Shirley
Da 5 Bloods
On the Record
I May Destroy You
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All Critics (15) | Top Critics (4) | Fresh (14) | Rotten (1)
On the whole his imagery is forceful. March 25, 2006 | Rating: 3.5/5 | Full Review…
On the whole his imagery is forceful.
Bosley Crowther
Considered by many to be Akira Kurosawa's directorial breakthrough, the movie that introduced Kurosawa the artist to the world. April 10, 2003 | Rating: A- | Full Review…
Considered by many to be Akira Kurosawa's directorial breakthrough, the movie that introduced Kurosawa the artist to the world.
Gary Dowell
It's effective in its own right and a fascinating preview of films to come. June 5, 2001
It's effective in its own right and a fascinating preview of films to come.
Keith Phipps
Akira Kurosawa's first critical success (1948) is an odd blend of American film noir and Italian neorealism. January 1, 2000 | Full Review…
Akira Kurosawa's first critical success (1948) is an odd blend of American film noir and Italian neorealism.
Dave Kehr
An embarrassingly familiar gangster melodrama. Drunken Angel was directed by Akira Kurosawa, who also made the brilliant Rashomon, a fact sufficiently puzzling without having to add that he also made... Ikuru. July 15, 2019 | Full Review…
An embarrassingly familiar gangster melodrama. Drunken Angel was directed by Akira Kurosawa, who also made the brilliant Rashomon, a fact sufficiently puzzling without having to add that he also made... Ikuru.
Dwight MacDonald
This was the first major role for Mifune, the first collaboration between the actor and Kurosawa, and the launch of a career that made Mifune an international star and a Japanese superstar. April 22, 2016 | Full Review…
This was the first major role for Mifune, the first collaboration between the actor and Kurosawa, and the launch of a career that made Mifune an international star and a Japanese superstar.
Sean Axmaker
A combination of "Open City" and "Mean Streets", as well as Kurosawa's first movie and the first one to use Toshiro Mifune. June 11, 2010 | Full Review…
A combination of "Open City" and "Mean Streets", as well as Kurosawa's first movie and the first one to use Toshiro Mifune.
Louis Proyect
the first film to touch on many of Kurosawa's themes unfettered July 17, 2009 | Rating: 3.5/5 | Full Review…
the first film to touch on many of Kurosawa's themes unfettered
Paul Brenner
Brilliant filmmaking that remains powerful and moving today. May 13, 2009 | Rating: 5/5 | Full Review…
Brilliant filmmaking that remains powerful and moving today.
Ken Hanke
Nothing that hasn't been done before in Hollywood, and in many cases better. December 3, 2007 | Rating: B- | Full Review…
Nothing that hasn't been done before in Hollywood, and in many cases better.
Dennis Schwartz
Kurosawa's early stylistic experimentations turn a nightclub stopover into a monstrous parody of an American jitterbug dance-off, and when blood gets finally spilled, it's in a slip-and-slide Yakuza frenzy choreographed amid splattered paint. November 26, 2007 | Rating: 3/4 | Full Review…
Kurosawa's early stylistic experimentations turn a nightclub stopover into a monstrous parody of an American jitterbug dance-off, and when blood gets finally spilled, it's in a slip-and-slide Yakuza frenzy choreographed amid splattered paint.
Fernando F. Croce
Quote not available. June 26, 2005 | Rating: 3/5
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Emanuel Levy
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