Mary Poppins Returns
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All Critics (12)
| Top Critics (1)
| Fresh (11)
| Rotten (1)
| DVD (1)
The film begins in a gentle fashion and slips away smoothly without any forced attempt to help the finish to linger in the minds of the audience.
Translucent portrait of the artist as tomboy
One of Hollywood's original chick flicks by one of its original chick flick directors (George Cukor).
Cukor directed the second and best of the four screen versions of this classic novel, starring Katharine Hepburn, who gives an extraordinary performance as the sensitive tomboy.
Star-graced Cukor production is classic.
Part comedy of manners, part morality tale, Little Women is more interested in its heroines "conquering themselves" than in a man conquering their hearts.
Released during the depths of the Depression, Little Women buoyed Americans' spirits. It still does.
A solid adaptation and crisp direction by Cukor.
A twee fantasy of frictionless sorority and romantic deaths as scant diversion from the carnage of the Civil War.
The third of nine adaptations of the film to date, the 1933 Little Women is nonetheless one of the better versions of the book, and it can be forgiven a lot due to its age and era.
Little Women (1933) is one of the best-made film renditions of the Louisa May Alcott Civil War-era tale of a family of four sisters in New England, from director George Cukor.
Little women are about 4 women that grew up in the Civil War period.
They were face with hardships like having their father off fighting in the war, being poor and being teenaged. When a new boy moves in next door the girl's world turns up side town. Over time they had to learn ho to deal with news things of growing up like falling in love and that they cannot live together under their parents house forever.
Good acting and plot.
It had good music in this film.
This film is really moving.
Con it can be slow some times
If you like coming age films, click flicks or really moving films, you should give this a try.
Hepburn is such a clown, but the rest are inordinately dull. And one star turn does not a movie make.
Good if dated version of the Alcott perennial. The story is faithful to the book but some of the acting and filming techniques show signs of the film's age. Still if you're a fan of the book there is much to like here. Hepburn of course is ideally cast as Jo, perhaps one of the classic examples of an actress and a part completely suited to each other. Frances Dee and Jean Parker acquit themselves well as Meg and Beth respectively but those two sisters, even with Beth's tragedy, are the two blandest characters in the book. Joan Bennett is sulky and kittenish as the selfish Amy filling the part but she really wasn't to come into her own as a presence that registered on the screen for about five more years when she switched from blonde ingenue to brunette woman of mystery and usually danger. The great Edna May Oliver scores as the salty Aunt March and Spring Byington is strong as Marmee although her role is somewhat diminished from the book. It's interesting still to see her here as a tower of strength and rectitude considering her long career as a chic but usually addlepated society woman. The men however are a totally different matter. Douglass Montgomery as Laurie is simpering and bland. Also while it isn't his fault his makeup is so heavy that it is completely distracting whenever he is on screen. John Davis Lodge who plays Meg's husband Mr. Brooke suffers the same fate. Cukor as always directs well. He hated the term woman's director but he really was one of the absolute best at bringing out high quality performances from his actresses, not just the stars but the supporting players.
Sweet, funny and perfectly cast! George Cukor's Little Women is far and away the best of the four versions of Louisa May Alcott's timeless story of the March family. Katharine Hepburn is excellent as the tomboyish Jo.
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