Return to Oz (1985)

Return to Oz (1985)




Critic Consensus: No consensus yet.

Return to Oz Photos

Movie Info

This '80s follow-up to The Wizard of Oz is based upon two of L. Frank Baum's later Oz books. In Return to Oz (a version that may be a bit too scary for young children), Auntie Em sends Dorothy to a sanitarium where hopefully she will clear her head from all of the "Oz nonsense." This doesn't work, for soon Dorothy manages to return to Oz, but things have definitely changed. She finds her old friends turned to stone and discovers that the awful Nome King has taken over Oz.
Action & Adventure , Kids & Family , Science Fiction & Fantasy
Directed By:
Written By:
In Theaters:
Walt Disney Studios

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Fairuza Balk
as Dorothy
Nicol Williamson
as Dr. Worley / The Nome King
Stewart Larange
as Jack Pumpkinhead
Jean Marsh
as Nurse Wilson / Mombi
Deep Roy
as Tin Man
Piper Laurie
as Aunt Em
Sean Barrett
as Tik Tok
Matt Clark
as Uncle Henry
Michael Sundin
as Tik Tok
Tim Rose
as Tik Tok
Denise Bryer
as Billing
Mak Wilson
as Billina
Justin Case
as Scarecrow
John Alexander
as Cowardly Lion
Sophie Ward
as Mombi II
Fiona Victory
as Mombi III
Pons Maar
as Nome Messenger/Lead Wheeler
Bruce Boa
as Policeman
Susan Dacre
as Supporting puppeteer
Geoff Felix
as Supporting puppeteer
David Greenaway
as Supporting puppeteer
Swee Lim
as Supporting puppeteer
Rachel Ashton
as Wheeler
Robbie Barnett
as Wheeler
Alisa Berk
as Wheeler
Peter Elliott
as Wheeler
Roger Ennals
as Wheeler
Michele Hine
as Wheeler
Mark Hopkins
as Wheeler
Colin Skeaping
as Wheeler
Ken Stevens
as Wheeler
Phil Tan
as Wheeler
Robert Thirtle
as Wheeler
Nicola Roche
as Dorothy's double
Cheryl Brown
as Dorothy's double
Alison Lynn
as Dorothy's double
Sarah White
as Dorothy's double
Philip Tan
as Wheeler
Show More Cast

Critic Reviews for Return to Oz

All Critics (22) | Top Critics (4)

Any movie in which a Midwestern prairie actually looks more attractive and more interesting than the enchanted land over the rainbow is in big trouble.

Full Review… | March 9, 2009
TIME Magazine
Top Critic

It's bleak, creepy, and occasionally terrifying.

Full Review… | December 12, 2007
Chicago Reader
Top Critic

Despite the presence of Billina the talking hen, the emphasis on insecurity and peril harks back to the treat-'em-rough days of children's fiction, and the disturbing/comforting ratio tilts conclusively towards the former.

Full Review… | June 23, 2006
Time Out
Top Critic

The work of ingenious technicians who seem either not to know what gave the original film its magic, or not to care.

May 20, 2003
New York Times
Top Critic

On its own merits, has some very fine cinematic flourishes... if we can but manage the herculean feat of separating it from the older movie.

Full Review… | March 10, 2013
Antagony & Ecstasy

1985 sequel to American classic is tin-eared and creepy.

