The Three Musketeers


The Three Musketeers (1973)



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Richard Lester's adaptation of The Three Musketeers was only the latest of many when released in 1974, but it arrived with a spirit all its own, one influenced as much by Lester's '60s work as the Alexandre Dumas classic. Even so, it followed the plot of Dumas' novel fairly closely, its liberties in interpretation taken elsewhere. Coming off the success of Cabaret, Michael York plays D'Artagnan, the provincial, would-be swashbuckler who travels to Paris to make his name. There he encounters the eponymous heroes: cynical Athos (Oliver Reed), dashing Aramis (Richard Chamberlain), and arrogant Porthos (Frank Finlay). The trio introduces him to the world of court intrigue as they work to protect the Queen (Geraldine Chaplin) from the schemes of the villainous Richelieu (Charlton Heston) and his followers, Rochefort (Christopher Lee) and Milady (Faye Dunaway). Lester shot the film in conjunction with its sequel, The Four Musketeers. Originally intended as a single film, the split prompted a lawsuit from the cast demanding payment for both films. ~ Keith Phipps, Rovi

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Michael York
as D'Artagnan
Raquel Welch
as Constance
Frank Finlay
as Porthos
Christopher Lee
as Rochefort
Geraldine Chaplin
as Anne of Austria
Simon Ward
as Duke of Buckingham
Charlton Heston
as Cardinal Richelieu
Spike Milligan
as Mons. Bonacieux
Roy Kinnear
as Planchet
Gitti Djamal
as Beatrice
Rodney Bewes
as Richelieu's Spy
Ben Aris
as 1st Musketeer
Joss Ackland
as D'Artagnan's Father
Gretchen Franklin
as D'Artagnan's Mother
William Hobbs
as Swordsman
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Critic Reviews for The Three Musketeers

All Critics (11)

The finest rendering of Dumas' tale to date. A perfect blend of comedy, romance, and no-holds-barred swashbuckling adventure. The cast is phenomenally good.

Mar 21, 2003 | Rating: 5/5

Lester has crafted here the most inventive and wildly enjoyable version of The Three Musketeers ever committed to film.

Aug 21, 2002 | Rating: 4.5/5 | Full Review…

Audience Reviews for The Three Musketeers

Imagine a late night, a rainy night why not, watching old swashbuckling films from the Golden Age, particularly some one of many sword fighting scenes. The rapiers are held nimbly, the fight itself a dance. And now imagine a voice out of the dark behind you saying, "It weren't like that. Why, it weren't like that at all" and you'd have the beginning of where this film's direction lies. The typical Hollywood glamorization is tossed in favor of something more naturalistic, making for a rousing time in old medieval France, where intrigue is the law of the land. Good fun.

