Becoming Jane (2007)
58%
2/5
EDIT
“The film's notion of Austen's great works being nothing loftier than the result of failed puppy love suggests the filmmakers perversely believe that gross oversimplification is a virtue.” –
Orlando Weekly
Aug 9, 2007
Full Review
Talk to Me (2007)
82%
3/5
EDIT
“In Talk to Me, director Kasi Lemmons has expertly crafted an uplifting civil rights-era biopic free of false hope and cloying nostalgia.” –
Orlando Weekly
Jul 26, 2007
Full Review
Rescue Dawn (2007)
90%
3/5
EDIT
“So here we are, mired in a stupid, loathsome war, and what does Werner Herzog do? He creates an absolutely riveting sort-of love letter to America that takes place during that last stupid, loathsome U.S. war, Vietnam.” –
Baltimore City Paper
Jul 26, 2007
Full Review
The Hoax (2006)
85%
2.5/5
EDIT
“This lie-streaked retelling of a fraud aims not for the meta, but for history-repeating object lesson, explicitly drawing parallels between Irving and Nixon's cons and our current hoax-based regime. But it all rings hollow.” –
Orlando Weekly
Apr 5, 2007
Full Review
The Host (2006)
93%
4/5
EDIT
“Alternately scary, funny and inspiring, Bong Joon-ho's first-class monster mash is also a scalding rebuke to U.S. interventionism, profiteering and general developing-world opportunism, and a lovely story of familial bonding. In a word, amazing.” –
Baltimore City Paper
Mar 24, 2007
Full Review
Amazing Grace (2006)
68%
2/5
EDIT
“It's a good story, but director Michael Apted can't help but fall into the usual cinematic habits of the hagiographic species.” –
Orlando Weekly
Feb 22, 2007
Full Review
Sherrybaby (2006)
76%
EDIT
“Watching Maggie Gyllenhaal's bare body and battered soul in Laurie Collyer's quietly extraordinary Sherrybaby, you almost get a sense that the actress knows the load that was her star-making turn in Secretary ...” –
Orlando Weekly
Jan 18, 2007
Full Review
The Good German (2006)
34%
2/5
EDIT
“The Good German is a self-serving act of fetishistic virtual embalming, with all the liveliness that description implies.” –
Orlando Weekly
Dec 21, 2006
Full Review
Shut Up and Sing (2006)
89%
4/5
EDIT
“While Shut Up works great as music doc, progressive pep rally and neo-Capra triumph tale, it's even better as a bighearted tale of the love between three extraordinary women.” –
Orlando Weekly
Dec 7, 2006
Full Review
Bobby (2006)
47%
1.5/5
EDIT
“Terrible, uninformative and embarrassingly amateurish in word and lensing.” –
Orlando Weekly
Nov 23, 2006
Full Review
The Science of Sleep (2006)
71%
2/5
EDIT
“A cloying confection of candied whimsy and exclusive self-referentiality.” –
Baltimore City Paper
Sep 28, 2006
Full Review
Factotum (2005)
74%
2/5
EDIT
“... when taking Bukowski at his sodden solipsistic word, there isn't much there there.” –
Orlando Weekly
Sep 12, 2006
Full Review
World Trade Center (2006)
66%
1/5
EDIT
“In the end, all Stone really seems to be up to is using Sept. 11 to again mourn the loss of mythical white American innocence for what one assumes will be a predominantly white Boomer audience. And no doubt turning a pretty penny doing it.” –
Orlando Weekly
Aug 10, 2006
Full Review
The Descent (2005)
87%
2/4
EDIT
“Aside from its high concept -- instead of Snakes on a Plane, it's Chicks in a Cave (with monsters!) -- place-setting is almost all Marshall does.” –
Orlando Weekly
Aug 3, 2006
Full Review
Why We Fight (2005)
78%
EDIT
“If the inducement of despair and disgust is an indicator of artistic achievement, Why We Fight is incredibly successful.” –
Baltimore City Paper
Jul 20, 2006
Full Review
A Scanner Darkly (2006)
68%
4/5
EDIT
“Writer/director Richard Linklater's superbly entertaining/disturbing adaptation of Dick's A Scanner Darkly accomplishes the near-impossible ...” –
Las Vegas Weekly
Jul 14, 2006
Full Review
An Inconvenient Truth (2006)
93%
4/5
EDIT
“In a way, Truth is almost critic-proof.” –
Las Vegas Weekly
Jun 19, 2006
Full Review
The Proposition (2005)
86%
EDIT
“As directed by music video vet John Hillcoat, Cave's vision of 1880s Australia as outlaw inferno becomes an unforgettable exposed raw nerve of a film.” –
Orlando Weekly
Jun 8, 2006
Full Review
Brick (2005)
79%
2/5
EDIT
“You can't fault Johnson for a lack of honest genre love, but his forced formalism ... achieves little other than to keep us at a drama-neutering distance.” –
Las Vegas Weekly
Jun 6, 2006
Full Review
The Omen (2006)
26%
1/5
EDIT
“[John Moore's] work here is -- how to put it politely? -- godawful, an alternating mess of broods and gnashing of teeth.” –
Las Vegas Weekly
Jun 6, 2006
Full Review
L'Enfant (2005)
84%
EDIT
“If it's possible for cinema to be so invisible as to allow us to actually see inside characters -- to be, in short, literary -- this is it.” –
Baltimore City Paper
May 18, 2006
Full Review
16 Blocks (2006)
55%
EDIT
“A limp, lazy exercise in nostalgia for the buddy genre that director Richard Donner helped define in the '80s.” –
Orlando Weekly
Mar 2, 2006
Full Review
Underworld: Evolution (2006)
17%
EDIT
“True to its title, Underworld: Evolution represents a modest learning curve for director Len Wiseman, who advances from the inept awfulness of his first vampire-versus-werewolf idiocy to the determined mediocrity of this incomprehensible follow-up.” –
Orlando Weekly
Jan 26, 2006
Full Review
Breakfast on Pluto (2005)
58%
EDIT
“In short, the director has finally found material - - Patrick McCabe's novel, which Jordan adapted - - that unifies his obsessions with politics, the Troubles and the dangerous fragility of machismo.” –
Baltimore City Paper
Jan 6, 2006
Full Review
Harry Potter and the Goblet of Fire (2005)
88%
EDIT
“Newell not only does Harry Potter right but eclipses the scope, scares and drama of his J.K. Rowling source novel.” –
Orlando Weekly
Dec 6, 2005
Full Review
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