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Georgie Carr

Georgie Carr's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Triangle of Sadness (2022) 72% EDIT “Most comfortable in its all-out blaze of high fashion, yachts, expensive food, and jewellery, the film’s cynicism and formal sleight-of-hand lacquer over any sense of radical political excitement.” – Another Gaze Oct 27, 2022 Full Review Spencer (2021) 83% EDIT “Simultaneously wary and celebratory of biographical limitation, Larraín tweaks the conventions of the genre, ironising idealist conceptions of history through scenes that explore how intensity of feeling can appear like depth of action.” – Another Gaze Dec 29, 2021 Full Review On the Rocks (2020) 87% EDIT “Coppola never pushes past the individual to the group, the city, society. Although we know there is life out there in the world, we never see it.” – Another Gaze Nov 25, 2020 Full Review Little Women (2019) 95% EDIT “Gerwig's Little Women in fact fails to engage with the proto-feminist spirit of the original, let alone the radical potential for which a modern adaptation might allow.” – Another Gaze Dec 31, 2019 Full Review Antigone (2019) 95% EDIT “Sophie Deraspe's film adaptation of Sophocles' Antigone updates the central themes of the original -- family, exile, state power and sacrifice -- to reflect the struggles of a family of first generation Algerian immigrants in Montreal.” – Another Gaze Sep 20, 2019 Full Review Here for Life (2019) 67% EDIT “Politics contains the beautiful and the mundane, the film suggests, and we should value both if we are to effectively communicate an image of the individual and their world.” – Another Gaze Sep 5, 2019 Full Review Maternal (2019) 100% EDIT “Maternal makes clear that this lack of nuance belongs to the life the film depicts: the clash between two ideologies of motherhood - the spiritual vs. worldly - is culturally embedded, inescapable for the girls of the hogar.” – Another Gaze Aug 16, 2019 Full Review Never Look Away (2018) 77% EDIT “The film makes a strong case for the idea that a society can be judged by its relationship to art - that there is a strong correlation between artistic faculty and political morality.” – Another Gaze Aug 5, 2019 Full Review
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