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All Critics (42)
| Top Critics (13)
| Fresh (19)
| Rotten (23)
An interesting idea, but Mammoth's good intentions -- like its characters' -- are lost somewhere in the delivery.
Too many films exploit the perils faced by children when the social contract is ruptured, but Mammoth earns its cruel, sensationalistic turns and then some.
The overlapping stories, the emotional disconnect, the heavy-handed symbolism -- no, it's not a movie from the makers of Babel, its a mumbling, stammering copycat drama from Swedish director Lukas Moodysson.
In Mammoth, when a rich child eats her lunch in New York, a poor boy in the Philippines cries. And so it goes, as privilege begets exploitation with grimly deterministic logic and pages and pages of bad dialogue.
Mammoth manages to be as affecting as it is heartfelt.
Any semblance of subtlety was unfortunately lost in translation.
A film neither willfully difficult nor easily accessible, conjuring an illusion of vapidness that may be rather too convincing for some audiences.
The film's depiction of capitalism's erosion of the family unit is so heavy-handed that any emotional or affecting moments are undermined by the transparency of Moodysson's intentions.
The real trouble with Mammoth is that [Lukas] Moodysson, more practiced in subtlety than he's given credit for, exhibits none here.
Having spent a decade purposefully alienating audiences, Swedish writer/director Lukas Moodysson claws his way back into the mainstream with this condescending, glossy slice of We Are The World-style film-making.
This is the Mike Leigh paradis terrestre, as good as it gets.
Mammoth looks sleek and is well-acted but the preachy tone is hard to bear.
Good movie. Have been seeing this going cheap on Blu ray for a while now. Was tempted to buy it, but glad I watched it on tv instead, as I don't know that it is a movie I would want to watch again. (though I did like it).
It's pretty much a movie about unhappy people. I could see what they were aiming for with the parallels. Ie, Michelle Williams plays a working mum who doesn't have enough time to spend with her family. Meanwhile the Filipino nanny is working for her, practically raising her daughter, while she misses her own little boys at home in the philippines. I found both these women sympathetic. Less so the husband.
The story about what happens to the young son of the nanny is horrific. I think the stories were a comment on life today and priorities, but I couldn't get the point about the husband. So he cheats with a young girl and gets away with it. Were we meant to pity him in some way? I certainly didn't!
Overall a good movie which maybe I didn't quite get, but good acting and great soundtrack.
Fragmented, but coherent, Mammoth comparatively narrates domestic drama in different social-cultural settings. Heaving with stereotypes, Mammoth concluded in accomplishment of imparting a definite set of emotions with the audiences.
'Where do all the children play?' Disregard the film synopsis. These interwined stories, from varying cultural standpoints, confront and question post-modern values. The pursuit of money to better our lives and childrens' exacts a high price. Each character determines if the cost is worth it. This film's direction, symbolism and 'message' is far from subtle.
The film is gritty, with all the characters interrelated, yet somehow all unrelated. A thought provoking film from Lukas Moodysson in his first English piece as writer and director.
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