Dial M for Murder Reviews
Good movie. A little too convoluted
Needless to say, to this day, I never keep scissors on top of my desk anymore...
The story line is simple, an opportunistic husband wants to (permanently) get rid of his adulterous, rich wife. Out of the 4 main actors, John Williams shines as the gritty chief inspector, a role he also played in the Broadway version, although his well-practiced performance is eclipsed by the one from Ray Milland, who plays the villainous husband. He keeps his gentlemanly ways until the end of the film, but there is always a sinister shadow at the edge of his constant smile. Grace Kelly as the victimized wife and Robert Cummings as the wife's lover, deliver stock performances; albeit not mis-casted, the give us nothing to be excited about.
One thing that will indeed excite most of us, is the variety of thriller scenes; this is one stirring film. The pace picks up from the beginning and it doesn't stop until the end. The plot is mildly predictable, but fortunately it has a few surprises in store. Modern audiences may be taken aback from the lengthy dialogue, but the aforementioned thrills will keep them from getting bored. One other interesting aspect is how Hitchcock manages how we sympathize between the love triangle. Although the husband is clearly the villain, I had a hard time distributing my sympathy.
Dial M for Murder isn't Hitchcock's best film, fans know that is not Hitchcock's best 1954 film, but it is a good thriller that is ready to entertain the majority of today's viewers. 7.0/10.
First-rate thriller about rich husband who carefully devises plan to bump off his wife, but when it doesn't work out he goes through with another alternative. Stagey at times, but gripping and fascinating, with a handful of memorable performances. Remade (well I may add) in 1998 by Andrew David as A PERFECT MURDER.
Tony (Ray Milland) has retired from professional tennis and living off his rich wife Margot (Grace Kelly) who is having an affair with Mark (Robert Cummings) a crime fiction writer. When Tony learns of this affair, he comes up with an elaborate plan for a perfect murder involving his ex-college mate Swann (Anthony Dawson). When the implementation goes horribly wrong, Tony quickly turns it again to his advantage. But he has to convince shrewd Inspector Hubbard (John Williams) along with Mark.
Though it is highly inconsistent in terms of performances and dialogues, the screenplay is watertight with gripping suspense and a witty plot. What actually is a simple perfect plan, Hitchcock's brilliance shines here with his masterful placing of pieces and strategically joining them. Ray Milland's dialogue delivery is horrible in the beginning but gets better later and Mark's cautious and caring character could have been a little more interesting. Grace Kelly is beautifully shown but John Williams steals the show as the tactful inspector. Background score is loud as in all Hitchcock's movies including a thread that does not leave your head for sometime.
Low budget thriller at its witty best