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Film Mafia

Film Mafia is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): CJ Johnson.

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Rating Title | Year Author Quote
3/5
Nope (2022) CJ Johnson There’s obviously a lot of ideas going on, references, all that jazz, but it’s a frustrating experience, a film of diminishing interest as it plods along.
Posted Aug 25, 2022Edit critic review
3/5
Crimes of the Future (2022) CJ Johnson Cronenberg’s dialogue here is typically ludicrous but once you get lulled into it, the film becomes a little like a perverse warm bath, sweeping you into its bonkers world.
Posted Aug 25, 2022Edit critic review
3.5/5
Emergency (2022) CJ Johnson The central conceit – which I won’t spoil here – is treated matter-of-factly, which is itself the shocking thing.
Posted Aug 09, 2022Edit critic review
3.5/5
What Josiah Saw (2021) CJ Johnson Pure, raw, undiluted American Gothic with all the trimmings. Here is a vibe, a voice, a style and a mood, all of a piece, managing to wear its influences proudly yet roll them into something original and fresh.
Posted Aug 09, 2022Edit critic review
3/5
Official Competition (2021) CJ Johnson Cruz gives a great performance.
Posted Jul 12, 2022Edit critic review
3.5/5
Full Time (2021) CJ Johnson One thing’s for sure: it’ll make you feel less bad about not living in Paris.
Posted Jul 12, 2022Edit critic review
3.5/5
Ali & Ava (2021) CJ Johnson The screenplay doesn’t break new ground – this is highly trod territory, British regional social realism through and through – but the direction is intricate and thoughtful and the performances tremendous.
Posted Jul 12, 2022Edit critic review
4.5/5
Elvis (2022) CJ Johnson You spend the first half in awe of Baz but the second in awe of Butler, and that’s a compliment to both.
Posted Jun 23, 2022Edit critic review
4/5
A Hero (2021) CJ Johnson Farhadi’s typical themes of responsibility, morality, personal ethics and the law all get a full workout here.
Posted Jun 07, 2022Edit critic review
3/5
The Innocents (2021) CJ Johnson To get performances like this from a cast this young is no small achievement ... strong on tone and vibe and features some genuinely creepy moments.
Posted May 16, 2022Edit critic review
5/5
Petite Maman (2021) CJ Johnson A perfect, gentle jewel, precise, concise, warm, heartfelt, witty, moving and ultimately profound. Sciamma’s direction is sublime and her writing heartfelt. In its modest ambition, Petite Maman achieves a kind of delicate monumentality. Do not miss it.
Posted May 05, 2022Edit critic review
2.5/5
The Unbearable Weight of Massive Talent (2022) CJ Johnson While Nicholas Cage and Pedro Pascal give amiable performances, the script consistently lets them down with references rather than honest jokes.
Posted Apr 21, 2022Edit critic review
3.5/5
Happening (2021) CJ Johnson Joins the other movies of its kind on the tougher side of the ledger: more 4 Months, Three Weeks and Two Days than Never Rarely Sometimes Always.
Posted Apr 10, 2022Edit critic review
4/5
The Good Boss (2021) CJ Johnson Javier Bardem, the good boss himself, is superb. In almost every scene of the movie, he displays enormous range while also presenting a highly specific character. Hes one of the most versatile - and, simply, one of the best - screen actors working today.
Posted Apr 10, 2022Edit critic review
3/5
Kimi (2022) CJ Johnson The prolific auteur is in full neo-Roger Corman mode here, riffing on our fears but delivering, in this instance, an elevated B-Movie, clearly intended, and enjoyable, as such.
Posted Feb 21, 2022Edit critic review
4/5
Flee (2021) CJ Johnson Beautiful, heartbreaking and eye-opening. This is the nuts and bolts of European human trafficking, finding the universal in the personal, and reminding you how lucky you have it.
