Ostre Sledované Vlaky (Closely Watched Trains) (1966)
Ostre Sledované Vlaky (Closely Watched Trains) Photos
as Milos Hrma
as Train Dispatcher Hubicka
as Counselor Zednicek
as Dr. Brabek
as Max's wife
as Masa's Uncle
as Victoria Freie
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Critic Reviews for Ostre Sledované Vlaky (Closely Watched Trains)
A quiet, charming, very, human film. It comes from Czechoslovakia and isn't pushy like those big American movies; it will not force its point of view on you, or sweep you up in a tide of emotion.
Menzel's film watches people working and laughs at them, among other things: a compressed, quite unwhimsical anecdote, with a special feeling for the gaps between people, and the obsessive clutter which fills them.
[VIDEO ESSAY] Jiří Menzel's 1966 masterwork of the Czechoslovakian New Wave captures the country's unique cultural identity via a subversive wartime story based on a novel by Bohumil Hrabal.
An engaging, dry satire on the the pitfalls of laziness while doubling as a character study.
Audience Reviews for Ostre Sledované Vlaky (Closely Watched Trains)
A master class in direction, mise-en-scène, cinematography and editing (there is not a single shot out of place), and it makes the best use of a smart symbolism and hilarious sarcasm to jibe the Czech people and society as well as the soviet regime they were living under at the time.
A young man's search for identity, and getting laid, is interrupted by World War ll, dammit. Later on Menzel will remake this film ("I Served The King Of England") and it'll be a better film then, but this earlier work pretty well gets all the ideas in there anyway. There's an interestingly parodoxical scene where the hero, unable to "achieve manhood", as he phrases it, goes to a brothel to commit suicide. Funny, no? Yes.
A young man's burgeoning sexuality is a refuge and a distraction from the Nazi occupation. Reading other reviews, I think there is a lot of context that I'm missing. I'm unfamiliar with Czech New Wave cinema or the historical contexts that must have affected the film's production. What I saw was a slow film that didn't amount to much beyond a self-conscious sex comedy. I noticed the satire when pious men deploy religion against sexual urges; though the reality is the complainers are just pissed off they aren't getting laid. And when Milos goes around asking various older women to sleep with him to cure him of "premature ejaculation," it seemed more the matter for a college comedy than an auteur's tour de force. Overall, I wasn't impressed with Closely Watched Trains, but I'm owning my own ignorance in this review.
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