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No consensus yet.
All Critics (16) | Top Critics (7)
Engrossing. Dec 8, 2016 | Full Review…
Engrossing.
J. R. Jones
Imagine the shock, imagine the adjustment, imagine not wanting to adjust. "Don't Call Me Son" imagines all that and more while calling into question the nature of bonding, blood and close ties. Nov 18, 2016 | Rating: B | Full Review…
Imagine the shock, imagine the adjustment, imagine not wanting to adjust. "Don't Call Me Son" imagines all that and more while calling into question the nature of bonding, blood and close ties.
Tom Long
It revs up, makes its spirited mess of issues, maintains its complicated humanity, then ends. That may not make it everybody's cup of tea, but hey, Muylaert seems to be saying, what movie or person is? Nov 9, 2016 | Full Review…
It revs up, makes its spirited mess of issues, maintains its complicated humanity, then ends. That may not make it everybody's cup of tea, but hey, Muylaert seems to be saying, what movie or person is?
Robert Abele
A hazy drift through vast subjects - the fluidity of adolescence and the fragility of family - Anna Muylaert's Don't Call Me Son works best when it goes small. Nov 3, 2016 | Full Review…
A hazy drift through vast subjects - the fluidity of adolescence and the fragility of family - Anna Muylaert's Don't Call Me Son works best when it goes small.
Melissa Anderson
Indicates a filmmaker of remarkable range, subtlety and intelligence -- a Brazilian talent who's deservedly gaining a place on the world stage. Nov 2, 2016 | Rating: 3.5/4 | Full Review…
Indicates a filmmaker of remarkable range, subtlety and intelligence -- a Brazilian talent who's deservedly gaining a place on the world stage.
Godfrey Cheshire
The narrowness of its perspective and its relatively brief 82-minute length disappoint. Yet "Don't Call Me Son" still manages to be a fascinating, sympathetic portrait of a lost boy abruptly thrown to the wolves. Nov 1, 2016 | Full Review…
The narrowness of its perspective and its relatively brief 82-minute length disappoint. Yet "Don't Call Me Son" still manages to be a fascinating, sympathetic portrait of a lost boy abruptly thrown to the wolves.
Stephen Holden
Don't Call Me Son is an uncomfortable, difficult to categorize, film... [Full review in Spanish] Apr 3, 2018 | Rating: 3.5/5 | Full Review…
Don't Call Me Son is an uncomfortable, difficult to categorize, film... [Full review in Spanish]
Sergio F. Pinilla
This portrait of how human beings adapt makes Don't Call Me Son altogether queer and trans and humanist. Mar 3, 2017 | Full Review…
This portrait of how human beings adapt makes Don't Call Me Son altogether queer and trans and humanist.
Armond White
Nothing in Don't Call Me Son is everyday, and yet everything is presented as such: that's the beauty of Muylaert's contemplation, her embrace of the power of suggestion. Dec 6, 2016 | Full Review…
Nothing in Don't Call Me Son is everyday, and yet everything is presented as such: that's the beauty of Muylaert's contemplation, her embrace of the power of suggestion.
Ray Pride
It's refreshing that Pierre plays in a band, and is uninvolved in drag culture. Who knew that not all boys who defy gender expectations dream of lip-syncing Cher? Nov 17, 2016 | Full Review…
It's refreshing that Pierre plays in a band, and is uninvolved in drag culture. Who knew that not all boys who defy gender expectations dream of lip-syncing Cher?
Sherilyn Connelly
Anna Muylaert's new film, Don't Call Me Son, is a story of both gender and sexual confusion, but Muylaert's protagonist isn't the one who's confused. Nov 3, 2016 | Rating: 8.4/10 | Full Review…
Anna Muylaert's new film, Don't Call Me Son, is a story of both gender and sexual confusion, but Muylaert's protagonist isn't the one who's confused.
Andy Crump
In this story of child abduction, identity, and sexuality, Anna Muylaert seems more interested in themes, like doubling or performing, than the development of her characters. Nov 2, 2016 | Rating: 4/10 | Full Review…
In this story of child abduction, identity, and sexuality, Anna Muylaert seems more interested in themes, like doubling or performing, than the development of her characters.
Chris Barsanti
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