Posted Feb 21, 2022Edit critic review
3/5
Aline (2021) CJ Johnson Bizarre in conception and often bonkers in execution, its also truly compelling, partly as train wreck and partly as an honest-to-goodness offbeat oddity.
Posted Feb 21, 2022Edit critic review
4/5
Drive My Car (2021) CJ Johnson Its a beautifully crafted, moving, elegant and at times drily funny tale, superbly acted.
Posted Feb 10, 2022Edit critic review
3/5
Benedetta (2021) CJ Johnson They just tend not to make em like this anymore.
Posted Feb 10, 2022Edit critic review
4/5
The Eyes of Tammy Faye (2021) CJ Johnson Chastain declares her intentions (to be awesome!) in a single, long close-up that opens the film, and she doesn't disappoint ... but Garfield's portrayal of the deeply complicated Jim sneaks up on you, growing more intriguing, sly and effective as he ages.
Posted Jan 25, 2022Edit critic review
4/5
Spencer (2021) CJ Johnson Stunning to look at and, with Jonny Greenwood's score, dreamy, evocative and haunting. At times it feels like a horror movie, a Polanski-like mental descent. Don't come for any kind of history lesson; come for the vibe.
Posted Jan 25, 2022Edit critic review
4/5
West Side Story (2021) CJ Johnson Technically dazzling and musically delightful, if emotionally rather unengaging.
Posted Dec 22, 2021Edit critic review
3.5
Bergman Island (2021) CJ Johnson The scenes with Krieps and Roth are terrific, and deeply chucklesome for cinephiles.
Posted Dec 22, 2021Edit critic review
3.5/5
The Worst Person in the World (2021) CJ Johnson An international career-making performance by Renate Reinsve.
Posted Dec 22, 2021Edit critic review
4.5/5
Licorice Pizza (2021) CJ Johnson It's a warm, warm movie, often very funny, thoroughly engaging and impeccably crafted, no less thematically rich than any of his films. For what themes are greater than love and friendship?
Posted Dec 13, 2021Edit critic review
4/5
The French Dispatch (2021) CJ Johnson A gloriously cheerful celebration of The New Yorker, France, erudition, intellectualism and writing ... astonishingly crafted, full of exquisite detail, and very, very funny.
Posted Dec 09, 2021Edit critic review
4/5
Dune (2021) CJ Johnson It's extremely gratifying to see this kind of massive entertainment being made with such inventiveness and intelligence.
Posted Dec 03, 2021Edit critic review
3/5
Bad Luck Banging or Loony Porn (2021) CJ Johnson Jude is shrewd: his film won't make Marvel Box Office, but it's precisely engineered for maximum festival marketability. Hopefully if you come for the porn, you'll stay for the social critique.
Posted Nov 18, 2021Edit critic review
3.5/5
The Power of the Dog (2021) CJ Johnson Hums along on a single frequency of psychosexual tension without a huge amount of actual dramatic energy.
Posted Nov 18, 2021Edit critic review
4/5
Titane (2021) CJ Johnson At its heart, this is that old chestnut: a tale of two lost, deeply damaged souls finding each other.
Posted Nov 09, 2021Edit critic review
4/5
No Time to Die (2021) CJ Johnson Mature Bond for a mature audience; the love story is heartily and admirably committed to.
Posted Nov 05, 2021Edit critic review
3.5/5
The Many Saints of Newark (2021) CJ Johnson Young Tony is in it, as a child and a teenager, but he really is an observer in Dickie's movie. And I enjoyed Dickie's movie.
Posted Oct 29, 2021Edit critic review
3.5/5
The Last Duel (2021) CJ Johnson Filled with astonishing visuals, and perhaps saved by Comer's precise performance, the film succeeds despite itself, a ravishing relic.
Posted Oct 15, 2021Edit critic review
4/5
Nitram (2021) CJ Johnson Impeccable craftsmanship and staggeringly effective performances ... a thorough, methodical, detailed, unsensational and sincere examination of mental illness.
