The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Marks McMorrow as a director to watch, one unafraid of taking risks and going against the grain of the British film industry. It's not for everyone, but surrender to the limitless ambition and off-kilter tone and it's an engaging 100 minutes.
An admirably non-formulaic drama, which manages to reconcile the opposed British film traditions of contemporary, realistic, low-key character drama with eccentric, flamboyant, Gothic fantasy. It certainly marks out McMorrow as a talent to watch.
The attempts to compress so many themes into such a short space of time end up making Franklyn seem like it's leapt from the imagination of Garth Marenghi. Ultimately, McMorrow's over-ambitious debut is a beautiful mess.
Frustrating. Not as clever as it thinks it is, but often far better looking than you'd expect. You have to laud McMorrow for a brazen Brit debut that isn't either A) a horror or B) takes place in a gang.
Franklyn is an ambitious sci-fi film that squeezes every penny from its 6m budget and throws it onto the screen to create a terrific futuristic cityscape. Kudos for that, yet no amount of good looks can hide the fact it's almost unwatchable.