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Jonah Jeng

Jonah Jeng's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Love After Love (2017) 85% B+ EDIT “Central to the film's vision of love and loss is a certain realism marked by unshowy performances, un-stagy mise-en-scne, and eye-level, frequently handheld camerawork.” – The Film Stage Mar 30, 2018 Full Review Did You Wonder Who Fired the Gun? (2017) 86% B+ EDIT “When the repressed past gains sudden and violent visibility in the present, the genre that's evoked is horror, and one of the film's greatest strengths is the way it leans into this association.” – The Film Stage Feb 27, 2018 Full Review Permission (2017) 67% B EDIT “The film stays at the level of specifics, observing the characters' movement toward a point that feels right for them but might not apply to every couple.” – The Film Stage Feb 8, 2018 Full Review My Art (2016) 65% B EDIT “The film is pleasant without being ebullient, sad without being devastating, cruising along on life's rhythms sans thematic or aesthetic grandstanding.” – The Film Stage Jan 11, 2018 Full Review The Girl Without Hands (2016) 95% EDIT “Shying away from exoticism and eroticism, the film attends closely and poignantly to this character's agonies, ecstasies, and everything in between.” – Reverse Shot Jul 20, 2017 Full Review Arsenal (2017) 3% C EDIT “By many standards, Nicolas Cage's performance in Arsenal is pretty terrible. But it is also sublimely anarchic, a big middle finger to any acting method you throw in his direction.” – The Film Stage Jan 6, 2017 Full Review The Mind's Eye (2015) 60% B EDIT “The Mind's Eye is midnight movie material, a film whose nightmarish bloodletting surpasses disgusting to skirt on the edge of the sublime.” – The Film Stage Aug 12, 2016 Full Review Edge of Winter (2016) 52% B EDIT “A powerfully acted exercise in suspense and a hair-raising depiction of parental love gone wrong, Edge of Winter is nothing short of magnetic.” – The Film Stage Aug 12, 2016 Full Review
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