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No consensus yet.
All Critics (29) | Top Critics (15)
It's difficult for the uninitiated to glean from this film a real sense of Wilson's oeuvre, or its influence on the zeitgeist. Feb 9, 2007 | Rating: 2.5/4 | Full Review…
It's difficult for the uninitiated to glean from this film a real sense of Wilson's oeuvre, or its influence on the zeitgeist.
Misha Berson
Does a good basic job of recapitulating the highs and lows of a career filled with restless energy and an outsize drive to achieve. Jan 26, 2007 | Full Review…
Does a good basic job of recapitulating the highs and lows of a career filled with restless energy and an outsize drive to achieve.
Peter Marks
As a piece of entertainment, there's no getting around the fact that the film rises or falls on the degree to which the clips from Wilson's productions grab the viewer's attention and the ideas they embody arrest the mind. Jan 12, 2007 | Rating: 2/4 | Full Review…
As a piece of entertainment, there's no getting around the fact that the film rises or falls on the degree to which the clips from Wilson's productions grab the viewer's attention and the ideas they embody arrest the mind.
Mick LaSalle
Impressive as is Wilson's output and oeuvre, it's the fully-engaged, aesthetically driven life that fascinates. And Otto-Bernstein's movie is a portrait of an artist at his most essential, in every sense. Jan 4, 2007 | Rating: 5/5 | Full Review…
Impressive as is Wilson's output and oeuvre, it's the fully-engaged, aesthetically driven life that fascinates. And Otto-Bernstein's movie is a portrait of an artist at his most essential, in every sense.
Carina Chocano
Wilson is the prime example of what happens when money is continually thrown at a voracious ego -- its creative universe keeps expanding until the money stops. One problem is that most of Wilson's works don't 'snapshot' very well as excerpts. Jan 4, 2007 | Full Review…
Wilson is the prime example of what happens when money is continually thrown at a voracious ego -- its creative universe keeps expanding until the money stops. One problem is that most of Wilson's works don't 'snapshot' very well as excerpts.
Steven Mikulan
Katharina Otto-Bernstein's documentary provides an excellent introduction to the singular vision of avant-garde stage director Robert Wilson. Dec 1, 2006 | Full Review…
Katharina Otto-Bernstein's documentary provides an excellent introduction to the singular vision of avant-garde stage director Robert Wilson.
Jonathan Rosenbaum
A good introduction to those unfamiliar with the artist, while it should also be pleasing to his fans. Aug 14, 2007 | Rating: B | Full Review…
A good introduction to those unfamiliar with the artist, while it should also be pleasing to his fans.
Dennis Schwartz
Yet Otto-Bernstein's clips, though well-chosen, never convey what seeing Wilson live is like...Her book is much more stimulating. Mar 12, 2007 | Full Review…
Yet Otto-Bernstein's clips, though well-chosen, never convey what seeing Wilson live is like...Her book is much more stimulating.
Michael McDonagh
One comes away from this documentary fully satisfied and yet wanting even more, a testament to the skill of the filmmakers and the utter fascination of their subject. Mar 1, 2007 | Full Review…
One comes away from this documentary fully satisfied and yet wanting even more, a testament to the skill of the filmmakers and the utter fascination of their subject.
David Noh
Offer insights into the director's methods and motivations. Feb 8, 2007 | Full Review…
Offer insights into the director's methods and motivations.
Bill White
What's the point of knowing what there is to know about a fellow when we get only sound bites of what he has done with his enormous talent? Jan 19, 2007 | Rating: B | Full Review…
What's the point of knowing what there is to know about a fellow when we get only sound bites of what he has done with his enormous talent?
Harvey S. Karten
A stirring portrait of a theatrical sensation, one that should motivate artists of all stripes to break away, follow their bliss, and, most importantly, never take no for an answer. Jan 5, 2007 | Rating: 3/4
A stirring portrait of a theatrical sensation, one that should motivate artists of all stripes to break away, follow their bliss, and, most importantly, never take no for an answer.
Gary Goldstein
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