Full Review… | November 9, 2010
Common Sense Media

Audience Reviews for Return to Oz

Ah, the long forgotten sequel, of sorts, to the classic 1939 movie starring Judy Garland. Now, this little gem of a movie was actually loosely based on the novel []iThe Marvelous Land of Oz[/i] by L. Frank Baum and in part his other novel [i]Ozma of Oz[/i]. The plot takes place six months after Dorothy's (Fairuza Balk) original adventure to Oz (in the year 1899) and sees her struggling with insomnia. She is sent off for electric shock treatment at some spooky clinic because in this era people didn't know any better, she isn't being punished, people just thought these methods helped. Anyway, Ozma appears and helps Dorothy escape during a frightful storm, in the midst of the panic Dorothy leaps into a fast flowing river and is swept away. Exit the real world, welcome to the fantasy zone. Dorothy awakes after the storm, but she is no longer in Kansas, she is now once again in the magical land of Oz. Okay lets get down n dirty here, this movie didn't do very well upon release, although I have no idea why. It was 1985, Star Wars mania was still in full flow, Lucas, Spielberg and Henson were the grand overlords of Hollywood, fantasy was the big thing in the movie industry and this movie had plenty of that. Just looking at the films poster you can see the influence people like Lucas and Henson had on everything, that recognisable, glorious hand drawn style with the typical character posing positions which you saw in many 80's fantasy posters, it looks like a Lucasfilm/Henson Film product. Next to that the visuals even looked like something from Lucas or Henson, the effects in this movie were of a high standard for the time and anyone of a certain age can instantly see the similarities to other movies of the genre, from that that era. Basically I'm saying the movie felt very much like a Lucas or Henson movie, so the fact it didn't do well was a curious one (although many of these films got greater recognition later in life). Now admittedly I don't know much about Baum's stories, I haven't read the books, but just with a little bit of research I found myself genuinely impressed with the levels of faithfulness this movie incorporated. The movie appears to pick n choose bits to use from the books and they aren't exactly the same, but in general the essence is there. The first and most obvious nod to the original material are the characters. Now back in the day I was always confused why the characters looked so vastly different to the 1939 version, but its actually the 39 version that was way off base (obviously for limited technical reasons). In this movie the characters are actually very faithfully recreated and what's more, they all look fudging brilliant! First up the Scarecrow, gotta be honest, I don't like the look of this character in this movie, he looks bloody creepy. Its a bloke in a suit wearing a large full covering mask, but the masks face doesn't actually move, the expression was fixed, its only in quick cuts do we see a different expression, bloody creepy I tells ya. But as I already said he does look exactly as drawn way back in the 1904 novel. The tin woodsman doesn't really show in this film, he's there but only in briefly and doesn't say anything, a shame because this character looks awesome, they really nailed his look perfectly. The same can be said for the Cowardly Lion, again he only pops up at the end in a cameo, we don't hear him speak or anything, he's just a large but very well created animatronic puppet. The new characters are a joy, a real blend of fantasy and imagination brought to life with much scope. Tik-Tok is a squat, big and round, completely copper, wind-up soldier from the Army of Oz, with the appearance of a typical WWI soldier. Now this character is easily one of the most impressive feats in this film, he's a full blown complete costume that does actually look like its been made out of actual metal. The character waddles around awkwardly, so much so that it makes it hard to believe this guy could actually be of any use because he moves so slowly and loudly and constantly requires winding-up, a lot of artistic license and suspension of disbelief required for this guy. Jack Pumpkinhead immediately serves up one thought, did Tim Burton see this movie and get the idea for Jack Skellington? bloody looks like it doesn't it. Anyway again its another fantastic full body suit for a very tall slender fellow, the head being slightly animatronic as it does appear to shift at times for expressions of horror, although not too much. The Gump is, I believe, based very loosely on the sawhorse that Dorothy uses to escape Mombi? This guy is a collection of various items all tied together to create a flying creature, mainly a large couch with wings and a moose-like head, the head being fully animatronic. There is also Dorothy's faithful chicken that appears to be completely animatronic for the most part, and again is damn impressive, looks pretty real. This leaves the Nome King (played by Nicol Williamson), a character that seems to be living rock and wants to become alive or human in form, presumably so he can rule easier. At first the King appears as just an aged face in the rock, but as time