The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
It's the acting that sings, especially when Hoffman duets with luminous Catherine Keener, the lady with the loveliest laugh in film. Hoffman's writer is a self-serving egoist; Keener's a restrained, wise soul.
It's a bravura one-man-show that feels somehow oddly empty, as if the void that existed in Capote himself is made manifest on the screen. The film does, however, pose some interesting questions about whether art is above morality. It's a moot question.
Miller and Futterman underscore the idea that what Capote's achievement does to the story of Hickock and Smith and the Clutter killings is to remove it from the actual world and place it in a literary one.
I am aware that virtually every critic in America if not on the planet has lauded Hoffman's portrayal of the author and that I am in the minority. Watching Hoffman I felt something primal was missing from his interpretation ... To my mind, Hoffman's work
The performance you'll see in "Capote" is easily the best of the year. actually, the best of any year. It's one of those turns that'll be remembered for years to come, up with Welles in "Citizen Kane", Brando in "The Godfather", Nicholson in "