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1/5
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RoboCop 3
(1993)
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Brad Cook
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Rather than end on a “This could have been really good, but we’re settling for barely adequate here” note, now-defunct Orion Pictures went with “Let’s hammer this thing into the ground and leave everyone with a bad taste in their mouths.”
Posted Mar 14, 2026
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4/5
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Project Hail Mary
(2026)
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Robert Kojder
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With huge spirit and spectacle, above all else, this is a powerful story about the bravery and courage a strong friendship can instill in any of us, even in the most epic and highest-stakes times
Posted Mar 11, 2026
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2.5.5
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undertone
(2025)
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Robert Kojder
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That soundscape erupts into an all-out, chaotic, cacophonous, nightmarish freakout in the final 15 minutes, which doesn’t necessarily amount to anything from a narrative perspective but is nonetheless almost enough to recommend undertone
Posted Mar 11, 2026
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2/5
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Reminders of Him
(2026)
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Robert Kojder
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These are characters stuck reaching for depth far out of grasp in a hollow romance
Posted Mar 11, 2026
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2.5/5
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Slanted
(2025)
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Robert Kojder
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It’s a film that wants to be about racism, culture, and beauty, but it is consistently undercut by being more about tropey teenage selfishness and vanity
Posted Mar 11, 2026
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Project Hail Mary
(2026)
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EJ Moreno
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A flawless space epic. Ryan Gosling is the leading man superstar he was born to be.
Posted Mar 10, 2026
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2/5
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RoboCop 2
(1990)
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Brad Cook
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The clunky effects leave much to be desired. Other sequences miss the mark too, although Kershner does engage in some nice character building when RoboCop can’t resist visiting the neighborhood where his ex-wife and son live.
Posted Mar 09, 2026
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3.5/5
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War Machine
(2026)
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Robert Kojder
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War Machine is Predator, but with a Metal Gear racing through the woods. It is something anyone familiar with both of these IPs will likely realize they never knew they wanted until now
Posted Mar 08, 2026
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3/5
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Peaky Blinders: The Immortal Man
(2026)
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Robert Kojder
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A slight but thrilling family crime drama, Peaky Blinders: The Immortal Man finds a middle ground between standalone story and clean up for those who invested in the show
Posted Mar 06, 2026
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2/5
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Protector
(2025)
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Robert Kojder
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This is a confused film that takes a tasteless turn, nonetheless marginally salvaged by an intense, savagely violent performance by Milla Jovovich
Posted Mar 06, 2026
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3.5/5
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Heel (The Good Boy)
(2025)
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Robert Kojder
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With complex morals and an inhumane social experiment, Heel is a quietly deranged, thought-provoking take on captivity
Posted Mar 06, 2026
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2.5/5
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THE BRIDE!
(2026)
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Robert Kojder
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Undeniably audacious to a fault, by the end, The Bride! has become its own Frankensteinian misfire
Posted Mar 04, 2026
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4/5
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Hoppers
(2026)
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Robert Kojder
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Hoppers hops high into the upper tiers of Pixar with stunning animation, layered yet fittingly fun animal world-building, and emotionally heavy story of a young woman not only fighting for what she believes in, but carrying on the spirit of her grandma
Posted Mar 03, 2026
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2/5
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Dolly
(2025)
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Robert Kojder
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As lifeless as an actual doll (even if there is plenty of gore to go around)
Posted Mar 03, 2026
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Bodycam
(2025)
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EJ Moreno
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Easily the best found footage film of the decade. In a genre that's become hard to make thrilling, this packs one horrifying punch.
Posted Mar 03, 2026
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2/5
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Scream 7
(2026)
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Robert Kojder
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Scream 7 is disappointingly straightforward. It’s time to stab this franchise to death
Posted Feb 27, 2026
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3/5
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K-Pops!
(2024)
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Robert Kojder
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It’s too broad in terms of K-Pop as a cultural phenomenon of the moment, but BJ’s character growth, the celebration of music across generations, and a family repaired make K-Pops! Pop just enough
Posted Feb 27, 2026
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2.5/5
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For Worse
(2025)
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Robert Kojder
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For Worse could have been worse. It’s not exactly great, either, with a wedding one couldn’t possibly care less about and can’t wait to leave
Posted Feb 27, 2026
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Scream 7
(2026)
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EJ Moreno
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I’ve always said there’s never been a bad Scream movie, and after this seventh entry, I still believe that.
