed gamine presence and Gere's world-weary rogue. - Film Journal International
      Read More | Posted Jan 01, 2000
      Go (1999) A fast and furious ride! - Film Journal International
      Read More | Posted Jan 01, 2000
      Sweet and Lowdown (1999) Probes a darker vein than many a Woody Allen movie, but it's also a richly comic piece which can join the ranks of this filmmaker's very best work. - Film Journal International
      Read More | Posted Jan 01, 2000
      Sick: The Life and Death of Bob Flanagan, Supermasochist (1997) For those willing to endure its more harrowing moments, Kirby Dick's documentary about Los Angeles artist Bob Flanagan is a touching and rewarding look at a charismatic and defiant man. - Film Journal International
      Read More | Posted Jan 01, 2000
      Lolita (1997) Lyne's update on this comic, bittersweet tale benefits mightily from a clever screenplay by Stephen Schiff and terrific performances by the movie's two leads. - Film Journal International
      Read More | Posted Jan 01, 2000
      The Filth and the Fury (2000) Temple's visually inventive collage of newsreel footage, television commercials, weather reports and similar 'found art' fits neatly into the Sex Pistols saga. - Film Journal International
      Read More | Posted Jan 01, 2000
      A Soldier's Daughter Never Cries (1998) Has a rich, 'lived-in' texture that gives the narrative a credibility not based merely on its actuality but on the conviction with which it is presented. - Film Journal International
      Read More | Posted Jan 01, 2000
      Conspiracy Theory (1997) In the tradition of a star-driven summer movie, Conspiracy Theory lets us know from its opening moments that it plans to fuse action, comedy and romance, in a pretty big way. - Film Journal International
      Read More | Posted Jan 01, 2000
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