The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The tone it establishes is challenging, because there are funny scenes and situations which could easily be played for laughs, but that black cloud of tension and danger hangs over all of them, and Scorsese won't give you that release.
The King of Comedy fancies itself a scathing social satire about the lust for celebrity carried to extremes. But ultimately, director Martin Scorsese's movie is a severely misconceived and distasteful study of delusional behavior.
I'm going to side with the dissenters this time. I can see where it might be perceived as a dark comedy, but that label doesn't absolve it from an overarching sense that Scorsese didn't push this one far enough.
Worlds away from the bravura flash of other DeNiro-Scorsese collaborations, this underrated, claustrophobic, chilling satire is particularly prescient of today's celebrity-fixated society. A modern classic.
To be sure, Robert De Niro turns in another virtuoso performance for Martin Scorsese, just as in their four previous efforts. But once again -- and even more so -- they come up with a character that it's hard to spend time with.
Misunderstood by critics in 1983, this is one of the most incisive (and scary) movies about the desperate desire to achieve fame in American society, and the shallow nature of pop culture; De Niro and Jerry Lewis are terrific