Posted Feb 27, 2026
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2/5
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Scream 7
(2026)
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Matt Rodgers
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Blunting the point of a razor-sharp 30-year old horror franchise, this has enough moments to make it worthy of fun dissemination at one of Randy’s house-parties, but there’s not much else worth screaming about seventh time around.
Posted Feb 26, 2026
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2/5
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In the Blink of an Eye
(2026)
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Robert Kojder
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For about 70 minutes, the film rides this wave of competently acted, moderately interesting interconnected narrative until the already invasive melodramatic elements begin to double, triple, and quadruple until the whole endeavor collapses on itself
Posted Feb 26, 2026
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2.5/5
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Dreams
(2025)
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Robert Kojder
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It’s more eye-rolling that Michel Franco apparently knows only one trick or traumatic mode to fall back on
Posted Feb 26, 2026
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3/5
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The Bluff
(2026)
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Robert Kojder
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The Bluff is a worthy action vehicle for Priyanka Chopra Jonas, who will hopefully continue to thrive and excel in the genre
Posted Feb 25, 2026
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3/5
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Voice of Shadows
(2023)
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Robert W. Monk
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A criticism that may well come up for horror fans is that bar one or two jumps, it’s not actually all that scary. Instead, there is more of a melancholic weirdness, which, to my mind, works pretty well given the subject matter.
Posted Feb 20, 2026
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2/5
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Psycho Killer
(2026)
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Robert Kojder
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The plot here is so razor-thin, with no characterization, that one wonders if the screenwriter brought the project to David Fincher, who then rejected it, thinking even he couldn’t have done anything exciting, suspenseful, or provocative with it
Posted Feb 20, 2026
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2/5
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Midwinter Break
(2026)
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Robert Kojder
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The proceedings here are so dull, even by travelogue standards, that it is tempting to follow Gerry’s lead and go to sleep
Posted Feb 20, 2026
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2.5/5
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How to Make a Killing
(2026)
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Robert Kojder
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Disappointingly never pops with either the dark comedy or coldhearted viciousness required (something that is also reflected in Powell's performance, which mostly settles for charming rather than pushing the actor into either of those realms)
Posted Feb 18, 2026
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1.5/5
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The Dreadful
(2026)
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Robert Kojder
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The Dreadful serves up a Game of Thrones reunion between stars Sophie Turner and Kit Harington, which is about the only thing this film has to offer, considering it more than lives up to the title
Posted Feb 18, 2026
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3/5
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Redux Redux
(2025)
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Robert Kojder
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With an emotionally loaded look, Redux Redux confidently knows what it wants to do and say about this particular cycle of grief and revenge born from tragedy and a device allowing its user to jump across the multiverse
Posted Feb 18, 2026
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3/5
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This Is Not a Test
(2025)
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Robert Kojder
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Although originally published in 2012 by Courtney Summers, writer/director Adam MacDonald’s cinematic adaptation of YA zombie thriller This Is Not a Test couldn’t have come at a timelier moment
Posted Feb 18, 2026
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4/5
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EPiC: Elvis Presley in Concert
(2025)
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Robert Kojder
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There is nothing but burning love for EPiC: Elvis Presley in Concert
Posted Feb 16, 2026
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1.5/5
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I Can Only Imagine 2
(2026)
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Robert Kojder
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The Christian component of I Can Only Imagine 2 isn’t irksomehere; it’s the rest of the movie that is either off-putting, frustrating, confounding, cluttered, hokey, or boring with an overreliance on fictionalized concert performances
Posted Feb 16, 2026
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2.5/5
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Cold Storage
(2026)
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Robert Kojder
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This one should have remained in cold storage until a more visionary filmmaking team came around to really make the premise and characters pop
Posted Feb 15, 2026
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3/5
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Crime 101
(2026)
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Robert Kojder
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Elevated by an all-star cast and solid filmmaking from Bart Layton, including spectacular, practically accomplished car chases punctuated by violent showdowns, there is just enough crime and substance to make it work
Posted Feb 11, 2026
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3/5
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Good Luck, Have Fun, Don't Die
(2025)
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Robert Kojder
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An experience as overstuffed as its clunky film title, Good Luck, Have Fun, Don’t Die, that director Gore Verbinski almost makes something cohesive and epically satisfying out of this is a victory in itself
Posted Feb 11, 2026
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3/5
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GOAT
(2026)
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Robert Kojder
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Aside from the false advertising that the real GOAT, Chicago Bears quarterback Caleb Williams, is nowhere to be found in a movie called GOAT, this one is mostly all net for Sony. It’s not GOATed but a winner nonetheless
Posted Feb 11, 2026
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3/5
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Bride of Re-Animator
(1990)
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Amie Cranswick
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Bride of Re-Animator is terrific fun and captures the manic spirit of the original, only slightly less so.
