Ralph Breaks the Internet
Mission: Impossible - Fallout
Log in with Facebook
Forgot your password?
Don't have an account? Sign up here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Already have an account? Log in here
Please enter your email address and we will email you a new password.
No consensus yet.
No consensus yet.
All Critics (18)
| Top Critics (8)
| Fresh (17)
| Rotten (1)
Although Cinevardaphoto is hardly a major work, it does represent the latest (and earlier) chapters in the career of a fascinating filmmaker.
All three films focus on Ms. Varda's interest in the affinity of photography -- her first profession and obsession -- to her subsequent cinematic career, and all three films take unexpected twists and turns, both aesthetic and political.
Varda herself has never stopped wandering.
A masterful collection of cinematic essays, Agnes Varda's triptych of short films takes its audience from elation to despair and back again.
The unutterably charming Cinévardaphoto brings together three short works by the filmmaker Agnès Varda, one shot in digital video, the others on celluloid.
Two documentaries too many.
Interesting, charming and diverting, but nothing overwhelming uncovered.
Three sterling examples of the short films of Agnès Varda, goddess of the New Wave and also one of the great directors of the 21st century.
... more film essays than traditional documentaries and connected by the theme of photography and Varda's cinematic exploration of the art and meaning of the still image.
Overall, Cinevardaphoto is a mixed effort, but it's nice to hear from Varda, still vibrant in her 70s.
Everything is in Varda's perspicacious photos.
Those who loved Varda's quirky approach to recycling in the much-praised Gleaners may be even more pleased with Cinévardaphoto.
Varda has emerged as a great documentary film maker. Here the subject is photography. Of particular note is her lok at Ydessa Hendeles and her collection of photos of teddy bears. A surprising appearance by a former dictator is an unnerving surprise.
My French teacher in high school, who by the way eerily resembled Audrey Hepburn at her peak, once told us that as we grow older we would only get more conservative. I'm now 36 which I think is how old she was when she told us that. I'm not getting any more conservative by the way. Which brings me to...
[color=green]"Sunset Story" is a funny and touching documentary about two friends in a retirement home named Lucille Alpert and Irja Lloyd. The retirement home, Sunset Hall, is specially reserved for retirees of a progressive bent and Lloyd and Alpert continue to go to protests for various causes and discuss various issues. They are an inspiration to those of us of a younger generation that you can never be to old to be politcally active.(This documentary got me thinking of John Sayles' short story "The Anarchist's Convention.")[/color]
[color=navy]You know that old saying about a photograph equaling a thousand words..."Cinevardaphoto" is a triptych of short documentaries by Agnes Varda, each focusing on photography. [/color]
[color=navy]"Ydessa, the bears and etc..."(2004) is about an exhibit of photos of teddy bears in Munich, which starts innocent and gets rather more disturbing as we proceed through the exhibit. It is also an interesting look at the way people proceed through an art exhibit. What they see and what they do not see, is quite important and thought provoking.[/color]
[color=navy]"Ulysse"(1982) is about a photograph taken in 1954 containing a naked man, a naked boy and a naked dead goat. And it reexamines the memories of the people involved and what they were doing 28 years later. Well, the dead goat is not doing that well...[/color]
[color=navy]"Salut les Cubains"(1963) is a photomontage of photographs taken from a recent visit to Cuba in the aftermath of the Cuban revolution. In it we get a history lesson and a rare view into the country and the Cuban people as it was then.[/color]
[color=navy]All three documentaries taken together are endlessly fascinating. They are shown in the chronological order of the photographs taken - The teddy bear photographs are taken mostly before World War II, Ulysse's photograph was taken in 1954 and the Cuban photographs were taken in 1963. [/color]
There are no approved quotes yet for this movie.