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Joey Guerra

Joey Guerra's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
The Boy From Medellín (2020) 75% EDIT “An absorbing documentary...” – Houston Chronicle May 14, 2021 Full Review Camp Rock (2008) 50% EDIT “Camp Rock is exactly what you'd expect it to be: silly, sometimes sweet, occasionally confusing, aggressively perky and brimming with disposable pop songs about being true to yourself.” – Houston Chronicle Sep 11, 2019 Full Review Travis Scott: Look Mom I Can Fly (2019) 80% EDIT “The film is another jewel in Scott's grill, a way to neatly contain so much movement and madness. It's a terrific showcase for his unique approach to music and live shows.” – Houston Chronicle Sep 3, 2019 Full Review Notorious (2009) 52% 3/4 EDIT “A vivid biopic of the larger-than-life rap star that doesn't require you be a big fan of the genre.” – Houston Chronicle Jan 16, 2009 Full Review Cadillac Records (2008) 66% 2.5/4 EDIT “Martin could have made a much more compelling film by focusing on just a few characters instead of trying to deconstruct an entire record label.” – Houston Chronicle Dec 5, 2008 Full Review The Singer (2006) 24% 2.5/4 EDIT “The film's first half is an uneven string of scenes that offer little setup and sometimes confuse.” – Houston Chronicle Aug 3, 2007 Full Review Guadalupe (2006) 2/4 EDIT “The real problem is that none of the character arcs are taken any further than a basic outline.” – Houston Chronicle Dec 8, 2006 Full Review Coffee Date (2006) 50% 2/4 EDIT “Coffee Date has lots going on, and its message -- there are all kinds of love - is an earnest one. But the script relies too heavily on stock characters and overused plot devices to make any real impact.” – Houston Chronicle Nov 17, 2006 Full Review Wrestling With Angels: Playwright Tony Kushner (2006) 70% 3/4 EDIT “A sentimental valentine to a man who, underneath it all, simply wants to move people with his message.” – Houston Chronicle Nov 10, 2006 Full Review Meet Me In Miami (2006) 2.5/4 EDIT “What sets this fluffy, ultimately enjoyable trifle apart is that it doesn't make a big deal about its cross-cultural cast. The characters are presented as individuals, rather than sweeping representations of a group or race.” – Houston Chronicle Jun 9, 2006 Full Review Scary Movie 4 (2006) 34% 1/4 EDIT “Four installments later, the horror-movie jokes have gotten broader, grosser and just plain dumber.” – Houston Chronicle Apr 14, 2006 Full Review Screen Door Jesus (2003) 82% 2.5/4 EDIT “Despite the conflicting statements on faith and religion, revenge and forgiveness, and sex and love, the divergent arguments are ultimately part of the ramshackle grace and peculiar charm of this modest, frequently-satisfying film.” – Houston Chronicle Sep 30, 2005 Full Review Stupid Boy (2004) 56% 3/4 EDIT “Tender moments of grace and a mutual respect between the filmmaker and his subject shine through.” – Houston Chronicle Sep 16, 2005 Full Review Mariscos Beach (2005) 54% 2.5/4 EDIT “It's all lots of fun while it lasts, but you'll likely forget about it as soon as the credits roll.” – Houston Chronicle Sep 9, 2005 Full Review Pretty Persuasion (2005) 33% 2/4 EDIT “The screenplay by Skander Halim falters. It's too convoluted and cloudy to have the intended effect.” – Houston Chronicle Sep 2, 2005 Full Review Beyond the Gates of Splendor (2004) 3/4 EDIT “Hanon doesn't sensationalize his potentially fantastic subject matter; instead, he lets the real words and pictures tell the story.” – Houston Chronicle Jan 28, 2005 Full Review
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