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All Critics (15) | Top Critics (7) | Fresh (4) | Rotten (11)
Great Aussie crime thriller droops at the end but pulls through thanks to Guy Pearce. May 27, 2013 | Rating: 8/10 | Full Review…
Great Aussie crime thriller droops at the end but pulls through thanks to Guy Pearce.
Ron Wilkinson
The "oh-so-innocent waif and big old baddie" odd-couple formula dates back to D.W. Griffith, but this muddled effort does nothing to merit its questionable revival. May 17, 2013 | Full Review…
The "oh-so-innocent waif and big old baddie" odd-couple formula dates back to D.W. Griffith, but this muddled effort does nothing to merit its questionable revival.
David Noh
Innocence meets experience, unconvincingly, in the strained redemption drama "33 Postcards." May 17, 2013 | Rating: 2/5 | Full Review…
Innocence meets experience, unconvincingly, in the strained redemption drama "33 Postcards."
Sheri Linden
Were it not for the staccato bursts of violence, this Chinese-Australian co-production about how an adorable orphan brings love into the life of a hardened convict would feel like a film from Hayley Mills' heyday. May 17, 2013 | Rating: 2/4 | Full Review…
Were it not for the staccato bursts of violence, this Chinese-Australian co-production about how an adorable orphan brings love into the life of a hardened convict would feel like a film from Hayley Mills' heyday.
Farran Smith Nehme
The film has a few good story turns up its sleeve, but prepare yourself for heavy melodrama in the third act. May 16, 2013 | Rating: 2/5 | Full Review…
The film has a few good story turns up its sleeve, but prepare yourself for heavy melodrama in the third act.
Jamie S. Rich
Sweet to the point of getting a sugar rush. Underwritten and under-directed in style and realization, it has all the substance of a confection. May 16, 2013 | Rating: 2/5 | Full Review…
Sweet to the point of getting a sugar rush. Underwritten and under-directed in style and realization, it has all the substance of a confection.
Jules Brenner
It's all in the name of heartstring tugging, and the film, directed by Pauline Chan ("Little White Lies"), does that pretty well. May 16, 2013 | Rating: 3/5 | Full Review…
It's all in the name of heartstring tugging, and the film, directed by Pauline Chan ("Little White Lies"), does that pretty well.
Neil Genzlinger
There's no explaining the presence of Guy Pearce in Pauline Chan's sappy, atonal family drama. But it's easy enough to understand why he looks so uncomfortable throughout. May 16, 2013 | Rating: 1/5 | Full Review…
There's no explaining the presence of Guy Pearce in Pauline Chan's sappy, atonal family drama. But it's easy enough to understand why he looks so uncomfortable throughout.
Elizabeth Weitzman
A clunky hybrid-half feel-good weepie, half preposterous thriller-that functions primarily as an elaborate travel brochure ... May 16, 2013 | Rating: C- | Full Review…
A clunky hybrid-half feel-good weepie, half preposterous thriller-that functions primarily as an elaborate travel brochure ...
Mike D'Angelo
Touching story about how the spiritual practice of enthusiasm works wonders in the life of a man in prison. May 15, 2013 | Rating: 4/5 | Full Review…
Touching story about how the spiritual practice of enthusiasm works wonders in the life of a man in prison.
Frederic and Mary Ann Brussat
Just when you think it can't get any more sentimental or tack on any more plot detours, the film attempts a clumsy cultural dtente as the Chinese children's choir sings "Waltzing Matilda." May 15, 2013 | Rating: 2/4 | Full Review…
Just when you think it can't get any more sentimental or tack on any more plot detours, the film attempts a clumsy cultural dtente as the Chinese children's choir sings "Waltzing Matilda."
Rex Reed
The script's programmatic feel-goodery smooths out everything strange and noteworthy about Dean and Mei Mei's relationship into an unmemorable and unconvincing blandness. May 14, 2013 | Full Review…
The script's programmatic feel-goodery smooths out everything strange and noteworthy about Dean and Mei Mei's relationship into an unmemorable and unconvincing blandness.
Inkoo Kang
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