Diabolique

Diabolique Photos

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Cast & Crew

Simone Signoret
Nicole Horner

Véra Clouzot
Christina Delassalle

Paul Meurisse
Michel Delasalle

Charles Vanel
Alfred Fichet, private detective

Jean Brochard
Plantiveau, the groundsman

Noel Roquebert
M. Herboux

Thérèse Dorny
Mme. Herboux

Pierre Larquey
Mr. Drain, a teacher

Michel Serrault
Mr. Raimond, teacher

Yves-Marie Maurin
Moinet, une jeune Moynet

Georges Poujouly
Soudieu, a schoolboy

Jean Temerson
Le garçon d'hôtel

Georges Chamarat
Dr. Loisy

Jacques Varennes
Professor Bridoux

Roberto Rodrigo
Le petit Jose (uncredited)

Jean-Pierre Bonnefous
Le jeune De Gascuel (uncredited)

Michel Dumur
Le jeune Ritberger (uncredited)

Henri Humbert
Patard, le jeune Patard (uncredited)

Henri-Georges Clouzot
Director

Pierre Boileau
Writer

Henri-Georges Clouzot
Writer

Jérôme Géronimi
Writer

Frédéric Grendel
Writer

Rene Masson
Writer

Thomas Narcejac
Writer

Henri-Georges Clouzot
Producer

Georges Van Parys
Original Music

Armand Thirard
Cinematography

Madeleine Gug
Film Editing

Leon Barsacq
Art Director

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Audience Reviews for Diabolique

• Jun 20, 2017

  What a fantastic, smart, macabre thriller this is. Director Henri-Georges Clouzot doesn't waste any time getting us emotionally involved, with a man (Paul Meurisse) abusing both his wife (Véra Clouzot) and his openly acknowledged mistress (Simone Signoret), and in making it apparent that the two are plotting to kill him. Meurisse and Clouzot run a boarding school full of rowdy little boys, and Signoret is another of the teachers there. Meurisse is mean to everybody, so we certainly don't sympathize with him. I'm not going to spoil this film by describing anything else. Trust me, it's best you don't know any more. Just sit back and watch it unfold, and you'll be happy you did. I will say that it's got a couple of incredibly eerie scenes that are well worthy of the often overused adjective 'classic'. This one is not just Hitchcock-esque, it's right up there with that director's best work.
  Antonius B Super Reviewer
• Apr 23, 2016

  Henri-Georges Clouzot's 1955 film "Les Diaboliques" is a psychological thriller based on the novel "Celle qui n'était plus" by Boileau-Narcejac. Clouzot snatched up the film rights right after finishing his 1953 film "The Wages of Fear" before Alfred Hitchcock could. Since Hitchcock couldn't secure the rights to this novel, he was able to secure the rights to Boileau-Narcejac's next novel "D'entre les morts" which became the film "Vertigo" in 1958. "Les Diaboliques" is considered a classic horror film and an inspiration to Hitchcock's "Psycho." The story involves two teachers at all boys boarding school who plot to murder the headmaster. Christina Delassalle (Vera Clouzot) is a kind, caring person who loves the children and is married to the headmaster Michel Delassalle (Paul Meurisse). Michel is having an affair with another teacher at the school named Nicole Horner (Simone Signoret). Michel is cruel to the children and to both his wife and mistress, this mistreatment allows Christina and Nicole to bond and develop a close friendship. Nicole is trying to convince Christina they need to get rid of Michel forever, perhaps the audience's introduction of Michel is overexagerrated, but at dinner when Christina is not hungry and trying to eat, Michel ridicules her in front of the other teachers and students by yelling at her to swallow her fish. After the dining room is left empty, Michel rapes Christina before the scene dissolves and she is leaving Michel asleep in bed. Christina has a look on her face of disgust and hatred and it is at that moment she agrees to murder Michel. Christina and Nicole head to her apartment in a small village and in an attempt to get Michel to come out there Christina threatens divorce. Nicole develops a plan where they would put a sedative in some alcohol and when he falls asleep throw him in a full bathtub and drown him. When Michel comes to the apartment, he notices the alcohol and wants to drink but Christina knocks it out of his hand and all over his suit. In an attempt to show his cruelty and force the situation, he slaps her and degrades her. Christina shows that same look as earlier in the film and pours him two more glasses of alcohol. Nicole and Christina then put him in the bathtub and put a mantle piece over him to submerge him in the water. They bring the body back to the schoolhouse in a large wicker basket and decide to dump his body in the neglected and dirty swimming pool hoping it would rise to the top and look like an accident. But things go amiss when that doesn't happen and out of desperation for all of it to end Christina demands that the swimming pool be emptied. When it is drained the body is missing. This is the beginning of strange events and occurences that lead to a surprising, but ultimately, unsatisfying ending. It is suggested that the school was struggling financially so Michel married Christina for her money. She is not French, but from Caracas. She may own the school but Michel runs it and buys cheap food to feed the kids. She is often described by many characters in the film as being weak and looking sick, she has heart problems and is very frail at times. It's less a horror film than it is a psychological thriller, but it's a very good film. There is not a dull moment in the film and the way guilt has consumed Christina is very compelling. She is portrayed as very religious and against the idea of divorce. Michel knew this was a bluff when he came to meet her at Nicole's apartment. Christina has a hard time lying and at times in the film you wonder if that would be her downfall, if her devotion to religion would consume her and lead to a confession.
  

  Joseph B Super Reviewer
• Aug 20, 2014

  A great thriller built on an intriguing mystery and with a very unexpected ending, but I imagine how much more tense and engaging it would have been in Hitchcock's hands, as it feels a tad dry with its lack of score and doesn't create the sort of impact that it naturally should.
  Carlos M Super Reviewer
• Apr 14, 2014

  Diabolique is a milestone in horror filmmaking and a wonderful look back at a time when filmmakers used suspense to frighten audiences, not cheap "boo" scares. Smartly made, chilling, and its ending is truly disturbing.
  Edward B Super Reviewer

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