Good Manners (2017)
96%
EDIT
“Good Manners isn’t without its share of redeeming factors, to be sure, but Dutra and Rojas are simply hamstrung by their chosen medium, which pits an overabundance of ideas to a constricting runtime.” –
Vague Visages
Dec 13, 2023
Full Review
Araby (2017)
93%
EDIT
“Uchoa and Dumans’ distanced, matter-of-fact portrayal of their vagabond renders Araby an elusive and open film. It’s particulars aren’t always announced, because — as with Bresson — the text ask viewers to meet it where it stands.” –
Vague Visages
Dec 13, 2023
Full Review
Cocote (2017)
77%
EDIT
“De Los Santos Arias is clearly more preoccupied with the religious tension between Alberto and the town natives, and even more so with deconstructing the traditional grammar of fictional film storytelling.” –
Vague Visages
Dec 13, 2023
Full Review
Recorder: The Marion Stokes Project (2019)
95%
EDIT
“Unfortunately, Wolf's interest in the project (which the title tags as its primary focus) is often sidetracked by his interest in investigating the drama of Stokes' relationships.” –
Film Inquiry
Nov 20, 2019
Full Review
Genesis (2018)
89%
EDIT
“Genesis, a bifurcated narrative about young love that reveals itself, in the final 20 minutes, to be a triptych, is a steady, assured drama whose power has a strange occasion to sneak up on you.” –
Film Inquiry
Nov 20, 2019
Full Review
The Body Remembers When the World Broke Open (2019)
97%
EDIT
“There's a thorough lack of visual exposition, which creates a sense of urgency and potential dread - Tailfeathers and Hepburn not letting us see others' proximity or attitude allows the viewer to do the guessing work, sometimes expecting the worst.” –
Film Inquiry
Nov 20, 2019
Full Review
The Hottest August (2019)
84%
EDIT
“The Hottest August isn't a chore by any means but has trouble balancing its tone.” –
Film Inquiry
Nov 6, 2019
Full Review
Chained for Life (2018)
100%
EDIT
“Chained for Life is particularly interested in performance as it relates to people with disabilities, films about them and the able-bodied that play them.” –
Film Inquiry
Nov 6, 2019
Full Review
Angel Has Fallen (2019)
38%
EDIT
“It's a decidedly bargain-basement version of the same approach, which may be based on available, willing and inexpensive talent rather than to yield new artistic takes on the same character.” –
Film Inquiry
Sep 5, 2019
Full Review
My Name Is Julia Ross (1945)
92%
EDIT
“What My Name is Julia Ross concedes in atmosphere to its forebearer it gains in taut, unfussy storytelling.” –
Film Inquiry
May 31, 2019
Full Review
Non-Fiction (2018)
86%
EDIT
“It feels less like a new chapter for Assayas and more like a stop-gap, a transitional film that acts as a clearing of the throat or palate cleanser between courses, but a delightful one nonetheless.” –
Film Inquiry
May 2, 2019
Full Review
The Serpent's Egg (1978)
20%
EDIT
“The set is lushly and bountifully featured in The Serpent's Egg, but this exterior richness comes at the exchange of the piercing, urgent interior audits Bergman had garnered a reputation for.” –
Film Inquiry
Dec 22, 2018
Full Review
True Stories (1986)
77%
EDIT
“True Stories was a film that was in dire need of resuscitating in HD, and in the process of doing so, Criterion has put out one of their most creative sets to date, aptly matching the eccentric register of Byrne's masterpiece.” –
Film Inquiry
Dec 15, 2018
Full Review
Gosford Park (2001)
87%
EDIT
“The film's end is especially haunting in a way I didn't initially grasp, and though his two following films definitely have their merits, Gosford Park has rightfully earned a reputation as Altman's last great work.” –
Film Inquiry
Dec 6, 2018
Full Review
The Gingerbread Man (1998)
60%
EDIT
“Unfortunately, the film remains relatively charmless.” –
Film Inquiry
Dec 6, 2018
Full Review
Birds of Passage (2018)
96%
EDIT
“Where I found Guerra's previous effort a struggle to wring anything specific out of, this one will remain lodged in my brain for quite some time.” –
Film Inquiry
Nov 16, 2018
Full Review
Distant Voices, Still Lives (1988)
80%
EDIT
“Terence Davies' 1988 debut Distant Voices, Still Lives, newly rereleased by Arrow Academy, deserves to be treasured as one of the great British films.” –
Film Inquiry
Nov 1, 2018
Full Review
Ideal Home (2018)
68%
EDIT
“Steve Coogan and Paul Rudd star in Ideal Home, a comedy about an upper middle-class couple that feels out of touch, and severely outdated.” –
Film Inquiry
Nov 1, 2018
Full Review
Caniba (2017)
58%
EDIT
“Caniba isn't the mammoth achievement of Leviathan, but the filmmakers have cobbled together another disturbing film about human loneliness.” –
Film Inquiry
Oct 20, 2018
Full Review
Unfriended: Dark Web (2018)
60%
EDIT
“Instead of keeping it at bay because cell phone and internet use eradicates many of the core tropes of the genre, this franchise taps into modern communication and creates a new cinematic language for the slasher sub-genre.” –
Film Inquiry
Aug 1, 2018
Full Review
The Day After (2017)
79%
EDIT
“Hong's priorities are different from other filmmakers; he eschews an adherence to film language decorum in favor of interrogating emotions and ideas that are important to him, in ways that make sense to him.” –
Film Inquiry
Jun 5, 2018
Full Review
Disobedience (2017)
84%
EDIT
“After Disobedience, I was left with the same uneasy feeling his last film evoked - this isn't Lelio's story to tell. If he understands the nuances of other cultures through exhaustive research, he isn't able to translate it on screen persuasively.” –
Film Inquiry
May 24, 2018
Full Review
Zama (2017)
96%
EDIT
“I wouldn't be surprised to see Zama canonized as one of the more remarkable artistic achievements of this decade. It's certainly a standout of 2018.” –
Film Inquiry
May 8, 2018
Full Review
Western (2017)
96%
EDIT
“We get the sense that the tension between the locals and someone like Meinhard can never fully be resolved.” –
Film Inquiry
Apr 27, 2018
Full Review
Claire's Camera (2017)
88%
EDIT
“Watching Claire's Camera feels like watching a film being made right in front of you.” –
Film Inquiry
Apr 27, 2018
Full Review
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