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All Critics (55)
| Top Critics (12)
| Fresh (40)
| Rotten (15)
| DVD (2)
The problems start with Levinson's script, which overemploys Patric's florid narration to tell you what you're about to see, what it means and how you should feel about it.
It is all legally preposterous. But Levinson is a slick craftsman, his actors are insinuatingly real, and cinematographer Michael Ballhaus casts a disarmingly believable light on these proceedings.
If audiences aren't bothered by this disturbing subtext, there's a lot to enjoy in this impeccably structured, handsomely produced saga.
Levinson has done nothing to sift the half-truths from the melodrama...
At times the images are agonizing to behold, men in their most desperate, hateful depths preying on children. The film, exceptional on many counts, ultimately is sad in a hopeless, haunting way.
Idealized? You bet. That's why the loss of this world must be avenged with the same broad strokes that you'd expect from the Count of Monte Cristo.
It plays out as a stylish and lurid amoral vigilante thriller, one that never earns the viewer's confidence that this is the real thing.
Views the gray tones of good and evil and what lengths people are willing to go through to re-claim the dignity they lost as children.
...it's more than a bit disconcerting to see how the narrative makes serious wrongdoers sympathetic. Therefore, a qualified success.
Despite it all, just try to take your eyes off this movie: skillfully crafted by Levinson, Sleepers is eminently watchable, deeply emotional, and populated with top acting talent. [Blu-ray]
Powerful story of child abuse. Not for kids.
Boasting a glorious multi-generational cast (De Niro, Hoffman, Brad Pitt, Jason Patric), Levinson's tale of sexual abuse and revenge is just decent, lacking dramatic energy and relying too much on voice-over narration and conventional courtroom procedures
Well crafted drama, Sleepers manages to tackle a revenge style story with the right mix of drama that is aided by a great cast of talented actors. I thought that the ideas expressed on-screen were well tackled in the sense that there are several disturbing moments with the first hour of the film. The rest of the film changes gears and goes into a court room drama. Barry Levinson's direction is well done, and we get an accomplished picture that is captivating, powerful and unforgettable. This is a well structured revenge crime drama that uses basic elements of storytelling to really let the tale unfold. Sleepers is engaging, and the Levinson suggests what is happening to the boys off camera, makes this film quite disturbing, but it's done in a way to leave to the viewer to interpret what kind of horrors they face. With that aspect, the film really is impressive as it's engrossing from start to finish, and there are some tremendous talent that is present here. Revenge films are pretty much alike, but the way they're handled make them stand out, and with Sleepers we have a terrific picture that is very well acted and directed, and in that regard it's a memorable genre film that does manage to stand out due to its cast and the way it handles its subject. If you enjoy the genre, Sleepers is a film not to miss, it works on many levels and it's a film that despite its simple plot, manages to be riveting from start to finish. Legal dramas are always interesting to watch because there are so many spins to the story, and with the story that is here, we have something that is entertaining, yet at the same time hard to watch. Luckily the way the subject was handled was very well done.
After the massive box-office flop of "Toys" in 1992 and the overlooked, straight to dvd, "Jimmy Hollywood", director Barry Levinson seemed to be in need of some stronger material. As a result, he decided on a couple of adaptations; the first was Michael Crichton's "Disclosure" followed by "Sleepers", the controversial novel by Lorenzo Carcaterra, which served as a reminder that Levinson still had something to offer.
Growing up in Hell's Kitchen, four close friends, Shakes (Joe Perinno), Michael (Brad Renfro), John (Geoffrey Wigdor) and Tommy (Jonathan Tucker) fill their days playing pranks and making their own entertainment. However, one of their pranks lead to a man getting seriously injured and they are sentenced to time in the Wilkenson Detention Centre in upstate New York. In the centre they are subjected to beatings and sexual abuse by the guards. Over ten years later, two of the boys take revenge on one of them (Kevin Bacon), which drags up the past and involves everyone they know.
