The Boy Friend

Cast

Twiggy
as Polly Browne

Christopher Gable
as Tony Brockhurst

Max Adrian
as Max

Bryan Pringle
as Percy Parkhill

Murray Melvin
as Alphonse

Glenda Jackson
as Rita Monroe

Moyra Fraser
as Madame Dubonnet

Peter Greenwell
as Pianist

Catherine Wilmer
as Lady Brockhurst

Barbara Windsor
as Hortense

Georgina Hale
as Fay

Vladek Sheybal
as De Thrill

Tommy Tune
as Tommy de Thtill

Graham Armitage
as Michael

Brian Murphy
as Peter

Antonia Ellis
as Maisie

Caryl Little
as Dulcie

Catherine Willmer
as Catherine

Robert La Bassiere
as Chauffeur

Sally Bryant
as Nancy

Ann Jameson
as Mrs. Peter

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Critic Reviews for The Boy Friend

Audience Reviews for The Boy Friend

• Oct 28, 2011

  a treat for musical fans, the restored version of flamboyant director ken russell's '71 homage to busby berkeley films, starring twiggy! the film is a bit long, including even an intermission, but it's marvelous flights of fantasy entertained me more than anything i've seen in awhile. russell uses the device of a play within the film, a cheap production mounted by a down and out theater troupe, with the time worn gimmick of the understudy going on for the injured star, a la ruby keeler. 60s supermodel twiggy had admirable screen presence and was a great dancer. an absolute delight. thx tcm!
  Stella D Super Reviewer
• Mar 17, 2008

  Over the top but delightful, "The Boy Friend" is director Ken Russell's arch take on a traditional musical. Sandy Wilson's "The Boy Friend" debuted onstage in 1953, but its nostalgic music is rooted in the earlier 23-skidoo era. The story is just an old-fashioned romp of blushing courtship, but Russell knows better than to leave it as is. Instead, he adds an extra narrative layer: His film is about a chintzy staging of the musical, as a mix of naive and nasty actors grumbles through a poorly attended performance. The extra wrinkle is that a famous Hollywood director (name: "Cecil B. DeThrill") has unexpectedly popped into the opera box to scout for new talent. So, the cast is constantly going off-script and grandstanding to win his attention. Sad-eyed Twiggy, the ingenue of all ingenues, stars as the shy stage manager who is forced into the lead role when the usual star (Glenda Jackson, in an unbilled cameo) breaks her leg. She's secretly in love with the male lead (Christopher Gable), so her onstage romantic scenes with him work on two levels. Such backstage issues resonate through the whole cast as philandering, love and bickering bleed into the chaotic show. But hold on -- the film has one more layer, because Russell chooses to present some songs as character fantasies. Thus he avoids the limits of the stage production's intentionally tacky sets, and can indulge the excesses of visual imagination which are his trademark. Such blasts of pure cinema don't match the extravagant props and production design of later spectacles like "Tommy" and "Lisztomania," but they're still bound to make Russell's many naysayers squirm. A bit with elves and giant mushrooms is notably embarrassing, but some other sequences are wonderful. A brilliantly shot passage with dancers on a spinning record turntable (just one of multiple nods to Busby Berkeley's kaleidoscopic choreography) is especially memorable. Twiggy shows surprising talent as both a singer and dancer, bless her waifish heart, and Broadway legend Tommy Tune also shines as a virtuosic tap dancer. Everyone overacts with bulging eyes, exaggerated grins and fourth-wall nods to the camera, but it suits the story. What in the world prevents a film this fun and accessible from being released on DVD? Note: I am reviewing a 138-minute cut. There is another version which is only 109 minutes.
  

  Eric B Super Reviewer

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