Ralph Breaks the Internet
Mission: Impossible - Fallout
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All Critics (15)
| Top Critics (1)
| Fresh (5)
| Rotten (10)
| DVD (3)
Although Walton contrives to keep most of his contrivances on the safe side of absurdity, "Stranger" is at best a close call.
To appreciate just how different it is from the other entries in this then still nascent subgenre [the slasher], we need to move on from its opening to its more critically neglected middle section.
What counts in a suspense movie is the way in which tension mounts in which the film leads you on, in the way climaxes explode on the screen.
Two movies, one sandwiched inside the other, and the two movies have completely different goals, tones, and arguably even genres.
...the movie's absolutely enthralling opening 20 minutes is, unfortunately, followed by a narrative that couldn't possibly be more anticlimactic.
Grim psychothriller with a few teen urban legends.
Seus vinte minutos iniciais e finais (ou seja: as seqüências envolvendo Carol Kane) são suficientemente tensos, mas o longo segundo ato que traz a investigação feita pelo personagem de Durning jamais empolga.
The ultimately slow-moving film is book-ended by some truly classic horror movie moments.
Aggravatingly devoid of suspense.
I dare you to try sitting through the middle 70 minutes.
Glorified slasher flick never advances beyond a great first act.
Effective suburban legend suspenser that becomes unintentionally funny by the end
This is like two completely different movies in one, only the first and last 20 minutes are much tenser and vastly superior to the 60 minutes in between - which sadly shifts its focus to the killer and clearly wants to be more like Peeping Tom than Halloween or Black Christmas.
This was originally based off of a short, which is the first twenty minutes of the film, and it obviously shows. The creators tried to build off of it, but lost all the suspense by shifting the genre from horror to dull thriller. While I believed the film would be about a cat and mouse game between a babysitter and a killer on the phone, that's only the first part of the film. The rest of the film revolves around the killer and his escape from a sanitarium. Instead of making him creepy and perverted to an extreme degree, much of the film humanizes him by showing his exploits after he escapes. The film does share with us how he has killed, and the depravity in those actions, but we see none of it. How are we, the audience, supposed to be scared of someone who we constantly see being afraid, alone, and pathetically misunderstood? There's absolutely nothing tense or thrilling about the intermingling middle hour of this film. Even when Charles Durning's character tracks the killer down and blows a door off its hinges, it's more comical than anything. The very end is at least thrilling, but it comes too little too late after sitting through the tiresome slog of the middle.
When a Stranger Calls is a pulse pounding horror film. This is one of those films that use suspense to build effective horror to create the tension on-screen. Director Fred Walton crafts a tension filled horror film that combines suspense, terror with a few slasher film elements and crime film rolled into one film. The thing that impressed me about When a Stranger Calls is the fact that director Fred Walton keeps the gore on a down low, unlike so many other horror films in the slasher genre of the 1980's, this one relies more on the suspense factor to build up the terror and tone of the entire film. Like with every viewer, I have to say that the first twenty minutes of this film are the most terrifying and intense; ion other words, it starts the film off with a bang. I enjoyed this film and I think it's a very good concept for a horror flick. I think the fact that the film limits its gore factor much like Halloween did, adds a lot more credibility to the film. The acting is good here, and the actors deliver memorable performances. When a Stranger Calls is different, and it's a film that blend psychological horror with a few slasher elements, but isn't a straight forward bloodbath. When a Stranger Calls is a terrific horror flick that uses traditional horror elements to create the horror that we see on-screen. The result is a terrifying and memorable film
After being locked up for seven years in an insanse asylum for murdering two children, a psychotic Englishman escapes his confines and is loose on the streets of New York. The opening 15 minutes are a real nail-biter and the film ends in a similar fashion too with a couple of genuinely frightening moments. The suspense lets off during the middle parts and things move along at a slower pace, but the menace and threat is always there with the chilling performance by Tony Beckley, which would be his last film after passing away due to cancer just after completing the film. A real good thriller for those that don't mind low body counts and zero gore.
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