as Nana Osaki
as Nana Komatsu
as Nobuo Terashima
as Reira Serizawa
as Ren Honjou
Critic Reviews for Nana
A spoonful of fashion helps the feminism go down in Nana, a delightful pop fairy tale that speaks to young women in the language of sisterhood and self-direction.
Despite the gritty urban setting, there are episodes of Gilmore Girls that have more 'edge.'
Audience Reviews for Nana
Marvelous drama adapted by the Manga comic book in a chance encounter between two girls of the same name, "Nana", triggers a series of events and relationships. I haven't read the comic book yet so I see the story is as interesting and the emotional scenes are pretty touching. Mika Nakashima was great at expressing her voice as the singer and Aoi Miyazaki was the perfect Hachi, looked so cute and innocent young woman. At the end, it's the friendship and comradeship between the two girls that gives this Japanese movie an uplifting, feel-good ending.
Two very different 20 year old women meet on a train to Tokyo. Other than the fact they're both named Nana, they have very different pasts and personalities. Despite this, they're destined to become very big parts of each other's lives. Based on the very popular anime and manga of the same name, this is a fun adaption. The musical aspects of the story are kept, and are as nearly as important to the story as the relationship between the two Nana's. Speaking of, the actresses chosen to play the two title characters are great, and the story is as interesting for guys as it is the girls who are the original audience. NANA was a good movie, I liked it. Obviously it's more recommended for people who are already familiar with the source material, but even NANA newbies should enjoy this.
Nana may suffer from being a condensed version of an expansive Manga universe, but it also knows exactly how much time to spend on individual plots strands. Nana is a coming of age, female friendship film that handles immature and young emotions with absolute maturity. The most impressive aspect was creating a relationship between one of the protagonists boyfriends and another girl. It easily could have made him a villain, but instead took an unbiased look at how the relationship came to be. Luckily, for a film focused on bands, the music is relatively good. Nakashima and Miyazaki both inhabit their roles well and build up a believable friendship. Highly enjoyable, even if it doesn't quite feel complete.
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