Posted Oct 11, 2021Edit critic review
4/5
Annette (2021) CJ Johnson Undeniably and thrillingly ecstatic, passionate, vibrant and highly personal cinema. Possibly, it's Carax's best; it certainly makes you think that previous films of his, especially Les Amants Du Pont-Neuf, really should have been sung-through musicals.
Posted Aug 29, 2021Edit critic review
4/5
Under the Volcano (2021) CJ Johnson A celebration, not an elegy, and does everything it can to remain as upbeat as a track from side one of Brothers In Arms. I loved every minute.
Posted Aug 24, 2021Edit critic review
4/5
No Sudden Move (2021) CJ Johnson This is Soderbergh very much en forme, and the film's pleasures are constant and rich ... there's a stingingly direct reference to a prison stabbing that, in the right cinema with the right audience, would elicit howls of self-satisfaction.
Posted Aug 23, 2021Edit critic review
3.5/5
My Zoe (2019) CJ Johnson This deeply sad film really got its claws into me. Delpy's monastic constraint renders the sensational subject matter devoid of sensationalism; everything is austere, calm, precise ... I was entranced by the film's somber mood and its audacious honesty.
Posted Jun 15, 2021Edit critic review
4/5
In the Heights (2021) CJ Johnson Ecstatic cinema, a huge, friendly, rabidly upbeat celebration of some pretty phenomenal music, mostly exceptionally sung and arranged.
Posted Jun 10, 2021Edit critic review
3/5
Mama Weed (2020) CJ Johnson [The] conclusion that leaves you feeling, perhaps, that the film was better than it really was, and in a mood to overlook a few of its more ridiculous contrivances.
Posted May 18, 2021Edit critic review
4/5
Tina (2021) CJ Johnson As Turner escapes Ike, the film, like her life and career, takes off, with a huge sense of release, into the stratosphere.
Posted Apr 22, 2021Edit critic review
2.5/5
Creation Stories (2021) CJ Johnson The script is overly convoluted in that muddy second act and the film is so indebted to the styles of its antecedents that it has very little of its own. But, like Bremner, it's energetic, a bit wild, and, essentially, fun.
Posted Apr 12, 2021Edit critic review
3/5
My Donkey, My Lover & I (2020) CJ Johnson Calamy nails every comedic beat but there are multiple moments of pathos and anguish which she also handles with seemingly effortless aplomb. She is a major screen presence.
Posted Mar 25, 2021Edit critic review
3/5
Golden Voices (2019) CJ Johnson The milieu is the most fascinating element here; Ruman paints a vivid picture of a unique expat community that he was clearly a part of.
Posted Mar 24, 2021Edit critic review
3/5
Operation Varsity Blues: The College Admissions Scandal (2021) CJ Johnson Grimy fun.
Posted Mar 22, 2021Edit critic review
3.5/5
The Painter and the Thief (2020) CJ Johnson An almost uncomfortably intimate portrait of the strange vagaries of human need ... Like Kysilkova's paintings, The Painter and the Thief is photo-realistic but artfully constructed for maximum pathos, darkness and surprise.
Posted Mar 21, 2021Edit critic review
4.5/5
Collective (2019) CJ Johnson A hundred and nine of the most compelling minutes of the cinematic year.
Posted Mar 19, 2021Edit critic review
3.5/5
Nomadland (2020) CJ Johnson An exercise in extreme compassion.
Posted Mar 17, 2021Edit critic review
2.5/5
Coming 2 America (2021) CJ Johnson Not enough Eddie, and not the Eddie we want. Murphy is just too generous in both these movies: he gives so much screen time away to his co-stars, he himself barely registers, yet he's the reason we're here.
Posted Mar 13, 2021Edit critic review
4/5
Judas and the Black Messiah (2021) CJ Johnson Beautifully crafted and a superb history lesson. The production design and cinematography are particularly rewarding, all the performances are solid, and the score is phenomenal.
Posted Mar 13, 2021Edit critic review
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