Ralph Breaks the Internet
Mission: Impossible - Fallout
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All Critics (29)
| Top Critics (4)
| Fresh (26)
| Rotten (3)
| DVD (7)
It wallows in its ceaseless bloodbath and emerges like its protagonist -- sleazy and second-rate.
Mike Hodges' top-notch adaptation of a Ted Lewis novel not only maintains interest but conveys with rare artistry, restraint and clarity the many brutal, sordid and gamy plot turns.
Refusing ever to dwell, it cuts sharp rather than deep, but sharp enough.
A tense, hard-boiled crime movie that uses Michael Caine, for once, as the sure possessor of all his unconscious authority.
A film of exceptional viciousness and mordant humor, which single-handedly blew the bloody doors off British crime films of the era.
[VIDEO ESSAY] ...represents the apex of the British Gangster genre for the its realistically gritty tone, fetishized eroticism, and dynamic attention to details...
While Caine would like to think of himself as one of Chandler's or Hammett's lonely avengers, he is really nothing more than a vicious brute with a warped sense of honor, trapped between the past and the present.
Ranks up there with the likes of The Long Good Friday as one of the finest home grown films of the past 30 years.
Mike Hodges is a steely Diebenkorn, dry and dangerous
Its finest triumph may be that it's still more immediate and brutal than almost any of the films that it inspired.
A classic British crime-thriller that's as mean and uncompromising as its vengeful main character. Caine is in top form.
Cínico, cruel e surpreendentemente charmoso, Carter é um dos melhores personagens da longa carreira de Caine - e as locações, os diálogos e a montagem fazem jus a ele.
A been-there-done-that hit man from swinging London returns to his grimy industrial hometown roots in Newcastle to bury his brother. All hell's about to break loose baby. Michael Caine looks and acts the part beautifully, and the insider's view of non-touristy England is worth the trip alone. There might be some indiscriminate killing in this, and some gunplay.
This is a classic action thriller that features an engaging storyline and a blistering performance by iconic actor Michael Caine. Get Carter is an engaging picture, one that delivers some genuinely tense moments, and relies on terrific performances from its cast to elevate the story. The direction by Mike Hodges is terrific, and the film is brilliantly shot, and it keeps you engaged from start to finish. I've always enjoyed Michael Caine's work, and here is he is simply terrific in the role of Jack Carter, and in my opinion, it is one of his best roles. The film's script is solid, and the film has a steady buildup, which keeps you involved. There are moments are genuine tension on-screen, and the film has good action as well. Action films of the 70's were some of the finest because they didn't rely on fancy stunts, computer imagery and poorly staged action scenes. These films were far better because of it and in many ways more exciting because, the story and acting were far better than what most action films of today possess. Get Carter successfully mixes action, thrills, tension into one memorable picture that is engaging from start to finish. With Get Carter, you get one of the finest films of the genre, and it makes you realize that terrific action films like this are better because filmmakers and actors put a lot more effort into making them exciting. Get Carter joins other great films like The Mechanic, Dirty Harry and Death Wish as one of the most memorable of the 1970's actioners. If you enjoy classic action films, you're sure to enjoy this one. At times, it does leave room for improvement, but nonetheless, the performances are what keeps you involved, and the direction and well executed action scenes more than make up for its few imperfections.
Get Carter fully lives up to it's reputation. Michael Caine is just deadly in the role of gangster on revenge trail. Bravo.
Ugly, ugly tale of British criminal class, violence, family and monstrous male sexual guilt. Superb naturalistic cinematography and use of locations.
Quibble - on first viewing I felt the director was holding back too much information.
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