Bye Bye Birdie


Bye Bye Birdie

Critics Consensus

A poppy satire on pop music, Bye Bye Birdie is silly, light, and very, very pink.



Total Count: 28


Audience Score

User Ratings: 10,164
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Bye Bye Birdie Photos

Movie Info

When a major rock`n`roll star arrives in a small Iowa town for a contest, a local songwriter tires to get him to record one of his songs.

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Dick Van Dyke
as Albert Peterson
Janet Leigh
as Rosie DeLeon
as Kim McAfee
Maureen Stapleton
as Mrs. Peterson
Bobby Rydell
as Hugo Peabody
Jesse Pearson
as Conrad Birdie
Ed Sullivan
as Ed Sullivan
Paul Lynde
as Mr. McAfee
Mary LaRoche
as Mrs. McAfee
Michaël Evans
as Claude Paisley
Robert Paige
as Bob Precht
Bryan Russell
as Randolph
Milton Frome
as Mr. Maude
A. Ben Astar
as Ballet Manager
Trudi Ames
as Ursula
Cyril Delevanti
as Mr. Nebbitt
Beverly Yates
as Mayor's Wife
Frank Sully
as Bartender
Bo Peep Karlin
as Ursula's Mother
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Critic Reviews for Bye Bye Birdie

All Critics (28) | Top Critics (6)

  • [Bye Bye Birdie] had an apple-cheekiness about it on the stage that seems slightly worm-eaten on film, and the result is more goof than spoof.

    Aug 1, 2015 | Full Review…
    TIME Magazine
    Top Critic
  • For all its annoyances -- and there are many -- the film somehow sears its way into the mind's eye.

    Nov 17, 2011 | Rating: 3/5

    Keith Uhlich

    Time Out
    Top Critic
  • Credit George Sidney with directing one of the better fun and frolic tune packages.

    Mar 26, 2009 | Full Review…

    Variety Staff

    Top Critic
  • This enjoyable timepiece is notable today for its peppy score, energetic dancing, and for having made a star of the extremely nubile Ann-Margret, 22 passing for 16. Her fresh, wholesome eroticism fairly bursts off the screen.

    Jun 24, 2006 | Full Review…

    DH Joseph

    Time Out
    Top Critic
  • Unfortunately, Mr. Sidney and his scriptwriter, Irving Brecher, have allowed the essence of this spirited musical comedy of Michael Stewart to get away from them.

    May 9, 2005 | Full Review…
  • George Sidney's tacky 1963 musical fantasy-satire about the Elvis craze, based on the Broadway show of the same title, isn't exactly good, but if you like what he does with Ann-Margret, Janet Leigh, and pink decor, it's sort of magnificent.

    Jan 1, 2000 | Full Review…

Audience Reviews for Bye Bye Birdie

  • Feb 05, 2015
    Elvis Presley came along like a tsunami of social change, the strings on the puppets of popular entertainment not simply apparent but worn and frayed as well. Presley was THE proverbial breath of fresh air. And the powers that be were more than nervous, they were rattled down to the roots of hair on their chinny chin chins. The move to send The Pelvis to the army was as calculated as move to defang a monster as ever there was. What remains anymore, beyond the echoes of classic rock internet channels, is this nigh forgotten bit of Americana. Ann Margret steals the show as the girl chosen to lay a kiss on the bull icon immediately before they remove his particulars. Fittingly, music numbers are the highlight here, but nothing dangerous enough to suggest revolution.
    Kevin M. W Super Reviewer
  • Aug 12, 2014
    So out-of-date it's hard to relate to anymore, but the ridiculous excess still provides many opportunities for laughter. Much of the music is unremarkable; nevertheless there are a few classic gems. For fans of Paul Lynde, he really steals the show. It's just a fun (but dated) family-friendly vege-out film.
    Christian C Super Reviewer
  • Nov 12, 2011
    Bye Bye Birdie is a tuneful, engaging, perky, mixed bag of charm and cheesy retro fun. It is not a classic movie musical, its humor is corny, the filming is pedestrian, the cutting edge animation and green screen effects look horribly dated and the story is a paint by numbers dull plot with very low stakes. The 100% rating on RT is way high for my money, but this is still a pleasant wallow in nostalgia and innocence Birdie captures a moment in pop culture that I lived through, when the Ed Sullivan show was the most watched entertainment event of the week, watched by the whole family every Sunday night. I mourn that there are not cultural experiences shared by multiple generations. Now everyone goes off to watch their own stuff on cable and computer and there are no shared experiences in pop culture -except maybe American Idol type competitions. This was also a time when Elvis Presley's hips were threat to America's purity. That really does seem like the stone age. Bye Bye Birdie's assets: 1. A mostly sparkling cast, with the luminous and sexy Anne-Margaret and high octane charm of Dick Van Dyke doing what he does best. As Dad, a brilliantly cast supporting player Paul Lynde reprising his Broadway role, which he totally owns. He knocks each comedy line out of the park. 2. Wall to wall tuneful, witty songs,by Strouse and Adams that are the really the point of this enterprise. These include 'Put on a Happy Face', and 'Kids', songs that are still remembered. Still, the composers don't get rock and roll, and when they try to write Elvis style tunes they utterly miss the mark, but it doesn't matter. The resulting cheese is still edible. Try to fast forward through the horrible over the top Jewish mother character and subplot played by normally excellent actress Maureen Stapleton and don't get too caught up in the details, the story is full of holes. That said, this is good fun, and you really can watch it with the whole family, if your kids are open to goofy retro cheese that kind of overstays its welcome in two plus hours.
    Josh M Super Reviewer
  • Sep 19, 2010
    Love or hate Ann-Margret, you're going to get a lot of her in Bye Bye Birdie, the 1963 film adaptation of the broadway show. The studio apparently felt this film was to be Ann-Margret's "coming out" film to announce her arrival in hollywood. This is why the story was re-worked to focus more on her character and less on the original story featured in the stage production. Dick Van Dyke (reprising his role from the stage) is Albert, a song-writer who's quite unsuccessful in his career. His girlfriend and secretary, Rosie (Janet Leigh) wants to help make him a success, if only so he can pay back his mother (Maureen Stapleton) and get married. Unfortunately, the biggest singing star in the country, the unlikely named "Conrad Birdie" (Jesse Pearson) is about to be shipped off to the army (mirroring the real-life scenario with Elvis Presley in the late fifties). Rosie arranges it so that Albert will write the farewell song Conrad sings in his last performance on the Ed Sullivan show, a last kiss sort of song, and one lucky girl from the Conrad Birdie fan club will get to be on the receiving end of that kiss. At random, Kim McAfee's (Ann-Margret) name is drawn, and from this point on, the film focuses on the uproar caused by her getting kissed on the Ed Sullivan show by a rock-n-roll singer. There are a few stand-out numbers in the film, most noteably "Kids" (performed by the underused Paul Lynde, Maureen Stapleton and Van Dyke) and "Put On A Happy Face" (performed by Dick Van Dyke), but most of the other songs aren't very memorable. Ann-Margret just doesn't sing very well here and the side plot with her and her boyfriend Bobby Rydell is kind of irritating. It's not nearly as much fun as it would have you believe it is.
    Devon B Super Reviewer

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