Posted Feb 11, 2026
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2.5/5
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Wuthering Heights
(2026)
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Robert Kojder
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Emerald Fennell’s direction and the craft on display here are impeccably striking and beautiful, but it’s all in service to something emotionally flat and possibly afraid to live and die on the edge of bold as she has in the past
Posted Feb 09, 2026
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4/5
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Nirvanna the Band the Show the Movie
(2025)
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Robert Kojder
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Nearly every sequence perfectly walks that line between stupidly and brilliantly uproarious
Posted Feb 09, 2026
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1.5/5
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The Strangers: Chapter 3
(2026)
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Robert Kojder
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Thankfully, the journey is over for now, and we can become strangers to this failed series, erasing it from our minds
Posted Feb 07, 2026
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2.5/5
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The Moment
(2026)
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Robert Kojder
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When the film is about artistic pressures, The Moment works, so it’s a shame that little else does, and no one who knew anything about the musician coming in will come away with anything more insightful, personally or professionally
Posted Feb 05, 2026
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1.5/5
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Whistle
(2025)
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Robert Kojder
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Director Corin Hardy (and screenwriter Owen Egerton) blew it: Whistle, which unquestionably rips off other familiar horror ideas to an embarrassing degree, is terrible
Posted Feb 05, 2026
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3/5
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Solo Mio
(2026)
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Robert Kojder
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The film marks a pleasant evolution in Kevin James’s talent, revealing a more sophisticated, softer, quieter, and emotional side
Posted Feb 05, 2026
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2.5/5
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Jimpa
(2025)
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Robert Kojder
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The longer Jimpa goes on, the more it feels overstuffed with plot concepts and thematic ideas that are either discarded or never cohere into anything profound
Posted Feb 05, 2026
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2.5/5
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Dracula
(2025)
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Robert Kojder
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The third act is by far the strongest aspect of Luc Besson’s #Dracula, as it wholeheartedly embraces doomed romanticism and expressions of centuries-long yearning. It’s a shame that the film doesn’t have much life until then
Posted Feb 03, 2026
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3.5/5
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Pillion
(2025)
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Robert Kojder
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Erotic, amusing without condescension, and even sweet, Harry Lighton knows exactly what he wants to say about this kink scene, his characters, and what message to take
Posted Feb 03, 2026
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3.5/5
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Joybubbles
(2026)
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Robert Kojder
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The unorthodox method of human connection on display is uniquely moving, as the documentary consistently feels as if it’s covering something greater than one man hacking telephones: a defiance of loneliness, ableism, and trauma
Posted Feb 02, 2026
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3.5/5
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The Incomer
(2026)
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Robert Kojder
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Welcome The Incomer with open arms, it’s a laugh-riot with earned emotions
Posted Feb 02, 2026
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3.5/5
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Bedford Park
(2026)
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Robert Kojder
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Rarely does a film put as much thought and cultural complexity into why its central characters gravitate toward one another as co-editor/writer/director Stephanie Ahn’s Bedford Park
Posted Feb 02, 2026
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2.5/5
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Carousel
(2026)
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Robert Kojder
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With far too many dreamlike montages of characters living their lives, some true messiness in the script, and perspective problems, Carousel gets stuck. The performances sometimes get it going again
Posted Feb 02, 2026
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