What we have with "Sleepers" is a stellar cast, a more than capable director and a story that's purportedly based on fact. There's really not that far you can wrong in these instances but, unfortunately, it's the "based on fact" angle that let's this film down. Everything else is handled with skill, but no matter how well it's delivered, it leaves an aroma that smells vaguely of garbage. It's too far fetched and under closer scrutiny and investigation, the events that writer Lorenzo Carcaterra claims to be true, are unfounded. There simply isn't any evidence of them. Now, if this film just played out as a piece of storytelling then that issue wouldn't exist and you'd be able to sit back and enjoy what this film has to offer. And what it has to offer is plentiful. The cinematography by (Scorsese regular) Michael Ballhaus, captures the look and feel for the times that reflect, in some ways, an urban version of "Stand By Me" in the earlier part of the film and Levinson does a very professional job on his direction duties. Where his strength lies is in drawing out brilliant performances from his impressively assembled cast: Throughout an abundance of familiar names, it's Patric (playing writer, Carcaterra) that get's the most focus but the rest still get enough to work with; Bacon verges on the stereotypical side but still channels an effective sadistic presence; Pitt, in a lesser role (when he was still on the rise) captures the cocksure arrogance required and the always reliable and masterful Hoffman brings a lot of depth and humour with his subtle mannerisms. At the risk of sounding biased, though, it's DeNiro that impresses most as the avuncular priest, Father Bobby. He delivers one of the most endearing and charismatic performances of his career and happens to have a moment in the film where his expression is solely focussed on, as he hears about the tragic and abusive events that took place. He doesn't utter a word, but his pain, anguish and compassion is expressed entirely and powerfully within his eyes. The only drawback amongst the performances is that the greats of DeNiro and Hoffman don't get a chance to share much screen time together. (In fairness, Levinson rectified this in his later movie "Wag The Dog" and subsequently they have shared the screen in the "Meet The Parents" sequels). These two fantastic actors have never really went toe-to-toe on dramatic terms, though, and this film seems like a missed opportunity on that level. As for the structure itself, it's a film of two halves; the first concentrating on the boys' high jinks (again, with great performances from it's young actors - Joe Perrino and Brad Renfro being the standouts) while the latter half descends into a formulaic courtroom drama which stretches credulity and eschews any form of logic in order to deliver the drama. It's during this, that the "true" nature of the story becomes seriously questionable and we're also left with an overhanging, dubious message on justice. Despite these issues, though, there are many highlights to be found and at nearly two and half hours long, it's never dull. Whether or not it's true is another matter but at the very least, Carcaterra has written an emotional and involving tale.
Flawed and uneven with a conclusion that simply doesn't convince, but if you're able to sidestep these faults then there's still a great film at it's core.
Barry Levinson's tense drama, with great cast become a breathtaking and moving cinematography adaptation of the controversial bestseller.
Lorenzo: There are no clear pictures of the sexual abuse we endured. I buried it as deep as it can possibly go.
"When friendship runs deeper than blood"
There is only one way to describe Sleepers and that is that it is a great movie. It comes with flaws, which I won't discuss as they are very apparent and because I just can't take away from how great this film is. Sleepers is easily Barry Levinson's best film and features amazing performances from a variety of really talented actors like Dustin Hoffman and Robert De Niro. Those are the legends in the cast, but there are so many more like Brad Pitt, Kevin Bacon, and Jason Patric. That is just scratching the surface on all the great performances that came out of this movie.
Sleepers begins with a great introduction to the life of four friends in the slums of Hell's Kitchen. Levinson does a tremendous job with the setting. He shows just how bleak existence is in Hell's Kitchen. From there we move into a childhood drama, where the four friends rob a hot dog vendor and end up almost killing someone by accident. Then the story moves into a juvenile facility where the kids are sent. The kids all go through hell there. That's as far into the story as I'm going to go. The last thing I'll add about it is that the movie skips ahead to when the four kids are in their twenties and the story resumes from there.
This film captures three different situations and make the movie feel like three shorts all combined into one. The first being a childhood drama, the second a prison drama and the third a courtroom drama. The first is very nostalgic and fun to watch until it ends in tragedy. The second is extremely hard to watch, but insanely well done. And both the second and third are very sad. Watching this again now is even harder, with the stories from Penn St and Syracuse dominating the news.
Sleepers is a film that you won't forget after watching it. Despite not knowing if the story is really true(the author claims it is, but the juvenile facilities say it is not), you feel for the characters because even if this story isn't true, it still is. This is happening somewhere. As hard to watch as it is, it needs to be seen.
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