Kevin M. Williams
Kevin M. Williams

Super Reviewer


Probably the best version of the classic historic adventure by Dumas and directed by the controversial Richard Lester. Controversial you say? why yes, not only was he brought on board to radically change (reshoot) the already half made 1980's 'Superman II' without current director Donner knowing anything about it. He also made this film in its entirety but upon realising he had tonnes of filmed material he decided to split the film in two, thus creating the sequel and upsetting his entire cast. A few things jump out at you straight away with this film. Firstly the visuals are pretty darn good, very epic, very lavish and very grandiose (need more epic-like words). Filmed mostly on location within Spain (I believe) everything has really been given an extremely rustic classical style that looks exactly as it should for this 17th Century adventure. It looks as if real historical/heritage buildings have been used for various locations in the story which really does give a sense of realism to the film. Add to this a full wave of near perfect looking costumes, wigs, props, weapons, sets, carriages, plenty of beautiful horses etc...the effort, craftsmanship and love put in is clearly visible. Secondly the action and swashbuckling. This production is like a stuntman's bible, it virtually has everything you could want in an old fashioned romp. Scaling towering heights, riding horses at full charge, jumping onto moving horses, jumping from heights, devilishly dangerous swordplay, large scale multiple battles, gymnastics, acrobatics etc...there is no CGI, no tricks and no bluescreen, this is all the real deal just like in the good old days of Errol Flynn. The film is chock full of daring action but at no point do you ever see any blood, gore or even death really (not much). Its all edited and acted in a way that everyone can enjoy without getting upset, this is one reason the film is such a joy. Thirdly the humour. This is something Lester masters so well for this series, some may say the humour is childish...and they would be right, it is. There are a lot of pratfalls, slapstick, silly visual gags, silly dialog etc...many of the stunts are pratfalls really, daring but purely for laughs. Much of the amusement actually comes from dubbed voice work added on later in production. All the time you hear funny little bits of dialog which are clearly dubbed in (no one has tried to hide that fact) coming from the background, supposedly the background characters. Usually very silly simple babyish comments, typically British 'Carry On' type humour that adds a whole other dimension to the film. Lastly the cast. Oh boy the cast, its like one of Hollywood's old silver screen classics where they have jammed in as many star names as possible. The film is epic and the casting is just as epic. An international mix of all star players await you here. The four Musketeers are played by the stoic and reliable Oliver Reed who fits the drunken role of 'Athos' to a tee, Frank Finlay as the portly buffoon-like 'Porthos', Chamberlain as the slim athletic 'Aramis' and a very young skinny York as 'd'Artagnan'. All four are absolutely superb in their roles and I have never seen another person play them as well. What I like is the fact they're not muscle bound pretty boy sex icons, they look very regular, scruffy and laboured yet at the same time they all have that perfect aristocratic sense about them which fits the period beautifully. The rest of the cast is so blindingly good its just scary, Christopher Lee is caddish to the hilt as 'Count De Rochefort', almost like a live action 'Dick Dastardly'. Heston plays 'Cardinal Richelieu' with the manly presence he was known for and Dunaway is like a black widow spider and strikingly beautiful in her white period dresses as 'Milady de Winter'. But then you have smaller roles that are just as good if not better! who can forget old Roy Kinnear as the bumbling 'Planchet' giving us such brilliantly funny physical comedy and Simon Ward as the 'Duke of Buckingham', this guy looks so good in his getup its like he was zapped in a time machine from the 17th Century!. Its all in the facial hair. This is old time film making right here folks, the whole approach is grand in scale and highly impressive to watch. The way Lester went about this as a kind of Chaplin-like comedy, historically accurate in appearance and high on heroic flamboyant Fairbanks-like daredevilry deserves much kudos and respect. The fact he pulled this off is even more impressive! I'm sure to read this on paper you could be forgiven for thinking it wouldn't work. This first chapter in the trilogy leaves you gagging for the sequel (even though there wasn't suppose to be one but anyway...), a rip roaring start that puts many modern films to shame.

Phil Hubbs
Phil Hubbs

Super Reviewer

Great fun! Remembering Michael York with his impossibly sexy face, Oliver Reed, Charlton Heston, Raquel, Richard Chamberlain, Faye Dunaway with her shaved off eyebrows (what's with that anyway?) and others who looked familiar but I couldn't place...anyway, it was a lot of fun to see it on DVD in my own private bed because there is absolutely nothing to see in the theatres...booooooo! Am I going to have to go out to Hollywood and give them some real story ideas? Where was I? Oh,yeah, it was beautiful to look at, action-packed, everyone getting swords stuck in them but getting up as if nothing had happened...they don't make em like they used to!

Bathsheba Monk
Bathsheba Monk

Super Reviewer


A young peasant eager to join the Kings' Musketeers falls foul of the scheming Cardinal Richelieu and his men while attempting to save the Queen from public scandal. One of the defining adaptations of Dumas' classic story, The Three Musketeers is a light hearted swashbuckler that was the Pirates Of The Caribbean of its day. A fantastic cast and attention to detail make for a highly characterful adventure full of old school charm and humour which was a million miles away from the period films of the time which were all so po-faced they tended to feel more like animated museum exhibits than entertainment. The Musketeers were not shown as infallible superheroes but clumsy brawlers who were just as apt to fall on their backsides or run away as a certain pirate we all know and love. Oliver Reed, at his most charismatic is the pick of a hugely appealing cast and there are a lot of laughs in the action sequences that are as much about slapstick as swordplay. On the downside, it all seems a little slight by today's standards, probably because it is only the first part of a two part story, concluded in The Four Musketeers. The plot and characterisation take a back seat to the gags so there is little in the way of dramatic weight but this was addressed in the darker sequel that was even better. A minor classic.

xGary Xx
xGary Xx

Super Reviewer

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