passes we see him in full humanoid form, looking more like a traditional King but made out of rock. The Kings visual appearance seems to be accomplished using claymation (in my opinion), just like all his demon-like minions whom only appear as faces on rock surfaces. The effect is simple stop-motion yet very effective, it clearly takes time and effort to accomplish and still holds up very well. Later makeup effects to make the King appear more human (or alive) are actually really fantastic, you can see its merely face paint/face makeup, prosthetics and clever lighting but my God its good. The combination of Williamson's acting and the spectacular makeup on top really make the Nome Kings scenes the best in the movie. Hell even the Wheelers are well created even though they are just blokes on stilts with wheels on the bottom. Their costumes may come across as a bit stupid looking these days (although their masks are pretty sweet) but their gangly, gaunt appearance accompanied by that eerie rusty, squeaky sound effect (their wheels) which precedes their emergence, is what makes them so bone-chilling. Other effects in the movie aren't quite up to speed though I must be honest. Whilst there are lots of decent matte paintings being used for landscapes, which work nicely, there is also a lot of bad bluescreen going on, every now and then you get a truly disastrous bluescreen effects shot that just pops up outta nowhere. Some of the sets range from being quite lavish and authentic, to being really fake looking, obviously plastic of foam. Whilst some sequences are really very very poor looking, Dorothy falling down into the Nome Kings lair is dreadful looking, like something from the 50's. Its basically a live action Balk pasted against a horrific kaleidoscope of colours in the background via bluescreen (or rear projection). Other sequences such as Dorothy and co falling through the sky were always gonna be crap looking and totally ridiculous. What I did like about this movie, character effects aside, was the darkness, the fact that director Murch went out of his way to actually make this a much gloomier affair. This is supposed to be a kids flick but there is so much going on that will scare them, it always gave me the willy's back in the day. Right from the start with Dorothy being taken to Dr. Worley and his house of horrors for shock treatment. Then you have the witch Mombi played with such ferocity by Jean Marsh, she really lays into that character with such force and conviction, especially with all the heads she collects stored away neatly in glass cabinets. Add to that her headless body that stumbles around like Frankenstein's monster whilst all the disembodied heads scream from their glass prisons! Holy nightmare! hardly the stuff for children! The finale against the Nome King isn't for the faint-hearted child either as the giant stone head tries to devour everyone, until he gets poisoned and pretty much rots away roaring in agony leaving a skeletal stone structure. Just like the original 1939 movie, the whole adventure is hinted at nothing more than a dream with some characters from the real world that manifest themselves in Oz. Of course there is always a little twist to make you keep wondering. Overall I really struggle to fault this movie despite its negative points and glaring plot holes (how did Billina the chicken wind up in Oz with Dorothy? come to think of it how did Dorothy wind up in Oz?). Yes the film is way too dark for kids which is the target audience, the heroes are just as scary as the baddies to be honest, visually at least. So that's an issue, Jack Pumpkinhead is suppose to be the nice, soft, scaredy-cat type fellow, but he looks bloody terrifying! (for kids), thus making it hard for people to relate. On the other hand I must applaud the bravery and attention to faithfulness of the source material. In general it all looks wonderful...if slightly cheesy and corny by today's standards naturally. Yes you could say I'm looking through rose tinted specs and you'd be a degree, nevertheless this film still makes a grand impact with solid performances (including the young Balk). A classic whimsical fairytale which is engaging, endearing and dare I say...retro, well worth your time.

Phil Hubbs
Phil Hubbs

Super Reviewer


Good Effects and developed characters. A sequel to The Wizard of Oz was a good idea, but there was no excitement in this film, and I remember watching this on VHS as a child but it still is not entertaining as it was back then as Return to Oz is just plain creepy.

Directors Cat
Directors Cat

Super Reviewer


Hideously HIDEOUSLY underrated. Seriously. This is actually quite an interesting film. It's completely unlike its predecessor, the original 1939 "Wizard of Oz." This film is not upbeat. It does not have songs. Simply put, this feels like American McGee's Alice, absolutely insane, but bizarrely (and frighteningly) accurate to the book. This film garnered tons of hate at the time of release, but now people are beginning to appreciate its dark tone. If you have to watch a kids film for some reason or another, just pop this one in. It will surprise you.

Jacob Ethington
Jacob Ethington

Super Reviewer

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