The 39 Steps (1935)
Critic Consensus: Packed with twists and turns, this essential early Alfred Hitchcock feature hints at the dazzling heights he'd reach later in his career.
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as Richard Hannay
as Prof. Jordan
as Miss Smith
as Mrs. Jordan
as Mr. Memory
as Sheriff Watson
as Young Maid
as Two Voyager
as Two Voyager
as Director of the Palladium
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Critic Reviews for The 39 Steps
The Thirty-Nine Steps neatly converts its essential implausihility into an asset by stressing the difficulties which confront its hero when he tries to tell outsiders about the predicament he is in.
In Hitchcock's hands, however, this well-known espionage adventure provided the basis for a new sort of thriller and a new sort of comedy.
It's melodrama and at times far-fetched and improbable, but the story twists and spins artfully from one high-powered sequence to another while the entertainment holds like steel cable from start to finish.
As an artist, Alfred Hitchcock surpassed this early achievement many times in his career, but for sheer entertainment value it still stands in the forefront of his work.
Audience Reviews for The 39 Steps
There are few things like a good thriller with a nice sense of humor, even though the humor doesn't always work here; and while it is well directed and has some clever twists, it relies on too many coincidences and gets weakened by a silly semi-romance that feels always forced.
A few years ago I saw the stage play of this and thought it was absolutely amazing. This film, not so much. Yes it's brilliant in the way the story weaves around all over the place, taking the audience on the adventure with Richard and Pamela, however something is missing. I didn't really care for either character at all. I wasn't bothered what happened one way or another. Not my favourite Hitchcock but a worthy film.
A clumsy start to the directing dynasty Hitchcock would later build in America; The 39 Steps is unlike many of his other films in the way it's put together. Hitchcock would later make taut, sometimes action packed thrillers, all with ingenuity and a special zest that would saturate and identify his later films. This, made in his native England, is far from a disappointment. Though it doesn't possess inherent fear or a debonair protagonist, it does have this strange charm that he would never recapture in later films. For the time it was set it reads much more like a romantic thriller than a case of mistaken identity or reviewing a network of spies. Though the chasing of Hannay (Robert Donat) was at first overwhelming and tense, it becomes almost comical how he ends up in place after place. From hiding out in a country inn to being inadvertently thrust onstage to give a speech about a politician he knows nothing about, Hannay continually comes into contact with odd characters and irreverent townspeople. Much of the film is just his hiding out and people who have never met him helping to hide him from various spies, the police, and a bothersome blonde. Eventually the blonde (Madeleine Carroll) becomes the love interest and an ally in his quest to clear his name and stop a spy from leaving the country with viable secret government information. For an espionage film there isn't much in the way of action or strange, exotic accents, except for the first agent who gets killed off. Most of the film hinges on Robert Donat's performance, because it takes a considerable charm and gentility to make this film work without any of the core elements. Still, the film is quite entertaining and enticing. It has a lot of gimmicks and comes off as dated versus later films which are timeless, but this is still a great start to the Hitchcock empire.