A Prophet (Un prophete)2010
A Prophet (Un prophete) (2010)
Critic Consensus: Featuring an impressive star turn by newcomer Tahar Rahim, A Prophet is a French gangster film filled with arresting, immediate details.
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as Malik El Djebena
as César Luciani
as Jordi le gitan
as Chef detention
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Critic Reviews for A Prophet (Un prophete)
A Prophet is not a fabulous film, but it is well worth seeing. Although it is 2 hours 29 minutes long and its story is not surprising, it is always riveting.
A movie that stands with the best prison thrillers from any country; a film that vividly illustrates the connection between prison and the violent, radical form of Islam that keeps much of Europe on edge.
Audiard has talked about the prospects of a sequel to A Prophet. With the foundation he has built here, it would be a welcome one.
A Prophet is essential viewing for art-film buffs and crime-flick fans, but also for anyone who's looking for a great story, terrific acting and masterful filmmaking.
The success of Malik is sheer American dream via France: Anyone can make it if they try hard enough. Make it at what, of course, is always the question.
Audience Reviews for A Prophet (Un prophete)
A gripping French gangster film that depicts the many brutal changes that a man can go through after entering prison, and the 19-year-old Arab-Corsican delinquent who slowly learns to become a murderer is played with an impressive intensity by Tahar Rahim.
An illiterate half-Arab, half-Corsican serves a prison sentence and rises to become a mob leader. This film is mediocre Martin Scorsese -- wait, it's not directed by Scorsese? Shocking! Then I guess this film is mediocre imitation Scorsese. It dark, depressing, virile, and remarkably violent. I make the Scorsese joke because films like Goodfellas and Casino achieve an impossible ethical feat: they make being a mobster seem cool; they make us say, "Gee, if I were a mobster, I'd be that cool, dressing in sherbet-colored suits." And A Prophet wants us to make the same type of ethical leap: they want us to sympathize with a character who goes through a profound ethical transformation from doe-eyed innocent to cold-blooded killer. But unlike the charming Ace Rothstein, Malik doesn't inspire, intrigue, or charm. The film's portrayal of Muslim fundamentalism doesn't get a lot of traction and its aim isn't that clear to me. Overall, Scorsese has done better - wait, are you sure he didn't direct this?
A morally complex and riveting study of the power struggle within the confines of prison.
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